Gallery Fumi celebrates British designer Sam Orlando Miller with an exhibition of new works at its Hoxton Square space. Titled ‘Tra L'Occhio e L'Ombra’ (an Italian title meaning 'between the eye and the shadow'), this is the first solo show for the sculptor, better known for his graphic mirrors.
The exhibition presents two new collections, Sguardo Cubetti and Nostalgia Futuro, each exploring Miller’s visual language and expanding his aesthetic research. The designer once again worked with mirrored surfaces and geometric shapes to create the two series of objects, offering a new layer to his work.
The Sguardo Cubetti series includes six pieces shaped as trompe l’oeil grids. The large three-dimensional sculptures combine different mirror colours (obsidian grey, amber, midnight blue) with painted panels. ‘A box with a door,’ Miller calls each piece; the series is based on simple geometric illusions, made precious by the brilliant colour treatments.
Notalgia Futuro, meanwhile, comprises four wall-hanging pieces that merge mirrored surfaces with studio interior scenes painted onto patinated panels. Yet another illusion, the pieces are non-mirrors that ‘transform the hard reality into a world of softness and ambiguity’, says the designer.
Ombra e Riflesso completes the show’s rich composition; it’s a small sculpture featuring two owl figurines, offering a novel organic approach to his work. Made of marble quartz, green mirror and oak, the pair is expressive and puzzling, inspired by Miller’s close encounter with an owl.
‘Opening a box always offers the chance of the unexpected,’ says Miller. ‘A small thrill of anticipation irrespective of what the box might or might not contain. This work is about that moment; between the visible and the invisible, inside and outside, reality and illusion.’
Titled ‘Tra L’Occhio e L’Ombra’ (an Italian title meaning 'between the eye and the shadow'), this is the first solo show for the sculptor, better known for his graphic mirrors
The exhibition presents two new collections, Sguardo Cubetti and Nostalgia Futuro, among others
A sketch by Miller depicting the concept behind his Sguardo Cubetti sculptures
The Sguardo Cubetti series includes six pieces shaped as trompe l’oeil grids
The large three-dimensional sculptures combine different mirror colours (obsidian grey, amber, midnight blue) with painted panels
Notalgia Futuro comprises four wall-hanging pieces that merge mirrored surfaces with studio interior scenes painted onto patinated panels; the pieces are non-mirrors that ‘transform the hard reality into a world of softness and ambiguity’, says the designer
Ombra e Riflesso completes the show’s rich composition: it’s a small sculpture featuring two owl figurines, offering a novel organic approach to his work. Made of marble quartz, green mirror and oak, the pair is expressive and puzzling
Miller calls each piece from the Sguardo Cubetti collection ‘A box with a door’ – the series is based on simple geometric illusions, made precious by the brilliant colour treatments
‘Opening a box always offers the chance of the unexpected,’ says Miller. ‘A small thrill of anticipation irrespective of what the box might or might not contain'
INFORMATION
’Tra L’Occhio e L’Ombra’ is on view until 30 June. For more information, visit Gallery Fumi’s website
Photography courtesy of Helen Miller for Gallery FUMI
ADDRESS
Gallery Fumi
16 Hoxton Square
London, N1 6NT
-
The rich culture of India is celebrated in Milan with Gunjan Gupta's Indian Tiny MegastoreDuring Milan Design Week 2024, Gunjan Gupta's Indian Tiny Megastore curated by Maria Cristina Didero brings Indian culture to the city
-
Alcova 2024 offers up contemporary independent design in historical domestic backdropsAlcova 2024 moved to Varedo to take over the spaces of Villa Bagatti Valsecchi and Villa Borsani (on view until 21 April)
-
Ama Bar, in Vancouver, is sexy and a little disorientingAma Bar features ‘Blade Runner 2049’-inspired interiors by &Daughters
-
Kembra Pfahler revisits ‘The Manual of Action’ for CIRCAArtist Kembra Pfahler will lead a series of classes in person and online, with a short film streamed from Piccadilly Circus in London, as well as in Berlin, Milan and Seoul, over three months until 30 June 2024
-
Yinka Shonibare considers the tangled relationship between Africa and Europe at Serpentine SouthYinka Shonibare‘s ‘Suspended States’ at Serpentine South, London, considers history, refuge and humanitarian support (until 1 September 2024)
-
Gavin Turk subverts still-life painting and says: ‘We are what we throw away’Gavin Turk considers wasteful consumer culture in ‘The Conspiracy of Blindness’ at Ben Brown Fine Arts, London
-
Dorothy Hepworth and Patricia Preece: Bloomsbury’s untold story‘Dorothy Hepworth and Patricia Preece: An Untold Story’ is a new exhibition at Charleston in Lewes, UK, that charts the duo's creative legacy
-
Don’t miss: Thea Djordjadze’s site-specific sculptures in LondonThea Djordjadze’s ‘framing yours making mine’ at Sprüth Magers, London, is an exercise in restraint
-
‘Accordion Fields’ at Lisson Gallery unites painters inspired by London‘Accordian Fields’ at Lisson Gallery is a group show looking at painting linked to London
-
Fetishism, violence and desire: Alexis Hunter in London‘Alexis Hunter: 10 Seconds’ at London's Richard Saltoun Gallery focuses on the artist’s work from the 1970s, disrupting sexual stereotypes
-
Wayne McGregor’s new work merges genetic code, AI and choreographyCompany Wayne McGregor has collaborated with Google Arts & Culture Lab on a series of works, ‘Autobiography (v95 and v96)’, at Sadler’s Wells (12 – 13 March 2024)
