Nothing Phone (2) doubles down on the brand’s minimalist, low-key aesthetic
Nothing Phone (2) is the alternative choice, a high-tech handset designed to wean you off digital distractions without compromising quality or function

Almost a year to the day, Nothing replaces its debut handset, the Nothing Phone (1) with – unsurprisingly – the Nothing Phone (2). We get hands-on with this evolution of the esoteric company’s latest device, noting its key features and the ways in which it diverges from the smartphone standard.
The Phone (1)’s big point of difference was its disavowal of shiny solid materials in favour of a transparent look that revealed the (artfully arranged) inner workings of the device. Phone (2) is more of the same: once you’ve torn into the plastic-free packaging (which also tells us that 53 of the phone’s parts are made from sustainable materials) and shunned the hollow unboxing ritual, you’re greeted with a ‘naked’ device, with layered elements delineated by Nothing’s ‘Glyph’ interface.
Nothing Phone (2): our hands-on review
The latter is a series of hieroglyphic-style lights that serve multiple functions in the Nothing OS 2.0, including caller ID, notifications and the intriguing Glyph Timer function, which turns the phone into a very high-tech egg timer. There’s also an experimental feature that uses the case lighting to countdown the arrival of an Uber or food delivery, as well as a Glyph Composer app for creating custom ringtones and notifications. Essentially a stripped-down beat sequencer, it reveals the creative synergy between Nothing and another glitch-tech pioneer, Teenage Engineering.
There are other advantages and features in Nothing OS 2.0, a jazzed up and re-skinned version of Android that ensures the Nothing ethos and aesthetic are mirrored across phone and software. The main screen is now monochrome and muted, removing the ‘crutch of colour cues’, in Nothing’s words, in order to focus the mind and detract from the chocolate box array of tempting app icons that so often lures us into wasted time.
To this end, the new OS also features a number of custom widgets, effectively compartmentalising your most used apps into tiles you can check at a glance, without having to open them. These can also be put on the lock screen, further minimalising the need to fire up the phone.
We were also impressed by the Phone (2)’s camera system, which has not only been upgraded with new filters, a document mode, and the ability to record 4K video at 60fps, but delivers impressive levels of detail and colour via the Advanced HDR function. This digital blend of eight varying degrees of exposure (up from three in the Phone (1)) creates vivid, crisp photographs, albeit with that sheen of processed perfection we’ve come to expect from our smart devices. The front camera sensor is also doubled in capacity. The screen size has also crept up (6.7in vs 6.55in) – this is not a small phone, by any stretch.
Should you upgrade? Phone (1) fans will find more of what they love in the (2), but their enthusiasm might be tempered by the thought of replacing a perfectly good device with something so shiny and new; sustainability and transparency are central to the Nothing ethos. Amongst other initiatives, the company publishes the carbon footprint of its devices, giving the Phone (1) a figure of 53.45kg. This 8.6 per cent less than the first phone, and around 10kg lower than the figure Apple issued for its iPhone 13 back in September 2021.
The Nothing eco-system: Ear (2) earbuds, Phone (2) and Ear (stick) earbuds
These calculations are notoriously subjective. Of more importance are the levels of recycled materials used in the device itself (the frame is 100 per cent recycled aluminium, for example), and what happens at the end of a product’s lifecycle. If you’re attracted by Nothing’s ongoing journey to minimalist tech, the Phone (2) is a perfect place to get on board. True believers might want to hold on to their original device for a while longer, particularly as the Nothing OS 2.0 update will apply to all the company’s phones.
Nothing Phone (2), available in both white and dark grey, 8GB/128GB (£579 GBP, €679 EUR), 12GB/256GB (£629 GBP, €729 EUR), and 12GB/512GB (£699 GBP, €849 EUR)
Available to buy at Nothing.tech
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
-
Is the Audemars Piguet and Travis Scott Royal Oak the collaboration of the year?
The new Royal Oak Perpetual Calendar from Audemars Piguet and Travis Scott comes in a delicious chocolate ceramic
By Thor Svaboe Published
-
Bless interprets Fendi’s world for its immersive Design Miami 2023 installation
Provocative situation design duo Bless go behind the scenes at Fendi for ‘Backfrontal’, the Italian fashion house’s presentation at Design Miami 2023 (6-10 December)
By Dal Chodha Published
-
Helen Johnson explores bodily distortion and ablution at Pilar Corrias
Helen Johnson’s ‘Opening’, at Pilar Corrias in London, unites psychological motives and physicality
By Emily Steer Published
-
Three new record players offer fresh ways to experience old vinyl
Each of these recently released record players makes it easy to bring the warmth of vinyl back into your daily listening habits
By Jonathan Bell Published
-
Humane’s Ai Pin is a wearable personal assistant, powered by artificial intelligence
The launch of the Humane Ai Pin sees invisible computing and ubiquitous AI take a big step towards the mainstream
By Jonathan Bell Published
-
Google Pixel Watch 2 wants to look after you
The Google Pixel Watch 2 harnesses the power and potential of FitBit, which the company acquired in 2022, for both personal wellness and safety
By Pei-Ru Keh Published
-
Fender Tone Master Pro hopes to capture the ears of guitarists everywhere
The new Fender Tone Master Pro is the company’s first foray into digital multi-effects systems, a sophisticated unit that blends retro style with high-end electronics
By Jonathan Bell Published
-
Six new speakers with a twist offer a stylish sonic experience
From custom-built cabinets to solar-powered wireless systems, these six new speakers have qualities that set them apart from the crowd
By Jonathan Bell Published
-
The latest over-ear headphones offer easy listening and effortless style
Over-ear headphones, whether wireless or wired, offer comfortable listening, effective noise-cancelling and crystal-clear calls
By Jonathan Bell Published
-
New Polaroid I-2 sees the revitalised brand continue to innovate
The Polaroid I-2 adds manual controls, digital connectivity and a host of high-quality improvements to this familiar creative tool
By Jonathan Bell Published
-
Music makers: from pocket synths to standalone beat machines, we’ll help you make some noise
Ten of the best-designed audio devices and experimental instruments for music makers
By Jonathan Bell Published