'The Way We Live' by Iwan Baan at Perry Rubenstein Gallery, Los Angeles
Leaf through the pages of any architecture magazine and chances are you'll come across a photograph by Dutch photographer Iwan Baan. After just eight years in practice, Baan has set himself apart by adding a human element to the architectural works of such heavyweights as OMA, SANAA, Zaha Hadid, among others.
Fresh from winning a Golden Lion at the Venice Architectural Biennale alongside collaborators Urban Think Tank and Justin McGuirk for his documentation of Torre David, an abandoned skyscraper in Caracas, Venezuela colonised by locals, Baan makes the jump to fine art photography with 'The Way We Live' opening at the Perry Rubenstein Gallery in Los Angeles.
The two-month exhibition looks back at Baan's practice with large-scale prints of selected works throughout his career. At the forefront is 'The City and the Storm,' his powerful image of Manhattan in the throes of Hurricane Sandy. Printed in a limited edition of 10, 'The City and The Storm' will be sold for $100,000 each to benefit the Mayor's Fund To Advance New York City in support of Hurricane Sandy relief efforts.
Wallpaper* caught up to Baan in anticipation of his exhibition…
How do you approach your photography?
My background is more documentary photography. I fell into the architecture field by accident when I was starting to work with Rem Koolhaas on the CCTV Towers. I think it's important in photography to give a better understanding of place in order to give these overviews. I'm always fascinated by the old Japanese drawings where you see this amazing landscape of things happening in the foreground slowly moving to the horizon in the background. It's the way I construct my pictures as well. I like taking it from a higher standpoint starting with a ladder or climbing scaffolding or even getting into a helicopter.
A helicopter proved invaluable when you took what is now 'The City and The Storm'. What did you feel when flying above Manhattan at the time?
The strange thing is that in a way, I was unconsciously completely prepared for that picture. I fly a lot by helicopter over New York. In my mind, that was the only way to show the city divided in half, the fully thriving New York and the New York without any power. I have taken that picture a couple of times before from exactly that same point of view, but not under those circumstances. This picture was a natural way to show New York as an island. I didn't really realise the impact of the picture until after it was published and the whole world saw it.
Could you tell us about your chosen theme, 'The Way We Live'?
It's the theme that runs through all my work. My interest from very high-end architecture to completely informal housing and how people construct their environment themselves is very important. I've done a few shows, but this is my first large overview show to go back eight years of practice and pick important works that really tell a story of how I look at the built environments and the way people live - from someone in their condo in Fifth Avenue to a little hut in Africa.
And it's all large-format photographs.
Yes. The space is very bright, large and open. It lends itself to large-scale works. A lot of people know my work from a one-quarter page or a spread, but it's very different to see the work in a large size. You can really dive in.
Aside from this exhibition, what other projects are you working on?
Right now I'm working with Harvard University on a book on the Kumbh Mela festival in India. It's this extremely bright and colourful festival where the holy figures from India all come together. When they do, the largest temporary megacity ever built is constructed over one and a half months and it stays there for two months and then disappears completely. It's fascinating.
ADDRESS
Perry Rubenstein Gallery
1215 N. Highland Avenue
Los Angeles CA 90038
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
-
Utilitarian men’s fashion that will elevate your everyday
From Prada to Margaret Howell, utilitarian and workwear-inspired men’s fashion gets an upgrade for S/S 2024
By Jack Moss Published
-
Gerhard Richter unveils new sculpture at Serpentine South
Gerhard Richter revisits themes of pattern and repetition in ‘Strip-Tower’ at London’s Serpentine South
By Hannah Silver Published
-
Vipp’s Scandinavian guesthouse offers a sleek setting amid a wild landscape
Vipp Cold Hawaii is a Scandinavian guesthouse designed by architecture studio Hahn Lavsen in Denmark’s Thy National Park
By Sofia de la Cruz Published
-
The cosmos meets art history in Vivian Greven’s New York exhibition
Vivian Greven’s ‘When the Sun Hits the Moon’, at Perrotin in New York City, is the artist’s first solo exhibition in the USA
By Emily McDermott Published
-
The Met’s ‘The Real Thing: Unpacking Product Photography’ dissects the avant-garde in early advertising
A new exhibition at The Metropolitan Museum of Art in New York explores the role of product photography and advertising in shaping the visual language of modernism
By Zoe Whitfield Published
-
Detroit Institute of Arts celebrates Black cinema
‘Regeneration: Black Cinema 1898-1971’ at the Detroit Institute of Arts (DIA) brings lost or forgotten films, filmmakers and performers to a contemporary audience
By Anne Soward Published
-
Jean-Michel Basquiat’s LA-made work goes on show at Gagosian
‘Made on Market Street’ at Gagosian in Beverly Hills is the first show to present works made by the young artist between 1982 and 1984
By Hunter Drohojowska-Philp Published
-
BLUM marks 30 years of Japanese contemporary art in America
BLUM will take ‘Thirty Years: Written with a Splash of Blood’ to its New York space in September 2024, continuing its celebration of Japanese contemporary art in America
By Timothy Anscombe-Bell Published
-
Todd Gray’s sculptural photography collages defy dimension, linearity and narrative
In Todd Gray’s New York exhibition, he revisits his 40-year archive, fragmented into elaborated frames that open doors for new readings
By Osman Can Yerebakan Published
-
Frieze LA 2024 guide: the art, gossip and buzz
Our Frieze LA 2024 guide includes everything you need to know and see in and around the fair
By Renée Reizman Published
-
What happened when Spike Jonze met Björk
Spike Jonze’s ‘The Day I Met Björk’, curated by Humberto Leon, is at Arroz & Fun in Los Angeles and accompanied by a free, downloadable zine from WeTransfer
By Hannah Silver Published