Future-facing: a new monograph explores 40 years of Wilmotte & Associates

‘Wilmotte feels like architecture is a way of organising light.’ Such are the musings that appear in an epic new tome of works by the Parisian architect, Jean-Michel Wilmotte. As one can imagine, a career that spans 40 years makes a meaty book; but this is a worthwhile publication – a photographic journey spanning museums, stadiums, towers and more.
Delineating by types of building, editor José Alvarez has created an in-depth encyclopaedia of Wilmotte's projects, showing off a diverse oeuvre; where his museography for the Rijksmuseum in Amsterdam boasts striking graphic lines, the skirt of wood wrapped around the entrance of the École de Formation des Barreaux de Paris in Issy-les-Moulineaux evokes femininity.
With a practice that has over 200 employees, the mastery of Wilmotte's success is often shared; ‘When he begins a new project, he does so without preconceived ideas, without recipes, yet armed with axioms built not only on experience but an almost entomological sense of observation,’ the book's text states. This wisdom is applied far and wide, from the oxidised copper of the Seoul Auction House, built in 1999, to the renovated boathouse in Venice that Wilmotte restored into his own foundation gallery.
The pages observe the decades of work via interesting perspectives, zooming in where details of the buildings become patterns, or shooting their silhouettes in the shadows of the city in which they are built. Alvarez closes with a timeline of JM Wilmotte's accomplishments that looks to the future, featuring speculative plans for 2016–2020.
Chaptered by building type, editor José Alvarez creates an in-depth encyclopaedia that effectively shows off the practice's 40-year history. Pictured: Château Pédesclaux winery.
The tome exists as a photographic journey through Wilmotte's museums, stadiums, towers and more
'When he begins a new project, he does so without preconceived ideas, without recipes, yet armed with axioms built not only on experience but an almost entomological sense of observation,’ explains Alvarez in the book's text. Pictured: EFB Lawyer School.
Richaud (formerly Royal) Hospital, Versailles.
The pages observe his decades of work with interesting perspectives, zooming in where details of the buildings become patterns. Pictured: the detail of a ceiling in a private home; 'I like to work with shadow gaps,' explains Wilmotte
In contrast to the details, the building's silhouettes are sometimes shown shot in the shadows of city in which they are built. Pictured: private home in Flaysoc, 2005
Russian Orthodox Spiritual and Cultural Centre, Paris, 2016.
Plans for Wilmotte's Allianz Riviera stadium, Nice, 2013
INFORMATION
Wilmotte, by José Alvarez, €69, by Editions du Regard. For more information, visit the publisher’s website
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Sujata Burman is a writer and editor based in London, specialising in design and culture. She was Digital Design Editor at Wallpaper* before moving to her current role of Head of Content at London Design Festival and London Design Biennale where she is expanding the content offering of the showcases. Over the past decade, Sujata has written for global design and culture publications, and has been a speaker, moderator and judge for institutions and brands including RIBA, D&AD, Design Museum and Design Miami/. In 2019, she co-authored her first book, An Opinionated Guide to London Architecture, published by Hoxton Mini Press, which was driven by her aim to make the fields of design and architecture accessible to wider audiences.
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