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Eating With The Eyes, by Harry Pearce, £39.95, published by Unit Editions. For more information, visit the publisher’s website
Photography: Harry Pearce. Design: Pentagram
Believing that the best things in life happen by accident could be seen as a relatively aimless way to live one’s life, but Harry Pearce proves a point with the enthralling images in his new monograph Eating with the Eyes. The tome features a haphazard world of photographs, taken spontaneously during his extensive travels.
Known initially as graphic designer and for his work at Pentagram, Pearce has been an avid photographer since his father gifted him a camera as a child. A world away from his visual wordplay book Conundrums, Eating with the Eyes sends the viewer to a more intimate place, channelling Pearce’s journeys to Italy, Havana, Beijing and beyond.
The results are mesmerising, Pearce manages to create accidental art from surprising forms like dirt, splashed paint and eroded forms. Sometimes dark and mysterious, Pearce gives these abandoned objects extraordinary attention and a story of their own.
The mystery in each image is short-lived, as the photographs are captioned with location details, placing them specifically within Pearce’s visual pilgrimage. The narrative is taken further still, as he often describes the situation surrounding the picture: ‘an exquisite pile of bricks from Beijing Hutong... they have the spirit of Lao Tzu imbued in them’, for example.
Pearce finds abstract patterns in drain covers and street lines in Hong Kong, and subtle beauties in corroded pipework and destroyed plaster in Puglia. Imbued with a calming, anecdotal sentiment, ‘this book is visual meditation’, he explains.
Compiled as a visual narrative, the book chronicles Pearce’s travels through Italy, Havana, Beijing and beyond. Pictured: luminescent emerald scarves up against the Great Wall in Beijing. Pearce describes how he couldn’t capture the sheer intensity of colour on camera
Compiled as a visual narrative, the book chronicles Pearce’s travels through Italy, Havana, Beijing and beyond. Pictured: luminescent emerald scarves up against the Great Wall in Beijing. Pearce describes how he couldn’t capture the sheer intensity of colour on camera
Pearce goes beyond the picture to tell a story; here he notes that three men were sitting on these chairs before this image was taken – their presence seemed to remain after they had left
Pearce goes beyond the picture to tell a story; here he notes that three men were sitting on these chairs before this image was taken – their presence seemed to remain after they had left
Random letterforms in Delhi – ’... the letterforms had been moved, creating a fantastic moment, the spirit of which is at the heart of so much of this book’.
Random letterforms in Delhi – ’... the letterforms had been moved, creating a fantastic moment, the spirit of which is at the heart of so much of this book’.
Cultural histories are also explored in the book’s narrative. Pictured: Pearce explains the different cultural meanings these hand prints hold between Jerusalem – where they were made – and in India, where such marks celebrate the beginning of a new home
Cultural histories are also explored in the book’s narrative. Pictured: Pearce explains the different cultural meanings these hand prints hold between Jerusalem – where they were made – and in India, where such marks celebrate the beginning of a new home
Beams from the ceiling of a collapsed roof in North Adams, Massachusetts – ’I see ancient hills, pathways with people in exodus,’ Pearce notes
Beams from the ceiling of a collapsed roof in North Adams, Massachusetts – ’I see ancient hills, pathways with people in exodus,’ Pearce notes
