Dior by Birkenstock looks to Christian Dior’s love of gardens
Christian Dior’s lifelong love of horticulture provides the inspiration for Dior’s flower-filled collaboration with Birkenstock
Christian Dior’s lifelong love of horticulture was born in childhood, watching his mother Madeleine tend the garden at the family’s seaside home, Villa Les Rhumbs in Granville, Normandy. Exposed to the elements, the house’s windswept clifftop grounds nonetheless cultivated an edenic array of flora, including Madeleine’s treasured rose garden, where over 20 varieties bloomed. Flowers would become a perennial motif in the couturier’s work; later in life, he would cultivate a garden of his own at Le Moulin du Coudret, just outside of Paris. ‘My life and style owe almost everything to Les Rhumbs,’ he said.
A century on, such flowers adorn the limited-edition Dior gardening shoes created in a collaboration between the house’s menswear creative director Kim Jones and historic German shoe manufacturer Birkenstock. A riff on Birkenstock’s ergonomic Tokio Mule – a rubber mudguard and nubuck leather ankle strap are added to the original style – the grey felt slippers combine ornamental embellishment with utilitarian design, a balance Jones has struck in his menswear collections at the house so far. Here, delicate hand-embroidered flowers and foliage meet Jones’ futuristic aluminium ‘rollercoaster’ buckle – an expression of heritage and modernity at once.
Dior by Birkenstock
The collaboration was first revealed as part of an A/W22 collection in which Jones noted an imagined conversation with Monsieur Dior through the ‘virtuoso savoir-faire’ which defines the Parisian house – from flights of intricate embroidery and embellishment, to plays on the house founder’s seminal 1947 Bar jacket (which this year celebrates its 75th anniversary, see W*282). Other footwear styles in the collaboration include the Tokio Mule in brown, greige and black nubuck calfskin, and a version of Birkenstock’s two-strap Milano sandal. Each pair is completed with a unique tread which melds Dior’s ‘Oblique’ monogram with Birkenstock’s ‘Bones’ motif, a symbolic union of two bastions of construction and craft.
Model: Dhillon at Kult Models. Casting: Svea Casting. Hair: Sky Cripps-Jackson using Davines. Make-up: Victoria Martin using Rationale. Manicure: Sasha Goddard at Saint Luke using Dior Manicure Collection and Miss Dior Hand Cream. Set design: Staci Lee Hindley. Set assistants: Luke Spence. Photography assistants: Ben Butcher, Millie Noble, Alys Morrison. Fashion assistant: Kris Bergfeldt.
A version of this article appears in the December 2022 issue of Wallpaper*, available in print, on the Wallpaper* app on Apple iOS, and to subscribers of Apple News +. Subscribe to Wallpaper* today.
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Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.
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