Stacks of over 300,000 drawings, assemblages of collected hair and debris, as well as meticulously hand-carved wooden figurines make up just a few of the items on display in the New Museum’s latest exhibition, 'The Keeper'. It's a show which effectively blends the boundaries between curating, creating, and collecting art.
Dedicated to the act of preserving and collecting, 'The Keeper' tells the stories of individuals through the objects they chose to safeguard. With more than 4,150 objects on display, the show marks the largest number of objects that have ever been on view for an exhibition in the museum’s 39-year history.
'This exhibition blurs the lines between artist and non-artist, professionals and amateurs,' says Massimiliano Gioni, who curated the exhibition alongside artistic director Edlis Neeson, and a curatorial team comprised of Natalie Bell, Helga Christoffersen, and Margot Norton.
'It’s an exhibition about collecting, saving and preserving artworks, artifacts, objects and images,' he continues. 'Through a series of portraits and case studies spanning the 20th century, the exhibition raises questions around notions of value and ownership.'
At the centerpiece of the exhibition is Partners (The Teddy Bear Project), a display of over 3,000 family-album photographs of teddy bears and their owners collected by Ydessa Hendeles. 'It looks at people through the trails of images that they left behind and, in doing so, I hope, invites us to engage more affectionately with the images that surround us every day,' says Gioni.
'This exhibition blurs the lines between artist and non-artist, professionals and amateurs,' says Massimiliano Gioni, who curated the exhibition. Pictured: a presentation by designer/artist Carol Bove responding to a series of Carlo Scarpa’s works from his exhibition 'Ambiente', at the 1968 Venice Biennale.
'The Keeper' tells the stories of individuals through the objects they chose to safeguard. Pictured: Levi Fisher Ames' intricate animal carvings, displayed in hinged shadow boxes that he crafted by hand.
The exhibition's showpiece is Ydessa Hendeles' Partners (The Teddy Bear Project), 2002 – an enormous trove of vernacular photographs collected according to one criterion: the presence of a teddy bear.
A series of colourful abstractions, imbued with alchemical and zodiacal symbolism, by Swedish painter Hilma af Klint. She produced over 1,000 such works over the course of her lifetime.
Another collection on display is 'The Houses of Peter Fritz', preserved by artist Oliver Croy and architecture critic Oliver Elser. The buildings were the creations of Austrian insurance clerk Peter Fritz
INFORMATION
’The Keeper’ is on view until 25 September. For more information, visit the New Museum’s website
ADDRESS
New Museum
235 Bowery
New York, NY 10002
-
Meet Malak Mattar, the Palestinian artist behind the 'Together for Palestine' concert at London's Wembley ArenaThe London-based artist curates a landmark concert of music and art in support of Gaza, alongside Brian Eno, James Blake, Jamie xx, Neneh Cherry and more
-
A new coffee table book proves that one designer’s trash is another’s treasureThe Rizzoli tome, launching today (16 September 2025), delves into the philosophy and process of Retrouvius, a design studio reclaiming salvaged materials in weird and wonderful ways
-
A carbon-emission-busting house, yeast-biomass building, and more ‘Designs for a Cooler Planet’‘Designs for a Cooler Planet’ returns to Aalto University in Finland as part of the annual Helsinki design and architecture week, highlighting buildings, materials and solutions towards a better future
-
Stephen Prina borrows from pop, classical and modern music: now MoMA pays tribute to his performance work‘Stephen Prina: A Lick and a Promise’ recalls the artist, musician, and composer’s performances, and is presented throughout MoMA. Prina tells us more
-
Out of office: the Wallpaper* editors’ picks of the weekWith the return of back-to-school, it's back to business for the Wallpaper* team, who’ve been making the rounds at fashion pop-ups and pavilion launches. Elsewhere, we’ve been indulging in new literature and old restaurants, and taking in a farewell exhibition at a landmark gallery...
-
Curtains up, Kid Harpoon rethinks the sound of Broadway production ‘Art’He’s crafted hits with Harry Styles and Miley Cyrus; now songwriter and producer Kid Harpoon (aka Tom Hull) tells us about composing the music for the new, all-star Broadway revival of Yasmina Reza’s play ‘Art’
-
Out of office: the Wallpaper* editors’ picks of the weekHere in the UK, summer seems to be fading fast. Moody skies and showers called for early-autumn rituals for the Wallpaper* team: retreating into the depths of the Tate Modern, slipping into shadowy cocktail bars, and curling up with a good book
-
Richard Prince recontextualises archival advertisements in TexasThe artist unites his ‘Posters’ – based on ads for everything from cat pictures to nudes – at Hetzler, Marfa
-
Out of office: the Wallpaper* editors’ picks of the weekAnother week, another flurry of events, opening and excursions showcasing the best of culture and entertainment at home and abroad. Catch our editors at Scandi festivals, iconic jazz clubs, and running the length of Manhattan…
-
The best Ruth Asawa exhibition is actually on the streets of San FranciscoThe artist, now the subject of a major retrospective at SFMOMA, designed many public sculptures scattered across the Bay Area – you just have to know where to look
-
Orlando Museum of Art wants to showcase more Latin American and Hispanic artists. Do you fit the bill?The Florida gallery calls for for Hispanic and Latin American artists to submit their work for an ongoing exhibition
