Home, the London art initiative championing BIPOC artists, launches appeal to save the space
Home, one of the few art spaces in London supporting Black, Asian and Minority Ethnic artists, has launched an urgent appeal to stay alive
Home, the Black-owned, accessible art space championing BIPOC creatives, has launched an urgent appeal for financial support.
The multi-functional, self-funded art space in north London opened in 2020, and was a silver lining for the city’s art scene following a year of turbulence and uncertainty.
Founded by photographer, director and curator, Ronan McKenzie, Home was conceived out of necessity for a ‘truly accessible art space’, that responds directly to the needs of its community. Through a wide-ranging programme of exhibitions and events and a ‘new infrastructure for creativity’, the space offers a physical platform to champion BAME artists and audiences.
In a time of increasing financial strain across the creative industries and beyond, the art space has now launched an urgent appeal for survival through Go Fund Me. As the appeal post explained: 'Although we have had the kind support through brand partnerships through a few projects, this, unfortunately, hasn’t been enough to cover all the costs necessary to run the space...'
A post shared to Home's Instagram page, read: 'We are currently in desperate need of support to keep Home alive. Over the past two years, Ronan has continually injected money made through her photography practice to keep Home afloat. The financial pressure of maintaining Home has been, and continues to weigh heavy on Ronan’s shoulders and is no longer something that she is able to financially support alone.'
As McKenzie – who has previously exhibited works at Somerset House and The National Theatre, and collaborated with the likes of Nike and Glossier – noted at the time of opening, many of the city’s art spaces continue to work on hierarchical structures, which are all too often out of reach for BAME artists and audiences. ‘A new art space concept is desperately needed, not only because the representation within most gallery spaces is still not diverse enough to respond to and appreciate the incredibly vast talent who is currently working, but no spaces are able to offer programming that has community and artistic development at the heart of its practice,’ she said.
Home’s debut show was a collaboration between McKenzie and Mixed media artist Joy Yamusangie. ‘WATA; Further Explorations’, delves into themes of ancestry, cross-cultural connections, music and migration, and takes a film produced by the artists in early 2020 as its starting point.
Breeze, by Home founder and photographer Ronan Mckenzie
Since it opened in 2020, Home has worked with more than 100 BIPOC creative practitioners, offering free curatorial and event offerings elevating the work of BIPOC artists. In tandem with an ongoing exhibition programme, Home also offers an affordable daylight photo studio, co-working spaces, film nights, supper clubs, artist talks, portfolio reviews, music events, life drawing homing in on the need for an integrated, collaborative approach to art creation and appreciation.
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Home offers a versatile model for experimentation, community and social engagement. As McKenzie said in 2020, ‘Drawing on my own experiences of showing work at institutions, and working across fashion and arts, I am all too aware of the difficulties of navigating creative industries as a Black female, and amongst the current offering in London, there needs to be a Home.’
In the interest of transparency, Home has outlined its objectives for 2023, and the monthly costs required to sustain the art space, including rent and staff salaries and is seeking to raise £50,000 through community donations to sustain operations. As the post concludes: 'This isn’t something we wanted to ask our community for but we have reached a critical point where we have no choice but to ask, and as difficult as it is to ask, the support of our community or those who see value in what we aim to provide is imperative in keeping Home alive.'
Inside Home, a new art space in north London
The Musician, by Joy Yamusangie, part of the exhibition ’WATA; Further Explorations’, at Home
Home's fundraising page is now live and can be accessed via Go Fund Me. gofundme.com
ADDRESS
Home
Second floor
Hornsey Studios
397-399 Hornsey Road
London, N19 4DX
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
Remembering Frank Gehry, a titan of architecture and a brilliant human beingLong-time Wallpaper* contributor Michael Webb reflects on the legacy of the Los Angeles architect, who died today at age 96
-
Lexus finally confirms the name of its all-electric LFA Concept supercarStill designated a design study, the Lexus LFA Concept should be the successor to the most unlikely of all 20th-century supercars
-
King of cashmere Brunello Cucinelli on his new biographical docu-drama: ‘This is my testimony’Directed by Cinema Paradiso’s Giuseppe Tornatore, ‘Brunello: the Gracious Visionary’ premiered in cinematic fashion at Rome’s Cinecittà studios last night, charting the meteoric rise of the deep-thinking Italian designer
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s wet, windy and wintry and, this week, the Wallpaper* team craved moments of escape. We found it in memories of the Mediterranean, flavours of Mexico, and immersions in the worlds of music and art
-
Each mundane object tells a story at Pace’s tribute to the everydayIn a group exhibition, ‘Monument to the Unimportant’, artists give the seemingly insignificant – from discarded clothes to weeds in cracks – a longer look
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* team had its finger on the pulse of architecture, interiors and fashion – while also scooping the latest on the Radiohead reunion and London’s buzziest pizza
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Wes Anderson at the Design Museum celebrates an obsessive attention to detail‘Wes Anderson: The Archives’ pays tribute to the American film director’s career – expect props and puppets aplenty in this comprehensive London retrospective
-
Meet Eva Helene Pade, the emerging artist redefining figurative paintingPade’s dreamlike figures in a crowd are currently on show at Thaddaeus Ropac London; she tells us about her need ‘to capture movements especially’
-
David Shrigley is quite literally asking for money for old rope (£1 million, to be precise)The Turner Prize-nominated artist has filled a London gallery with ten tonnes of discarded rope, priced at £1 million, slyly questioning the arbitrariness of artistic value
-
Out of office: The Wallpaper* editors’ picks of the weekThe rain is falling, the nights are closing in, and it’s still a bit too early to get excited for Christmas, but this week, the Wallpaper* team brought warmth to the gloom with cosy interiors, good books, and a Hebridean dram