Geometrical poetry: Rana Begum's infinite artwork on show in London

Lights, symmetry and shaping; these are some of the themes in the newest solo show at Parasol Unit foundation for contemporary art. The artworks – that can only be described as poetic geometry – are by Rana Begum, a Bangladeshi-born, London-based contemporary artist.
Graduating from Chelsea College of Art and Design in 2002, and the Slade thereafter, Begum has since been travelling across the world dispersing her graceful works. These comprise an intriguing mix of the Islamic art that she was immersed in from a young age, with a Western influence.
Showing previously at the Royal Academy’s summer exhibition in 2012, this marks her first London solo show, wherein she presents a selection of her pieces that come together in a magnitude of materials and patterns.
Titled ‘The Space Between’, the show's rhythm runs in synergy right from the titles of the pieces – each is kept clean and simple with just a number. Hidden silhouettes, optical illusions and angles continue across the works; like the painted lines in No. 480 and No. 531 that both explore triangles through overlapping subtle gradients.
Elsewhere the sculptural pieces create a more abstract geometrical flow. Begum folds materials to create minimal and architectural contours, in stainless steel in No. 591 and birch ply in No. 563 (both protrude from the wall). Yet there is a another overarching dimension that is unspoken: 'Light is a vitally activating element in Begum’s works,’ the gallery explains, ‘its shifts and changes producing an experience that is both temporal and sensorial.’
These optic twists and turns continue throughout, even across the mixed use of steel, concrete and mesh. Created specifically for the show, No. 670 is a labyrinth of mesh that forms messy routes and directions, inviting the audience to delve inside Begum’s geometrical mind – pleasingly symmetrical, but often vividly perplexing.
On view until 18 September, Begum's graceful works comprise an intriguing mix of the Islamic art that she was immersed in from a young age, with a Western influence
Hidden silhouettes, optical illusions and angles are visible across the work as motifs
Begum folds materials to create minimal and architectural contours in stainless steel in No. 591 (pictured left) and birch ply in No. 563 (pictured right)
The show's rhythm runs in synergy right from the titles of the works – each is kept clean and simple with just a number
No. 531 (pictured left) explores triangles through overlapping subtle gradients
These optic twists and turns continue throughout, even across the mixed use of steel, concrete and mesh
Created specifically for the show, No. 670 is a labyrinth of mesh that forms messy lines and shapes. The piece invites the audience to delve inside Begum's geometrical mind
INFORMATION
'Rana Begum: The Space Between' is on view until 18 September. For more information, visit the Parasol Unit website
Photography: Jack Hems. Courtesy Parasol Unit
ADDRESS
Parasol Unit
14 Wharf Road
London, N1 7RW
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Sujata Burman is a writer and editor based in London, specialising in design and culture. She was Digital Design Editor at Wallpaper* before moving to her current role of Head of Content at London Design Festival and London Design Biennale where she is expanding the content offering of the showcases. Over the past decade, Sujata has written for global design and culture publications, and has been a speaker, moderator and judge for institutions and brands including RIBA, D&AD, Design Museum and Design Miami/. In 2019, she co-authored her first book, An Opinionated Guide to London Architecture, published by Hoxton Mini Press, which was driven by her aim to make the fields of design and architecture accessible to wider audiences.
-
The new CLA brings Mercedes's all-electric know-how to a new market sector
Mixing high tech moves with tremendous tactile qualities, the buttery smooth new Mercedes-Benz CLA is an electric winner. Wallpaper* drives across Denmark in a triumphant new car with a three-pointed star
-
Collagerie and Zara Home debut perfectly imperfect furniture and accessories
Lucinda Chambers’ Collagerie collaborates with Zara Home on a collection that is an ode to the everyday
-
‘A beginning is a dialogue’: Simone Bellotti reveals a first glimpse of his vision for Jil Sander with an EP and music video
Titled ‘Wanderlust’, the music video and EP is a collaboration with Bochum Welt, signalling an esoteric start to Simone Bellotti’s tenure at the house before his runway debut later this year
-
Shop the gloriously mad inner workings of Gary Card’s brain in London’s Soho
Set designer and artist Gary Card has taken over London's Plaster Store – expect chaos and some really good accessories
-
Meet the New York-based artists destabilising the boundaries of society
A new show in London presents seven young New York-based artists who are pushing against the borders between refined aesthetics and primal materiality
-
Leila Bartell’s cloudscapes are breezily distorted, a response to an evermore digital world
‘Memory Fields’ is the London-based artist’s solo exhibition at Tristan Hoare Gallery (until 25 July 2025)
-
A bespoke 40m mixed-media dragon is the centrepiece of Glastonbury’s new chill-out area
New for 2025 is Dragon's Tail – a space to offer some calm within Glastonbury’s late-night area with artwork by Edgar Phillips at its heart
-
Emerging artist Kasia Wozniak’s traditional photography techniques make for ethereal images
Wozniak’s photographs, taken with a 19th-century Gandolfi camera, are currently on show at Incubator, London
-
Vincent Van Gogh and Anselm Kiefer are in rich and intimate dialogue at the Royal Academy of Arts
German artist Anselm Kiefer has paid tribute to Van Gogh throughout his career. When their work is viewed together, a rich relationship is revealed
-
Alice Adams, Louise Bourgeois, and Eva Hesse delve into art’s ‘uckiness’ at The Courtauld
New exhibition ‘Abstract Erotic’ (until 14 September 2025) sees artists experiment with the grotesque
-
Get lost in Megan Rooney’s abstract, emotional paintings
The artist finds worlds in yellow and blue at Thaddaeus Ropac London