Beach house: Katharina Grosse creates a seafront installation at NY’s Fort Tilden

A house ablaze with red and white paint rises from the sand dunes of New York’s Fort Tilden beach, its colours spilling out onto the surrounding ground. Rockaway!, the German artist Katharina Grosse’s latest installation, features her signature spray-paint technique on a condemned building.
It took seven days to complete the project, with Grosse layering three different red paints on top of a white base coat – allowing the white to reflect the sky and bounce back light while the red confronts the viewer. ‘I wanted a very artificial colour in relationship to the nature, the water and the sand,’ says Grosse. ‘Red felt the most visual and hostile, even.’
Rockaway! is part of MoMA PS1’s programming in Rockaway, New York, which aids the ongoing recovery of the area after Hurricane Sandy hit in 2012. Klaus Biesenbach, director of MoMA PS1 and chief curator-at-large at the MoMA, commissioned Grosse for this summer’s program after seeing her work for Prospect.1 in New Orleans, where she had painted an abandoned house in the Ninth Ward.
Unlike Grosse’s New Orleans house – where she only painted the exterior – Rockaway! is fully immersive. ‘In here, I am inside and I am outside and I am relating it far more to its components like the sky and the sea and this open setting,’ she says.
In order to achieve this continuity, Grosse had to completely change her original plan. She had made two models of the site in her Berlin studio to map out her approach. However, when she began painting, she stepped back and realised it wouldn’t work at all. 'It only related to the house itself, it didn’t pick up the things outside it, so I had to completely invent a new process, which was fascinating.’
It took seven days to complete the project, with Grosse layering three different red paints on top of a white base coat
Rockaway! is part of MoMA PS1’s programming on the eponymous Queens peninsula, which aids the ongoing recovery of the area after Hurricane Sandy hit in 2012
Rockaway! is fully immersive. ‘In here, I am inside and I am outside and I am relating it far more to its components like the sky and the sea and this open setting,’ Grosse says
‘I wanted a very artificial colour in relationship to the nature, the water, and the sand,’ says Grosse. ‘Red felt the most visual and hostile, even’
INFORMATION
Rockaway! is on view until November 2016. For more information, visit MoMA PS1’s website
Photography: Pablo Enriquez
ADDRESS
Fort Tilden
169 State Road
Breezy Point, NY 11697
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
Highlights from the transporting Cruise 2026 shows
The Cruise 2026 season began yesterday with a Chanel show at Lake Como, heralding the start of a series of jet-setting, destination runway shows from fashion’s biggest houses
-
Behind the design of national pavilions in Venice: three studios to know
Designing the British, Swiss and Mexican national pavilions at the Venice Architecture Biennale 2025 are three outstanding studios to know before you go
-
Premium patisserie Naya is Mayfair’s latest sweet spot
Heritage meets opulence at Naya bakery in Mayfair, London. With interiors by India Hicks and Anna Goulandris, the patisserie looks good enough to eat
-
Ai Weiwei’s new public installation is coming soon to Four Freedoms State Park
‘Camouflage’ by Ai Weiwei will launch the inaugural Art X Freedom project in September 2025, a new programme to investigate social justice and freedom
-
Leonard Baby's paintings reflect on his fundamentalist upbringing, a decade after he left the church
The American artist considers depression and the suppressed queerness of his childhood in a series of intensely personal paintings, on show at Half Gallery, New York
-
Desert X 2025 review: a new American dream grows in the Coachella Valley
Will Jennings reports from the epic California art festival. Here are the highlights
-
In ‘The Last Showgirl’, nostalgia is a drug like any other
Gia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
-
‘American Photography’: centuries-spanning show reveals timely truths
At the Rijksmuseum in Amsterdam, Europe’s first major survey of American photography reveals the contradictions and complexities that have long defined this world superpower
-
Sundance Film Festival 2025: The films we can't wait to watch
Sundance Film Festival, which runs 23 January - 2 February, has long been considered a hub of cinematic innovation. These are the ones to watch from this year’s premieres
-
What is RedNote? Inside the social media app drawing American users ahead of the US TikTok ban
Downloads of the Chinese-owned platform have spiked as US users look for an alternative to TikTok, which faces a ban on national security grounds. What is Rednote, and what are the implications of its ascent?
-
Architecture and the new world: The Brutalist reframes the American dream
Brady Corbet’s third feature film, The Brutalist, demonstrates how violence is a building block for ideology