Haute Couture Week A/W 2025: what to expect
Five moments to look out for at Haute Couture Week A/W 2025 in Paris (starting Monday 7 July), from Glenn Martens’ debut for Maison Margiela to Demna’s Balenciaga swansong. Plus, ‘new beginnings’ from JW Anderson

Representing the very pinnacle of Parisian fashion – a dizzying haze of gowns, celebrity attendees and theatrical presentations designed to tempt a handful of wealthy clients – Haute Couture Week arrives next Monday in the French capital with plenty of moments to look out for. Because, while haute couture remains the preserve of the ultra-rich, its focus on superlative savoir-faire and fantastical design means there are true fashion thrills to be had – ones that so often filter down into the style zeitgeist.
Notably, these include the arrival of Glenn Martens at Maison Margiela – following the highly lauded tenure of John Galliano – and the swansong of Demna at Balenciaga before he border-hops to his new role at Gucci in Italy. There will also be the final Chanel collection to be designed in-house before the arrival of Matthieu Blazy, who will debut during ready-to-wear week in September, and the reveal of ‘new beginnings’ at JW Anderson. Elsewhere, Dior will press pause on showing at haute couture week (new creative director Jonathan Anderson will make his debut in the medium next January), alongside Valentino and Jean Paul Gaultier.
Here, Wallpaper* breaks down five of Haute Couture Week A/W 2025’s expected standout moments – stay tuned for live coverage, beginning next Monday on wallpaper.com (7 July 2025).
Glenn Martens will show his first collection for Maison Margiela
Glenn Martens, who will debut at Maison Margiela on Wednesday
Though he has big shoes to fill – predecessor John Galliano’s ten-year tenure at Maison Margiela provided some of the most memorable runway moments of recent times – Glenn Martens comes with the goodwill of the industry, after a stellar tenure at Y/Project (he also is creative director at Diesel, a role he will continue alongside Maison Margiela). With the runway show scheduled for Wednesday evening as couture week’s final act, little has been revealed about what we can expect – neither Martens nor Maison Margiela have posted any kind of teaser – though expect a focus on deconstruction (a hallmark of both Maison Margiela and Martens’ work) through a subculture-inflected lens. ‘I feel extremely honoured to join the amazing Maison Margiela, a truly unique house that has been inspiring the world for decades,’ Martens said after the appointment, which was announced in January after Galliano’s departure.
READ: Glenn Martens is headed to Maison Margiela as the house’s new creative director
A new vision for JW Anderson will be revealed
A teaser of JW Anderson’s ‘new beginnings’, which will be revealed during haute couture week
Fresh off his acclaimed debut collection for Dior – which saw him ‘decode and recode’ the house’s archive – Irish designer Jonathan Anderson is undertaking a similar act of reinvention for his own label, JW Anderson, which remains based in London. He will reveal his new vision on Monday afternoon in Paris, having teased ‘new beginnings’ on Instagram for the past weeks – including a newly refreshed store design, labels, packaging, and what looks like an edit of homeware (from jugs and chairs to JW-branded trowels). Seeming to err towards a mood of British craft and timelessness, the glimpses of clothing have followed a similar track, from woollen plaid kilts and striped polo tees to cable-knit sweaters and workwear jeans. Though a sweater collaboration with Berlin-based queer artist Dean Sameshima, reading ‘Anonymous Trade’, confirms that the frisson of subversion that has long defined Anderson’s work remains.
Demna will hold his Balenciaga swansong
Balenciaga’s Fall 2025 couture collection in Wallpaper*
It has become increasingly rare for creative directors to have the opportunity to host a ‘final show’ after their departure from a house – in recent seasons, exits have largely taken immediate effect, with the reins being handed straight over to a successor or in-house design team. For Balenciaga’s Demna, his transformative tenure at the house is being celebrated by a final haute couture show, unfolding in the original restored haute couture salon on Tuesday (this is likely because he is moving to another house in the Kering roster, Gucci, rather than one under a competitor conglomerate). Expect a typically contemporary vision of haute couture from the Georgian designer, a medium that has perhaps been the highlight of his decade at the house. ’We’ve become numb to the beauty of the world. Why don’t we see the beauty anymore?’ he told Wallpaper* of his haute couture approach. ‘We need it to survive.’
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READ: ‘What is beauty?’: Balenciaga’s Demna on creating thoroughly modern haute couture
Dior will take a pause from showing
Dior’s Cruise 2026 runway show, which featured a series of haute couture looks
Though Anderson hosted his opening act at Dior last week – showing his inaugural menswear collection for the house on Friday afternoon – fans of the newly refreshed vision will have to wait a little longer to see his first haute couture collection, which represents the pinnacle of Dior’s oeuvre (after all, the house’s namesake Christian Dior is arguably the most famous couturier of the 20th-century). Taking a rare pause from the schedule, Anderson is expected to make his couture debut next January for S/S 2026, though Dior is not entirely without a haute couture collection – Maria Grazia Chiuri’s final Cruise show in Rome included a number of couture looks, which will likely be offered to clients this July in a series of private appointments.
The couture heavyweights will show throughout the week
Chanel’s S/S 2025 haute couture collection, shown last season
Rounding out the schedule will be outings from a trio of haute couture heavyweights: Schiaparelli, Chanel and Armani Privé (Valentino will not show, having shifted to a once-a-year schedule for couture, while Jean Paul Gaultier awaits the arrival of new creative director Duran Lantink). At Schiaparelli, American designer Daniel Roseberry will continue to hone his sculptural, theatrical vision for the house – which has amassed a legion of devotees and spawned a ready-to-wear line – while at Chanel, it will be the final outing for the in-house design studio before Matthieu Blazy’s tenure begins with a debut womenswear collection in September. Meanwhile, at Armani Privé, after Giorgio Armani did not appear for his final bow at his menswear shows in Milan – a note from the house said he was recovering at home after a recent hospitalisation – guests will hope the designer will be back in full health for the presentation, which takes place on Tuesday evening.
Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.
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