The grooming trends that shaped New York Fashion Week S/S 2015
The grooming trends that shaped New York Fashion Week S/S 2015
Thom Browne: The American designer was ambitious with his make-up look for spring. He enlisted MAC artists to style models as marble statues with pale, delicate skin, 1960s statement eyes and a playful array of colour on the nails
Thom Browne: The American designer was ambitious with his make-up look for spring. He enlisted MAC artists to style models as marble statues with pale, delicate skin, 1960s statement eyes and a playful array of colour on the nails
Marc by Marc Jacobs: Guido Palau's hair for Marc by Marc was styled in small, twisted top buns forming an abstract Mohawk, alongside glowing, polished skin by make-up artist Diane Kendal. Models' faces were highlighted with lip balm in all the right places for a natural sheen
Marc by Marc Jacobs: Guido Palau's hair for Marc by Marc was styled in small, twisted top buns forming an abstract Mohawk, alongside glowing, polished skin by make-up artist Diane Kendal. Models' faces were highlighted with lip balm in all the right places for a natural sheen
Victoria Beckham: The ladies at Victoria Beckham wore hair long and straight and swept across the forehead from extreme side partings. Skin was bronzed and dewy, with just a dab of blush-pink on the lips
Victoria Beckham: The ladies at Victoria Beckham wore hair long and straight and swept across the forehead from extreme side partings. Skin was bronzed and dewy, with just a dab of blush-pink on the lips
Rag & Bone: Models wore a fresh, romantic make-up look for spring at Rag & Bone. Lead artist Gucci Westman created natural, glowing skin with a soft bitten lip, highlighted cheekbones and simple, slicked-back hair
Rag & Bone: Models wore a fresh, romantic make-up look for spring at Rag & Bone. Lead artist Gucci Westman created natural, glowing skin with a soft bitten lip, highlighted cheekbones and simple, slicked-back hair
Marc Jacobs: With an abundance of 'no make-up' looks dominating the runway, Marc Jacobs went one step further and removed the make-up altogether. Just a coating of face cream and a uniform wig helped to create his own idea of a 'model army'. The only cosmetic in show was a dark burgundy shade of Jacobs' limited-edition nail lacquer, applied on the toes
Marc Jacobs: With an abundance of 'no make-up' looks dominating the runway, Marc Jacobs went one step further and removed the make-up altogether. Just a coating of face cream and a uniform wig helped to create his own idea of a 'model army'. The only cosmetic in show was a dark burgundy shade of Jacobs' limited-edition nail lacquer, applied on the toes
Proenza Schouler: Diane Kendal also decided to forego make-up at Proenza Schouler, instead lathering the models with a moisturising primer, achieving a radiant, natural complexion
Proenza Schouler: Diane Kendal also decided to forego make-up at Proenza Schouler, instead lathering the models with a moisturising primer, achieving a radiant, natural complexion
Michael Kors: With make-up by Dick Page and hair by Orlando Pita, the models at Michael Kors looked as if they'd spent the afternoon driving a convertible with the roof down. Bronzer was liberally applied, while the hair was given a rough, tousled volume
Michael Kors: With make-up by Dick Page and hair by Orlando Pita, the models at Michael Kors looked as if they'd spent the afternoon driving a convertible with the roof down. Bronzer was liberally applied, while the hair was given a rough, tousled volume
Altuzarra: Tom Pecheux's make-up for Altuzurra featured doll-like statement lashes, a sweep of baby-doll pink on the lids and overdrawn lips filled in with pale pastel pink. It was accompanied by a heart-shaped chignon styled by Odile Gilbert
Altuzarra: Tom Pecheux's make-up for Altuzurra featured doll-like statement lashes, a sweep of baby-doll pink on the lids and overdrawn lips filled in with pale pastel pink. It was accompanied by a heart-shaped chignon styled by Odile Gilbert
