Armani Casa matches artworks and furniture to create timeless compositions

A new project combines art and design to offer a taste of the look and feel of living with Armani Casa

Armani casa armchair and console table with artworks by Mario Merz and Tino Stefanoni
Art & Armani/Casa as imagined by Nick Vinson and featured in the forthcoming May issue of Wallpaper*: pairing emblematic pieces from the Armani/Casa collection with important art and artefacts, from Roman antiquities through to contemporary art. Left, Pascal club chair by Armani/Casa with Le Matite,1974 mixed media on canvas by Tino Stefanoni from Robilant + Voena. Right: Rosemond table in brushed brown ash wood and satin light brass by Armani/Casa, paired with Untitled, 1982, acrylic on jute, by Mario Merz from Robilant + Voena Gallery and Augusto, 2020 & Selene, 2020, antique linen, by Sergio Roger from Galleria Rossana Orlandi.
(Image credit: Beppe Brancato)

Rare is the fashion house that finds the elixir to longevity: a leader inextricable from the brand’s identity, a timeless appeal, and an ability to pivot across creative disciplines with conviction. One such brand is Giorgio Armani – founded almost five decades ago, it continues to be steered by its razor-sharp founder, and its blend of geometry, clarity and quality remain as intact and alluring as ever. 

Living with Armani Casa

Armani casa furniture with blue artwork by Roberto Ruspoli

Riesling bar cabinet with moonlight motif by Armani/Casa paired with La plage dans la nuit, 2021, pastel and acrylic on canvas by Roberto Ruspoli, Male Torso, marble, Roman, 1st century AD from Galerie Chenel and 1983 stool by Afra & Tobia Scarpa

(Image credit: Beppe Brancato)

In 2000, the brand unveiled Armani Casa, a full-scale expansion into the interior design world, with wide-ranging offerings in furniture, accessories and decorative objects, and later, an in-house studio in charge of Armani-branded hotels and residences. Now, Armani Casa is entering another creative sphere: art, with a new project aptly titled Art & Armani Casa. Art directed by Nick Vinson of Vinson & Co, the project sees emblematic pieces from the brand’s collection paired with important art and artefacts, ranging from Roman antiquities to contemporary works, intersected by prime examples of modernism. ‘This project is a celebration of the timeless value of beauty, brought out in all its clarity by a series of unexpected and inspiring conjunctions,’ says Mr Armani. ‘I have always worked by means of subtraction, eliminating what is not necessary to highlight the material, design and workmanship. Pieces of furniture are made to stay: compared to fashion, they have an extended lifespan, which shines through in these images with exciting intensity.’ 

White armani casa sofa with abstract black and white artwork by Eduardo Chillida

Osimo 2-seater sofa in Jaipur upholstery by Armani/Casa, paired with carpet by Alfombras Peña  (limited edition of 20), reproduced work, Untitled, ink drawing 1985, by Eduardo Chillida, special thanks to Guiomar Chillida and Gonzalo Calderón, Estate of Eduardo Chillida and Hauser & Wirth. Cushions by Armani/Casa, flowers by Castor-Fleuriste

(Image credit: Beppe Brancato)

The pairings are not an instruction, but a taste of the look and feel of living with Armani Casa. There are no half measures for the project’s debut, which features work by leading modern masters, including Mario Merz, Eduardo Chillida and Jean Dubuffet, alongside contemporary talent, such as Eleni Vernadaki, Roberto Ruspoli and Maximilien Pellet. 

Venetian plaster walls and travertine floors offer a pure, minimal canvas on which to spotlight these visual assemblages. In one of them we find Armani Casa’s ‘Osimo’ sofa co-starring in a duet with Chillida’s 1985 untitled ink drawing, which has been turned into a limited-edition rug by Alfombras Peña. Known for his monumental sculptures, the Spanish artist was just as adept on paper. His mostly black-and-white works carry weight and depth, but also a delicacy and dynamism echoed in the volumes of the ‘Osimo’.

Armani casa console table with blue artwork by Maximilien Pellet

Euclide desk in black maple and painted steel by Armani/Casa, paired with Profile de l’homme en blanc et bleu, 2020, earthenware on wood by Maximilien Pellet from Double V Gallery. On desk: Trapezophoros depicting a panther, Roman, 1st-2nd century AD, marble, from Galerie Chenel, and Birds, Eleni Vernadaki,1980s’ chromed brass and earthenware. Flowers by Castor-Fleuriste

(Image credit: Beppe Brancato)

In another composition, Armani Casa’s ‘Rosemond’ table, in brushed brown ash wood and satin light brass, sits beneath a vortex-like work, in acrylic on jute, by Italian artist Merz. On the table are three busts by Spanish artist Sergio Roger, meticulously formed in antique linen rather than plaster or marble. 

Armani casa console table with artwork by Jean Dubuffet

Matrix console in black straw marquetry by Armani/Casa and Logo lamp by Armani/Casa, paired with Parachiffre XXXIII,1975, vinyl paint on paper laid down on canvas, by Jean Dubuffet, from a private collection with the kind authorisation of Sotheby’s Private Sales, France. On desk: Head of Herakles and Head of Apollo, Roman, 2nd century AD, marble, from Galerie Chenel

(Image credit: Beppe Brancato)

‘Whether it is a painting by a living artist or a classical sculpture, I find in these artefacts the same drive towards the essence, the same linear taste, the same careful attention,’ says Mr Armani. ‘It is proof that true modernity is classic, and that the classic expresses absolute modernity, which is the essence of Armani Casa.’ An eclectic meeting of eras and styles, Art & Armani Casa reminds us that, in a digitised world, there is no substitute for the real deal.  


Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.