Surrealist townhouse Villa Junot lights up Montmartre – and it’s for rent
We go inside Montmartre’s Villa Junot, a former composer’s home reimagined by interior design studio Claves, where surrealism meets art deco splendour

In the heights of Montmartre, a hilly village in the 18th arrondissement of Paris with a strong artistic past that counts Max Ernst, André Bréton, Pablo Picasso, and Jean Cocteau among its past inhabitants, sits Villa Junot, a grand hôtel particulier-turned-private villa rental by Iconic House. The art deco residence was built in the 1920s for French operatic composer André Mauprey, and was recently acquired by brothers Robin Michel and Thibaud Elzière, co-founders of Iconic House, to serve as the brand’s first Parisian outpost.
Explore this somewhat surrealist Montmartre townhouse
The Iconic House team wanted the space to reflect Mauprey’s musical past and pay homage to the spectacles of the surrealist movement’s close ties to Montmartre, as well as the art deco era in which the home was built and is evidenced in its stately façade. To balance reverence and reinvention, the company enlisted the firm Claves, a rapidly rising star in the design world founded by Laure Gravier and Soizic Fougeront, who met while working under Pierre Yovanovitch. The team set to work, poring over the Paris archives to pull original blueprints and historical details, then set about reimagining the home with modern comforts including an elevator, a gym, a chef’s kitchen, and a spa complete with a pool, a hammam, and a sauna.
'When you see it from the outside, the house looks like a little castle,' says Gravier. 'It was important to us that you marvel as you walk through it; that each room unfolds like a surprise, like a theatrical set.'
In collaboration with Michel and Elzière, Claves dreamed up a surrealist fantasy that’s high on drama and intrigue, with playful architectural interventions and ornamentation, including plasterwork arches, wrought iron emblems, painted frescos, tiled mosaics, delicate embroidery, and other bespoke touches that masterfully work in tandem to bring the story of the villa to life and blend the visual language of art deco with the absurdism of surrealism and the theatricality of its previous owner. 'We don’t work step-by-step,' Fougeront adds. 'Laure sees each space globally. She’s drawing the plan while imagining the symmetry, volumes, arches, and colours, as if designing a stage set.'
The grand salon alone is a marvel of majestic proportions with its double-height cathedral ceiling, interior Juliet balconies, original plaster relief above the fireplace, dramatic drapery, and custom burgundy carpeting, which Claves designed to feature bars of music scores composed by Mauprey, and whose deep red anchors the space in the visual codes of its art deco era.
Throughout the house are custom designs by Claves, including cushions, blinds, carpets, sofas, and a three-piece angular dining table in the dining room. The team relied on a bevvy of local artists and skilled artisans, who lent their talents to the project, among them Sophie Toporkoff of Atelier Toporkoff (previously of Hermès and Maison Margiela), for her delicate stained-glass panels; Galatee Martin, who painted a fresco in the entry alcove depicting Eloi de la Plume, a mythical muse of the house; and Montmartre-based artist Gaultier Rimbault, who contributed a mirror painting for the primary bedroom.
Additional flourishes include ironwork shaped like musical notes, plasterwork over a fireplace that drapes like fabric, and pieces by contemporary designers including Sophie Lou Jacobsen, Thalia Dalecky, and Léa Zéroil. Tying it all together is a muralled, trompe-l’oeil staircase that winds between each of the four floors painted by Mauro Ferreira, whose perspective is heightened by Claves’ smoothed arches that together provide a dizzyingly disorienting effect.
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To bring in surrealist motifs, Claves was also responsible for developing the art programming in the house, which includes a range of newly commissioned works such as paintings by local Montmartre artist Thibaud Perrigne as well as lithographs, prints, posters and other works found at auctions, flea markets, or elsewhere.
'We want to share our vision of Paris: a city that’s creative, inspired, bucolic, romantic, and rich with character. Montmartre brims with secrets, between its artists’ studios and galleries, hillside vineyard, timeless cafés, and hidden gardens tucked behind stone walls,' explains Michel. 'This house tells the story of that other Paris.'
Katherine McGrath is a writer, editor, and creative consultant based in Paris. She has spent over a decade covering art, culture, architecture, travel, luxury, and design, as well as food, film, and fashion on occasion. Her work has appeared in T: The New York Times Style Magazine, Vogue, Condé Nast Traveler, Cultured, L’Officiel, Artsy, and Creative Nonfiction, among other publications. She previously held editorial roles at Architectural Digest and Assouline, where she oversaw the editing and development of both in-house and client titles. She lives by the Bastille with her boyfriend and their dog.
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