Iván Navarro knows the power of perception all too well. The Chilean-born artist often uses neon lights and mirrors to create optical illusions that make the viewer believe that they are staring into an infinite abyss. Navarro’s current exhibition, 'Mute Parade' – on view at Paul Kasmin Gallery in New York – continues to use text, light and sound to confront topics like power, migration and propaganda.
Black and white paper squares with the expressions 'read you' and 'loud unclear' litter the gallery floor to provoke visitors into thinking about the disjunction between both visual and auditory modes of communication. Navarro harnesses road cases, which are typically used to store and transport musical instruments, filling them with lights and mirrors to evoke a sense of illuminated wonder.
Installation view of the 'Mute Parade' at Paul Kasmin Gallery. Photography: Diego Flores
In the first room, a circular case hangs on the wall, with the phrase 'Believe none of what you hear and only half of what you see spelled out in neon lights on the inside. Across the room, Navarro 'plays' music through his use of light – albeit silently – in a pyramid formed of six drums, embedded with the words 'high', 'tone', 'tune', 'bass', 'mute' and 'deaf' in neon.
In the next gallery two freestanding drums face each other, one with the words 'kickback' and the other with 'knockknockknock' lining their interiors. Navarro installed four square-shaped road cases in the last room, organising them into a cross formation, and making up the Impenetrable Room. Each case is filled with a wavy line of green neon light – meant to represent a sound wave – and mirrors, willing viewers to believe that they are staring into an infinite space.
'Mute Parade' asks a number of different questions. Are we to believe what we see? Do we hear what we read? Navarro successfully manipulates the senses in the exhibition, creating a composition that playfully toys with the idea of synesthesia.
Left, installation view of Impenetrable Room. Right, a pyramid of six drums embedded with the words 'high', 'tone', 'tune', 'bass', 'mute' and 'deaf' in neon. Photography: Diego Flores. Courtesy of the artist and Paul Kasmin Gallery
Paper squares printed with the expressions 'read you' and 'loud unclear' litter the gallery floor. Photography: Diego Flores. Courtesy of the artist and Paul Kasmin Gallery
Two freestanding drums face each other in this artwork, one with the words 'kickback' and the other with 'knockknockknock' lining their interiors. Photography: Thelma Garcia
Navarro's neon artworks make the viewer feel as they though they are staring into an infinite abyss. Photography: Thelma Garcia. Courtesy of the artist and Paul Kasmin Gallery
INFORMATION
'Mute Parade' is on view until 23 December. For more information, visit the Paul Kasmin Gallery website
ADDRESS
Paul Kasmin Gallery
293 Tenth Avenue
New York, NY 10001
-
Ghanaian cuisine has a story to tell at Washington, DC restaurant ElminaThe new restaurant is chef Eric Adjepong’s colourful ode to the recipes he grew up loving
-
Pedro y Juana's take on architecture: 'We want to level the playing field’Mexico City-based architects Padro y Juana bring their transdisciplinary, participatory approach to the Mexico pavilion at the Venice Architecture Biennale 2025; find out more
-
The Sialia 45 cruiser is a welcome addition to the new generation of electric boatsPolish shipbuilder Sialia Yachts has launched the Sialia 45, a 14m all-electric cruiser for silent running
-
Ai Weiwei’s new public installation is coming soon to Four Freedoms State Park‘Camouflage’ by Ai Weiwei will launch the inaugural Art X Freedom project in September 2025, a new programme to investigate social justice and freedom
-
Leonard Baby's paintings reflect on his fundamentalist upbringing, a decade after he left the churchThe American artist considers depression and the suppressed queerness of his childhood in a series of intensely personal paintings, on show at Half Gallery, New York
-
Desert X 2025 review: a new American dream grows in the Coachella ValleyWill Jennings reports from the epic California art festival. Here are the highlights
-
This rainbow-coloured flower show was inspired by Luis Barragán's architectureModernism shows off its flowery side at the New York Botanical Garden's annual orchid show.
-
‘Psychedelic art palace’ Meow Wolf is coming to New YorkThe ultimate immersive exhibition, which combines art and theatre in its surreal shows, is opening a seventh outpost in The Seaport neighbourhood
-
Wim Wenders’ photographs of moody Americana capture the themes in the director’s iconic films'Driving without a destination is my greatest passion,' says Wenders. whose new exhibition has opened in New York’s Howard Greenberg Gallery
-
20 years on, ‘The Gates’ makes a digital return to Central ParkThe 2005 installation ‘The Gates’ by Christo and Jeanne-Claude marks its 20th anniversary with a digital comeback, relived through the lens of your phone
-
In ‘The Last Showgirl’, nostalgia is a drug like any otherGia Coppola takes us to Las Vegas after the party has ended in new film starring Pamela Anderson, The Last Showgirl
