‘My Reflection of You’, a new exhibition at London contemporary art space The Perimeter, puts the personal art collections of owner Alexander Petalas and actor and arts advocate Russell Tovey in dialogue with each other.
The collaborative exhibition is a self-proclaimed ‘choose-your-own-adventure’ with no start or end point, encouraging viewers to explore at their own pace.
Petalas and Tovey have deliberately mixed more established artists, such as Wolfgang Tillmans and Phyllida Barlow, with more emerging names like Leidy Churchman and Shawanda Corbett. They disregard traditional hierarchies in favour of bringing together artworks that can induce reflection. The goal, explains Tovey, is to champion art through ‘accessibility and allyship, amplifying, and encouraging artists to keep going and enabling people to enjoy art as much as possible’.
Katarina Fritsch, Muschel (Rosa), 2013. Toyin Ojih Odutola, The Abstraction of a Continent, 2017-2018.
As we tour the gallery, Petalas and Tovey’s consideration and curatorial instincts are apparent in the moments they provide through the subtly placed artworks, and insightful themes that have been woven throughout the show.
The show feels like a salient moment in their careers as collectors, where they are displaying perspectives that they have understood by hearing the stories of each artwork.
Toyin Ojih Odutola’s The Abstraction of a Continent, 2018, sits in unison with Katarina Frisch’s Muschel (Rosa), 2013. The two pieces stand in an intimate basement room and are strikingly lit to aptly capture a moment of meditation. Odutola’s piece is part of a series of visualisations of a Nigerian gay utopia, where royal families are brought together by queer sons. Frisch’s emblematic sculpture complements the painting in both its colour and symbolism of ‘coming out in the world and becoming who you want to be’, explains Petalas.
Joseph Yaeger, Vertigo, 2021. Karla Black, Myths Allow, 2012. Ana Benaroya, My Reflection of You, 2020.
The exhibition also explores viewing works from varying perspectives. A microcosm of Phyllida Barlow’s repertoire sits below the foyer, to be seen from above, allowing it to hold a slightly removed space alongside the show’s titular painting by Ana Benaroya, as well as a 2016 painting by Etel Adnan. Descend the winding staircase into the basement and you get a 360-degree view of Rebecca Warren’s Sachs, 2013, seeing the spindly metal structure from all angles.
Tovey and Petalas selected focal works to build on for each room and expanded naturally from there, led by their respective knacks for curation. The resulting array delves into art’s ability to connect us in discrete moments of common humanity. It triggers an ‘inward reflection of yourself, reflection on other people, of how you can affect someone’, explains Petalas.
A highlight of the exhibition is the Wolfgang Tillmans’ photograph Sicily Morning, 2018. Its portrayal of a hand clutching an orange conveys the idea of unguarded moments that have inspired Tovey and Petalas’ curation.
Kati Heck, Ins Dunkel, 2020. Guan Xiao, The Daughter of Tree, 2019. Doron Langberg, Untitled, 2020.
It anchors a naturally lit space on the first floor, which Tovey says is ‘meant to feel like a spring morning’. Nearby are a sculpture by Guan Xiao, depicting two celestially ambiguous figures who lead you around the room, as well as paintings by Doron Langberg, Lisa Brice and Ann Craven, each capturing a blissful moment. Collectively, the artworks suggest a mix of euphoria and nostalgia.
Other spaces within The Perimeter have a more contemplative tone, including works by Joseph Yaeger, Salman Toor and Toyin Ojih Odutola, who consider snapshots of impactful moments. Sculptural works by SoiL Thornton, Rebecca Warren, Katarina Frisch and Prem Sahib look to incite discussion around queer experiences, class divides and self-perception. The exhibition realises Petalas and Tovey’s joint vision to capture the reflective gaze in its diverse forms, and in doing so, creates a space that stimulates contemplation.
Yngve Holen, Sensitive to Detergent, Gather Round the Good Stuff, 2013; Jamian Juliano-Villani, Necessities, 2019; Leidy Churchman, Moon Rabbit, 2020.
Doron Langberg, Edgar, 2019.
Gal Schindler, Fingers of a Ghost, 2021. Lisa Brice, Untitled, 2019.
Salman Toor, Immigration Men, 2019. Shawanda Corbett, Boy, did you wash your hands, 2021.
Phyllida Barlow, Untitled: donors, 2015.
INFORMATION
’My Reflection of You’, until 25 June, 2022, The Perimeter, London. instagram.com/theperimeterlondon
-
Remembering Frank Gehry, a titan of architecture and a brilliant human beingLong-time Wallpaper* contributor Michael Webb reflects on the legacy of the Los Angeles architect, who died today at age 96
-
Lexus finally confirms the name of its all-electric LFA Concept supercarStill designated a design study, the Lexus LFA Concept should be the successor to the most unlikely of all 20th-century supercars
-
King of cashmere Brunello Cucinelli on his new biographical docu-drama: ‘This is my testimony’Directed by Cinema Paradiso’s Giuseppe Tornatore, ‘Brunello: the Gracious Visionary’ premiered in cinematic fashion at Rome’s Cinecittà studios last night, charting the meteoric rise of the deep-thinking Italian designer
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s wet, windy and wintry and, this week, the Wallpaper* team craved moments of escape. We found it in memories of the Mediterranean, flavours of Mexico, and immersions in the worlds of music and art
-
Each mundane object tells a story at Pace’s tribute to the everydayIn a group exhibition, ‘Monument to the Unimportant’, artists give the seemingly insignificant – from discarded clothes to weeds in cracks – a longer look
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* team had its finger on the pulse of architecture, interiors and fashion – while also scooping the latest on the Radiohead reunion and London’s buzziest pizza
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Wes Anderson at the Design Museum celebrates an obsessive attention to detail‘Wes Anderson: The Archives’ pays tribute to the American film director’s career – expect props and puppets aplenty in this comprehensive London retrospective
-
Meet Eva Helene Pade, the emerging artist redefining figurative paintingPade’s dreamlike figures in a crowd are currently on show at Thaddaeus Ropac London; she tells us about her need ‘to capture movements especially’
-
David Shrigley is quite literally asking for money for old rope (£1 million, to be precise)The Turner Prize-nominated artist has filled a London gallery with ten tonnes of discarded rope, priced at £1 million, slyly questioning the arbitrariness of artistic value
-
Out of office: The Wallpaper* editors’ picks of the weekThe rain is falling, the nights are closing in, and it’s still a bit too early to get excited for Christmas, but this week, the Wallpaper* team brought warmth to the gloom with cosy interiors, good books, and a Hebridean dram
