Silk road: Victoria Rowley on her provocative prints and the slow nature of making

It being 2017, things are difficult enough for young art graduates in London, career-wise. One imagines it's even more difficult to move into a medium as niche as oriental silk printing, and trickier still to cover these delicate silks with images of phalluses. Convention, or the easy path, doesn't seem to be Victoria Rowley's thing. At just 25, she has posed nude for photographer Grace Vane Percy, tried her hand at burlesque dancing and won an international graduate award for her London College of Fashion collection.
Now, her silk prints are the subject of a new exhibition at Opium Den, a bar housed in the basement of Pan Asian restaurant Nam Long Le Shaker. The South Kensington hotspot gained cult status in the 1980s, attracting thirsty celebrities with its potent 'Flaming Ferrari' cocktail, still on the menu. Rowley's colourful silks line the walls, at once standing out and fitting in, among an amalgam of Oriental and Western artworks.
'Haiku il Secondo', 2016
Aptly entitled 'Show Off Silks', the exhibition is a provocative one, wherein orchids bloom around patterned phalluses and abstract images of slugs suck their way across delicate swathes of material. 'I'm trying to take the humour out of these sexual subjects,' Rowley explains of her expressive works.
They're certainly not funny. They're brave, imaginative and multifaceted. Their three-dimensional nature is partly down to the complex compositional process Rowley has developed, using layers and layers of Procion dyes. She enjoys 'the slow nature of making. Something that comes into being with immediate effect wouldn't work for me.'
'Pleasure Seeker', 2017
Considering how so many of her contemporaries are moving into the digital sphere, such a physical, handcrafted process is particularly important to her. Rowley speaks of how artists today fixate too much on 'the newness of things, on brightness and pureness'. Her work has an antique quality to it (despite the punchy, modern subject matter) and is presented in museum-like Perspex boxes.
Perhaps this is why her works look so at home in their unusual surroundings, where international curios abound. There's a sense of theatre that gels with Rowley's boldly performative works and fearless personality. It's exciting to see an ancient medium like silk printing being placed in such capable, contemporary hands.
Installation view of Rowley's Aubergine (left) and Gold at London restaurant Nam Long Le Shaker
Two Slugs Mating, 2017
INFORMATION
’Show Off Silks’ is on view until 2 March 2017. For more information, visit Victoria Rowley’s website
ADDRESS
Nam Long Le Shaker
159 Old Brompton Road
London SW5 0LJ
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Elly Parsons is the Digital Editor of Wallpaper*, where she oversees Wallpaper.com and its social platforms. She has been with the brand since 2015 in various roles, spending time as digital writer – specialising in art, technology and contemporary culture – and as deputy digital editor. She was shortlisted for a PPA Award in 2017, has written extensively for many publications, and has contributed to three books. She is a guest lecturer in digital journalism at Goldsmiths University, London, where she also holds a masters degree in creative writing. Now, her main areas of expertise include content strategy, audience engagement, and social media.
-
Wild sauna, anyone? The ultimate guide to exploring deep heat in the UK outdoors
‘Wild Sauna’, a new book exploring the finest outdoor establishments for the ultimate deep-heat experience in the UK, has hit the shelves; we find out more about the growing trend
-
Highlights from the transporting Cruise 2026 shows
The Cruise 2026 season began yesterday with a Chanel show at Lake Como, heralding the start of a series of jet-setting, destination runway shows from fashion’s biggest houses
-
Behind the design of national pavilions in Venice: three studios to know
Designing the British, Swiss and Mexican national pavilions at the Venice Architecture Biennale 2025 are three outstanding studios to know before you go
-
The UK AIDS Memorial Quilt will be shown at Tate Modern
The 42-panel quilt, which commemorates those affected by HIV and AIDS, will be displayed in Tate Modern’s Turbine Hall in June 2025
-
Meet the Turner Prize 2025 shortlisted artists
Nnena Kalu, Rene Matić, Mohammed Sami and Zadie Xa are in the running for the Turner Prize 2025 – here they are with their work
-
‘Humour is foundational’: artist Ella Kruglyanskaya on painting as a ‘highly questionable’ pursuit
Ella Kruglyanskaya’s exhibition, ‘Shadows’ at Thomas Dane Gallery, is the first in a series of three this year, with openings in Basel and New York to follow
-
The art of the textile label: how British mill-made cloth sold itself to Indian buyers
An exhibition of Indo-British textile labels at the Museum of Art & Photography (MAP) in Bengaluru is a journey through colonial desire and the design of mass persuasion
-
Artist Qualeasha Wood explores the digital glitch to weave stories of the Black female experience
In ‘Malware’, her new London exhibition at Pippy Houldsworth Gallery, the American artist’s tapestries, tuftings and videos delve into the world of internet malfunction
-
Ed Atkins confronts death at Tate Britain
In his new London exhibition, the artist prods at the limits of existence through digital and physical works, including a film starring Toby Jones
-
Tom Wesselmann’s 'Up Close' and the anatomy of desire
In a new exhibition currently on show at Almine Rech in London, Tom Wesselmann challenges the limits of figurative painting
-
A major Frida Kahlo exhibition is coming to the Tate Modern next year
Tate’s 2026 programme includes 'Frida: The Making of an Icon', which will trace the professional and personal life of countercultural figurehead Frida Kahlo