Marc by Marc Jacobs: Guido Palau's hair for Marc by Marc was styled in small, twisted top buns forming an abstract Mohawk, alongside glowing, polished skin by make-up artist Diane Kendal. Models' faces were highlighted with lip balm in all the right places for a natural sheen.
Victoria Beckham: The ladies at Victoria Beckham wore hair long and straight and swept across the forehead from extreme side partings. Skin was bronzed and dewy, with just a dab of blush-pink on the lips
Rag & Bone: Models wore a fresh, romantic make-up look for spring at Rag & Bone. Lead artist Gucci Westman created natural, glowing skin with a soft bitten lip, highlighted cheekbones and simple, slicked-back hair
Marc Jacobs: With an abundance of 'no make-up' looks dominating the runway, Marc Jacobs went one step further and removed the make-up altogether. Just a coating of face cream and a uniform wig helped to create his own idea of a 'model army'. The only cosmetic in show was a dark burgundy shade of Jacobs' limited-edition nail lacquer, applied on the toes.
Proenza Schouler: Diane Kendal also decided to forego make-up at Proenza Schouler, instead lathering the models with a moisturising primer, achieving a radiant, natural complexion.
Michael Kors: With make-up by Dick Page and hair by Orlando Pita, the models at Michael Kors looked as if they'd spent the afternoon driving a convertible with the roof down. Bronzer was liberally applied, while the hair was given a rough, tousled volume.
Altuzarra: Tom Pecheux's make-up for Altuzurra featured doll-like statement lashes, a sweep of baby-doll pink on the lids and overdrawn lips filled in with pale pastel pink. It was accompanied by a heart-shaped chignon styled by Odile Gilbert.
Diesel Black Gold: Guido Palau styled the models' hair into slick, futuristic ponytails with a lacquered sheen at Diesel. The make-up by Pat McGrath gave the girls a New Wave edge, with bare-looking skin and a contrastingly bold cat eye.
Donna Karan: At Donna Karan, models got minimalist faces with a sweep of colour on their cheeks. Make-up artist Charlotte Tilbury added subtle highlighting and a nude lip to create a sporty summer glow.
Boss: Pat McGrath's make-up for Boss contoured around the models' features for a sharp, defined look. Brushed-up, natural brows were accompanied by defined cheekbones, nude lips and highlighter on the bridge of the nose and in the inner corners of the eyes for a youthful, refreshed finish
Jason Wu: With a look inspired by British actress Charlotte Rampling, Diane Kendal delicately traced eyes with a deep, rich brown eyeliner, rubbing parts away with face cream to create a soft, dewy effect. Lips were kept nude with a soft stroke of rose to the cheekbones
Lacoste: Make-up by Mayia Alleaume at Lacoste was mostly minimal, showcasing strong cheekbones and a bold brow. Hair styled by Laurent Philippon was roughly tied in a low ponytail with sporadic partings
Osklen: Antoinette Beenders created an organic, sculptural look for the models' soft, billowy clothes. MAC make-up artists complemented the natural theme with 'no make-up' makeup and a dotting of colour on the cheeks
Ralph Lauren: Tom Pecheux gave models at Ralph Lauren a sun-kissed glow, with a light gold shimmer on the eyelids and subtle blush-bronzer that oozed sophistication and elegance. Hair styled by Guido Palau was blow-dried smooth and tied back into a simple low ponytail
Reed Krakoff: Orlando Pita parted the models' hair while damp and pulled it back into a low ponytail for a modern, accessible style at Reed Krakoff. Roots were treated with a volumising spray foam for a classic look with an edge. Natural make-up put an emphasis on contouring for a defined, sculptural look
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The world’s best swimwear brands, according to Wallpaper*From architectural precision to a sense of ease and luxury, our comprehensive guide to the world’s best swimwear brands – for both men and women – will help you find the perfect beach attire this summer
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Aesop’s Queer Library bookmarks brilliant literature, no purchase requiredReturning to London’s Soho, 3-6 July 2025, the Queer Library pop-up offers complimentary books by LGBTQIA+ authors and allies
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Wangechi Mutu's powerful sculptures take over the palatial interiors of Rome's Galleria BorgheseThe Kenyan-born artist is the first living woman to have a solo exhibition at the villa
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Everything you need to know about the Met Gala 2025 and ‘Superfine: Tailoring Black Style’ exhibitionEverything Wallpaper* knows about the Met Gala 2025 – from the dress code to the exhibition theme and A-list co-chairs
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Sarah Moon brings painterly fashion and dark fantasy to Fotografiska New YorkOctogenarian French photographer and filmmaker Sarah Moon shows 30 years of work at Fotografiska New York – spanning fashion and fantasy, mystery and the macabre, it’s dark, painterly and compelling
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‘In America: A Lexicon of American Fashion' is coming to The MetThe first of a two-part, year-long extravaganza, ‘In America: A Lexicon of American Fashion’ is organised into 12 sections that seek to define the emotional qualities in American style
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Saint Laurent celebrates 40 years of Memphis GroupMemphis Group's milestone birthday is celebrated with a series of colourful furniture installations across the French maison's concept boutiques
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‘A place for the eye to pause’: Ulla Johnson unveils New York HQThe Manhattan-born fashion designer opens a warmly-hued style sanctuary, created in collaboration with architect Rafael de Cárdenas
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New York Fashion Week A/W 2021: drive thrus and digital distortionNew York Fashion Week's digital-first offering presented solutions to life post-pandemic and political crisis, from brands including Tom Ford, Proenza Schouler, Khaite and Collina Strada
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Es Devlin-designed time-travelling exhibition opens at The Met’s Costume Institute‘Our aim is to communicate the phenomenon of time as it is expressed through the female form,’ says Devlin of the exhibition she has designed alongside curator Andrew Bolton
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Optimism and pragmatism align at London Fashion Week S/S 2021In a socially-distanced show season different to any other, LFW's designers offered images of hope, escapism and utilitarianism
