Latest articles by John Gendall
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Star signs: Misha Kahn creates a kaleidoscopic world at Friedman Benda -
Butt of the joke: Anthea Hamilton at New York’s SculptureCenter -
Kindred spirits: Mickalene Thomas’ collaborative photography at Aperture -
Rizzoli toasts the UN’s 70th anniversary with a book dedicated to its restoration -
Roman and Williams' Fitzroy is the latest luxury addition to NYC's High Line -
Man of the world: Moshe Safdie’s ’Global Citizen’ opens at the National AcademyMoshe Safdie's 'Global Citizen' opens at the National Academy
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Against the grain: Nicolás Aracena Müller’s wood sculptures take over Chamber -
Human Nature: Chamber's second collection brings a wild touch to the design world -
Into the wild -
Work in progress: Wolfgang Tillmans’ ’PCR’ opens at David Zwirner, NYC -
Hermès’ new boutique in Miami is an ode to its sunlit and organic environment -
Great outdoors: Isamu Noguchi’s works take over Brooklyn Botanic Garden -
Summer at the beach: Snarkitecture’s seasonal offering at DC’s National Building Museum -
Collective concepts: the W* picks from Collective Design Fair 2016 -
Shaping the way: Larry Bell’s legendary 1960s works get aired in New York -
Multimedia sensation: New York's Park Avenue Armory stages Tree of CodesWayne McGregor has produced a stage version of Jonathan Safran Foer's 2010 novel Tree of Codes, choreographed in creative partnership with Olafur Eliasson, who came up with a visual concept, and Jamie xx, who composed the music. Over the course of a weeklong run, the Park Avenue Armory in New York staged the 90-minute performance that resulted from this coming-together of three people at the top of their artistic fields. Like the book that inspired it, Tree of Codes, as a performance, defies easy category – part dance, part art installation, and part music event.