Diesel Black Gold: Guido Palau styled the models' hair into slick, futuristic ponytails with a lacquered sheen at Diesel. The make-up by Pat McGrath gave the girls a New Wave edge, with bare-looking skin and a contrastingly bold cat eye
Diesel Black Gold: Guido Palau styled the models' hair into slick, futuristic ponytails with a lacquered sheen at Diesel. The make-up by Pat McGrath gave the girls a New Wave edge, with bare-looking skin and a contrastingly bold cat eye
Donna Karan: At Donna Karan, models got minimalist faces with a sweep of colour on their cheeks. Make-up artist Charlotte Tilbury added subtle highlighting and a nude lip to create a sporty summer glow
Donna Karan: At Donna Karan, models got minimalist faces with a sweep of colour on their cheeks. Make-up artist Charlotte Tilbury added subtle highlighting and a nude lip to create a sporty summer glow
Boss: Pat McGrath's make-up for Boss contoured around the models' features for a sharp, defined look. Brushed-up, natural brows were accompanied by defined cheekbones, nude lips and highlighter on the bridge of the nose and in the inner corners of the eyes for a youthful, refreshed finish
Boss: Pat McGrath's make-up for Boss contoured around the models' features for a sharp, defined look. Brushed-up, natural brows were accompanied by defined cheekbones, nude lips and highlighter on the bridge of the nose and in the inner corners of the eyes for a youthful, refreshed finish
Jason Wu: With a look inspired by British actress Charlotte Rampling, Diane Kendal delicately traced eyes with a deep, rich brown eyeliner, rubbing parts away with face cream to create a soft, dewy effect. Lips were kept nude with a soft stroke of rose to the cheekbones
Jason Wu: With a look inspired by British actress Charlotte Rampling, Diane Kendal delicately traced eyes with a deep, rich brown eyeliner, rubbing parts away with face cream to create a soft, dewy effect. Lips were kept nude with a soft stroke of rose to the cheekbones
Lacoste: Make-up by Mayia Alleaume at Lacoste was mostly minimal, showcasing strong cheekbones and a bold brow. Hair styled by Laurent Philippon was roughly tied in a low ponytail with sporadic partings
Lacoste: Make-up by Mayia Alleaume at Lacoste was mostly minimal, showcasing strong cheekbones and a bold brow. Hair styled by Laurent Philippon was roughly tied in a low ponytail with sporadic partings
Osklen: Antoinette Beenders created an organic, sculptural look for the models' soft, billowy clothes. MAC make-up artists complemented the natural theme with 'no make-up' makeup and a dotting of colour on the cheeks
Osklen: Antoinette Beenders created an organic, sculptural look for the models' soft, billowy clothes. MAC make-up artists complemented the natural theme with 'no make-up' makeup and a dotting of colour on the cheeks
Ralph Lauren: Tom Pecheux gave models at Ralph Lauren a sun-kissed glow, with a light gold shimmer on the eyelids and subtle blush-bronzer that oozed sophistication and elegance. Hair styled by Guido Palau was blow-dried smooth and tied back into a simple low ponytail
Ralph Lauren: Tom Pecheux gave models at Ralph Lauren a sun-kissed glow, with a light gold shimmer on the eyelids and subtle blush-bronzer that oozed sophistication and elegance. Hair styled by Guido Palau was blow-dried smooth and tied back into a simple low ponytail
Reed Krakoff: Orlando Pita parted the models' hair while damp and pulled it back into a low ponytail for a modern, accessible style at Reed Krakoff. Roots were treated with a volumising spray foam for a classic look with an edge. Natural make-up put an emphasis on contouring for a defined, sculptural look
Reed Krakoff: Orlando Pita parted the models' hair while damp and pulled it back into a low ponytail for a modern, accessible style at Reed Krakoff. Roots were treated with a volumising spray foam for a classic look with an edge. Natural make-up put an emphasis on contouring for a defined, sculptural look