29 finalists of the Loewe Craft Prize 2019 announced
![Deloss Webber, Geisha Handbag Series. Five handbags of different sizes featuring tightly embroidered wooden bases that make up at least 50% of the bag. The top half or third is a different material in blue, white or grey. The bag handle is on either side which leads up to a wooden handle.](https://cdn.mos.cms.futurecdn.net/bv8iakF9qFh9qRWAo2TYeQ-415-80.jpeg)
Loewe has just revealed the 29 artists shortlisted for the Loewe Foundation Craft Prize 2019. It’s the third edition of the global competition that was conceived by creative director and keen craft collector Jonathan Anderson in 2016 to promote and honour contemporary craftmanship from around the globe in all its myriad forms.
This year, over 2,500 submissions from over 100 countries (a YOY increase of 44 per cent) were reviewed by a panel of nine experts, who convened in Madrid for two days to ‘identify the most outstanding works in terms of techinical accomplishment, innovation and artistic vision’. As always the finalists hail from far reaches of the globe, although there are a notable quota of 10 representing Japan, eight are UK-based and there are four from Korea.
A jury composed of 11 leading figures from the world of design, architecture, journalism, criticism, and museum curatorship, including Anderson and also Jennifer Lee, winner of last year's prize, will select the winner from the shortlist.
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Each year the announcement of the winner takes place in a different city. Last year’s ceremony took place at London’s Design Museum and for the inaugural year the announcement and exhibition took place in Loewe's home city of Madrid. This year the jury will travel to Tokyo and the prize of 50,000 euros will be presented to the winner on 25 June at the opening of the Loewe Craft Prize 2019 exhibition, which is being held at Isamu Noguchi’s indoor stone garden ‘Heaven’ at the Sogetsu Kaikan in Tokyo – a suitably tranquil setting in which to enjoy the rich diversity of hand-hewn works on display.
Youngsoon Lee, Korea, Cocoon Top Series 1, korean mulberry paper (old book), 2016 (left); and Shozo Michikawa, Japan, Tanka with silver, stoneware, silver liquid glaze, 2018 (right)
Sophie Rowley, New Zealand, ‘Khadi Frays, cotton, linen, 2018
Tomonari Hashimoto, Japan, Rain box, stoneware, glaze, metal oxide, 2018 (left); Sachi Fujikake, Japan, Vestige, glass, 2018 (right)
Ruudt Peters, Netherlands, Suctus, bog oak, silver/amber, 2018
Michal Fargo, Israel, Blue Velvet from the “Soft Accents” series, stoneware ceramics, fibres (flocking), 2018 (left); Minhee Kim, Korea, Funeral Clothes for the Women, monofilament, 2018 (right)
Masanori Nishikawa, Japan, Form of the wind, urushi, linen cloth, Japanese paper, tin powder, platinum powder, 2018 (left); Kye-Yeon Son, Canada, Innatus Forma 2018-1, steel wire, rust, wax finish, 2018 (right)
Jim Partridge and Liz Walmsley, United Kingdom, Curved Block Seat, oak, 2018
Henar Iglesias, Spain, Confübius, feathers, wax, parper, wood and paint, 2018
Harry Morgan, United Kingdom, ‘Untitled’ from Dichotomy Series, glass, concrete, 2018 (left); Heeseung Koh, Republic of Korea, A regular sign, walnut, acrylic, 925 silver, paint, 2018
Giampaolo Babetto, Italy, Collana, gold, pigment, 2017
Elke Sada, Germany, Eolophus ‘(Hallstattpiece), terra nigra, engobes, glaze, 2018 (left); Junko Mori, United Kingdom, Propogation project; Nigella Chrysanthemum, wax-coated, forged mild steel, 2017 (right)
Giovanni Corvaja, Italy, Mandala bowl, 18ct gold, 2017
Akiko Hirai, United Kingdom, The Moon Jar ‘The Life of...’, stoneware, porcelain, wood ash, white feldspathic glaze, 2018 (left); Gental Ishikuza, Japan, Surface Tactility #11, urushi, styrene foam balls, two-way tricot, linen cloth, 2018 (right)
John Eric Byers, United States, Reveal Table, carved, blackened, lacquered maple, 2018 (left); Koichi Lo Japan, Three Legs Vase, patinated copper, 2018 (right)
Mayu Nakata, Japan, Flame, lacquer, aluminium powder, linen, jute, Japanese paper, 2018
Annie Turner, United Kingdom, NET, red grogged clay, lithium glaze, yellow iron oxide, 2017 (left); JingFeng Fang & Mi Dong, China, Huim ceramic, 2018 (right)
Kazuhito Takadoi, United Kingdon, KADO (Angle), hawthorn twigs, waxed linen twine, 2018
Jokum Lind Jensen, Sweden, The dark, mild-steel, 2018
Andrea Walsh, United Kingdom, Collection of Contained Boxes, glass, fine bone china, burnished platinum, burnished gold, 2018
INFORMATION
For more information visit the Loewe Craft Prize website
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