A contemporary Mexican hotel emerges from a 16th-century ruin in Mérida

A renovation project by Zeller & Moye, Mérida’s new Hotel Sevilla wears its architectural interventions lightly, mixing new brutalist elements into listed interiors and a palm-filled courtyard

The original facade of the Hotel Sevilla
The original façade of the Hotel Sevilla
(Image credit: Fernando Marroquín)

Behind the façade of this 16th-century, colonial-era villa in Mérida, México, is a transformed interior, radically overhauled by the Berlin-based architecture studio Zeller & Moye, working alongside local architect Carlos Cuevas.

The hotel's courtyard includes a new pool

The hotel's courtyard includes a new pool

(Image credit: Fernando Marroquín)

From a complete ruin, albeit a historically significant and listed one, Ingrid Moye, Christoph Zeller and their team have shaped a new hotel, boutique in scale and detail, with an aesthetic that serves up faded grandeur alongside contemporary architectural gestures.

General view of the Hotel Sevilla's courtyard

(Image credit: Fernando Marroquín)

‘Our design approach follows the concept of a palimpsest,’ the architects say. ‘Present and past layers coexist next to each other and form one rich entity where one can still identify the interventions from different periods of time.’

New architectural interventions include the bar and restaurants

New architectural interventions include the bar and restaurants

(Image credit: Fernando Marroquín)

The completed Hotel Sevilla offers just 21 rooms, maintaining a grand domestic scale that evokes its original function as a large urban dwelling. Room sizes range from 21 to 70 sq m, many of which have views into the interior courtyard and pool area, as well as several generous suites.

The Grand Room at the Hotel Sevilla

The Grand Room at the Hotel Sevilla

(Image credit: Fernando Marroquín)

‘Present and past layers coexist next to each other and form one rich entity where one can still identify the interventions from different periods of time’

Zeller & Moye

While the lightly ornamented façade has been preserved and restored, along with the internal colonnade with its chequerboard tiles, timber shutter doors and traditional wooden ceiling, there is also a host of more contemporary interventions.

The architects have taken care to distinguish these through the use of raw, unfinished concrete, absent of decorative pattern and mouldings and bearing only the imprint of shuttering and the marks of the mix.

The original patio and colonnade has been restored

The original patio and colonnade has been restored

(Image credit: Fernando Marroquín)

One of the rooms adjacent to the patio

One of the rooms adjacent to the patio

(Image credit: Fernando Marroquín)

‘These punctual interventions contrast confidently with the remains of the colonial architecture,’ say the design team, which included Harrison Cole Nesbitt, Luca Genualdo, Nina Meyer, Alex Pineda and Sarah Righi. In addition, the internal arrangement was altered from the original layout to better suit its new life as a hotel.

The new pool

The new pool

(Image credit: Fernando Marroquín)

A room adjacent to the pool, showing the concrete elements paired with the original stonework

A room adjacent to the pool, showing the concrete elements paired with the original stonework

(Image credit: Fernando Marroquín)

Wherever possible, original textures and surfaces have been preserved, such as the stone arches that project into the new patio rooms, along with minimalist modern elements like towering bedheads and a striking spiral staircase.

Hotel Sevilla, Mexico by Zeller & Moye

The new concrete stair at the Hotel Sevilla

(Image credit: Fernando Marroquín)

‘We’ve taken inspiration from local and traditional architecture, craftwork, local materials, and even rituals of the region; and have mixed it with influences of Mexican modernism to reshape the building and to design its furniture,’ say the architects. Design details and furnishings use a combination of stone, local wood and concrete, paired with brass, sisal and leather.

The Grand Room at the Hotel Sevilla

The Grand Room at the Hotel Sevilla

(Image credit: Fernando Marroquín)

In addition to the rooms, Hotel Sevilla contains a bar and two restaurants, as well as a spa. The new pool is woven into the architectural fabric of the courtyard, while ponds also serve as ways to bring cooling and visual interest to the interior and exterior spaces. The architects have used regional tropical plants to create barriers between the various zones.

Loungers beside the new pool at the Hotel Sevilla

Loungers beside the new pool at the Hotel Sevilla

(Image credit: Fernando Marroquín)

General view of the Hotel Sevilla's courtyard

General view of the Hotel Sevilla's courtyard

(Image credit: Fernando Marroquín)

ZellerMoye.com, @ZellerandMoye

HotelSevilla-Merida.com

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Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.