Life’s a beach: exploring Robert Rauschenberg’s Floridian island home

‘Every time I’ve moved, my work has changed radically,’ said the artist Robert Rauschenberg, who, after growing tired of living in New York in the 1960s, decided to buy a property in Captiva, Florida. It is easy to see why Rauschenberg – whose posthumous retrospective runs at the Tate Modern until 2 April, before going to MoMA in New York and the de Young in San Francisco – fell in love with Captiva, a tranquil island off of Florida’s west coast, lined with beaches along the Gulf of Mexico, and lousy with flora and fauna. Rauschenberg purchased his first property there, a beachfront house, in 1968. It wasn’t until two years later that he moved there full-time, setting up a permanent residence and a studio. He stayed in Captiva until his death in 2008.
Take a 360 degree tour of Robert Rauschenberg's home and studio on Captiva island
Staunchly averse to the urban sprawl that began on the island when developers wanted to build vacation resorts, Rauschenberg, who fished daily, would eventually purchase the properties of several of his neighbours. ‘He said, “Name your price, you can use it until the day you die, I won’t develop your property",’ said Matt Hall, a long-time employee of Rauschenberg. The artist would go on to acquire around a dozen or so properties across 20 acres of land.
Rauschenberg’s beach house.
Rauschenberg’s work changed while sequestered in Captiva. It was there that he gathered cardboard boxes to create his Early Egyptian wall sculpture series, which he coated with sand from the beach. Rauschenberg also built a printing shop on his estate, to create screen-prints. Each house is lined with shelves that hold books on art, fashion, architecture, travel, film and more.
Even though it’s been eight years since Rauschenberg passed away, the artist’s legacy lives on in Captiva. Inspired by his time at Black Mountain College in North Carolina, Rauschenberg made sure that a foundation was created in his name to foster the work of artists and chefs (Rauschenberg was also a staunch foodie). Now, via residencies with the Rauschenberg Foundation, art and food practitioners can experience the place that so inspired Rauschenberg in the final decades of his life.
Rauschenberg in 1982, returning to his studio in his Volkswagen Bug convertible after a run to the Gulf Iron and Metal Junkyard, a source of materials for his Kabal American Zephyr series
The artist’s collage materials sorted by imagery content, 1977
One of the propeties Rauschenberg purchased on Captiva was Waldo Cottage, a small Native American plantation worker’s home from the 1920s.
The print studio.
Rauschenberg and Cy Twombly discussing a painting in the former’s Laika Lane studio, 1980.
Weeks House is one of many communal spaces in the complex, now home to the Rauschenberg Foundation.
INFORMATION
For more information, visit the Rauschenberg Foundation website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ann Binlot is a Brooklyn-based freelance writer who covers art, fashion, design, architecture, food, and travel for publications like Wallpaper*, the Wall Street Journal, and Monocle. She is also editor-at-large at Document Journal and Family Style magazines.
-
The bespoke Jaguar E-Type GTO melds elements from every era of the classic sports car
ECD Automotive Design’s one-off commission caters to a client who wanted to combine the greatest hits of Jaguar’s E-Type along with modern conveniences and more power
-
Casa Sanlorenzo debuts in Venice as a new hub for contemporary art
The luxury yachting leader unveils a stunning new space in a palazzo restored by Piero Lissoni – where art, innovation, and sustainability come together
-
Once vacant, London's grand department stores are getting a new lease on life
Thanks to imaginative redevelopment, these historic landmarks are being rebonr as residences, offices, gyms and restaurants. Here's what's behind the trend
-
Tour architect Paul Schweikher’s house, a Chicago midcentury masterpiece
Now hidden in the Chicago suburbs, architect Paul Schweikher's former home and studio is an understated midcentury masterpiece; we explore it, revisiting a story from the Wallpaper* archives, first published in April 2009
-
The world of Bart Prince, where architecture is born from the inside out
For the Albuquerque architect Bart Prince, function trumps form, and all building starts from the inside out; we revisit a profile from the Wallpaper* archive, first published in April 2009
-
Is embracing nature the key to a more fire-resilient Los Angeles? These landscape architects think so
For some, an executive order issued by California governor Gavin Newsom does little to address the complexities of living within an urban-wildland interface
-
Hop on this Fire Island Pines tour, marking Pride Month and the start of the summer
A Fire Island Pines tour through the work of architecture studio BOND is hosted by The American Institute of Architects New York in celebration of Pride Month; join the fun
-
A Laurel Canyon house shows off its midcentury architecture bones
We step inside a refreshed modernist Laurel Canyon house, the family home of Annie Ritz and Daniel Rabin of And And And Studio
-
A refreshed Rockefeller Wing reopens with a bang at The Met in New York
The Met's Michael C Rockefeller Wing gets a refresh by Kulapat Yantrasast's WHY Architecture, bringing light, air and impact to the galleries devoted to arts from Africa, Oceania and the Ancient Americas
-
A Fire Island house for two sisters reimagines the beach home typology
Coughlin Scheel Architects’ Fire Island house is an exploration of an extended family retreat for the 21st century
-
PlayLab opens its Los Angeles base, blending workspace, library and shop in a new interior
Creative studio PlayLab opens its Los Angeles workspace and reveals plans to also open its archive to the public for the first time, revealing a dedicated space full of pop treasures