Loewe marks 100 years of the Surrealist Manifesto in Madrid
Loewe Foundation presents 'Surrealist Centennial' at the Leica Gallery, Madrid
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Functioning outside of reason and control, surrealism was an attractive movement for artists seeking alternatives to political realities in the twentieth century. As a medium, photographs particularly appealed, thanks in part to their ability to manipulate reality, subtly distorting the quotidian in a tribute to the uncanny.
Lola Álvarez Bravo, Eye, 1950s, gela3n silver print. Courtesy Throckmorton Fine Art and LOEWE
André Breton’s Surrealist Manifesto, released 100 years ago, set the tone for this blurring of reality and fiction, a milestone now marked by Loewe and Loewe Foundation with an exhibition in Madrid. Throughout, curator María Millán draws on works created throughout the last century, from 24 artists based in Europe, Asia and the Americas, from recognised surrealist artists through to fashion photographers.
Anonymous, Young boy in NYC, 1930s, gelatin silver print. Courtesy Throckmorton Fine Art and LOEWE
Offbeat photographic techniques, from sandwiched negatives, to double exposures, solarisation and photomontage are jarring juxtapositions against lighting and props that lend a sense of otherness to staging. Skewed proportions and different perspectives are seen in works such as Horst P. Horst’s Robert Wilson on Paul Walter Chair (1990), where a man on an oversized chair rests against a backdrop of painted clouds, or in David Wojnarowicz’s New York (1988), a collage of a steam train and a skeleton, which appears as if an X-Ray.
Elsewhere, surrealism’s fantastical nature is viewed through a religious lens by artists including Graciela Iturbide and Lola Álvarez Bravo, while portraits of Jean Cocteau by Berenice Abbott, Lucien Clergue, Philippe Halsman, Germaine Krull and Dora Maar lean towards more traditional surrealist sensibilities.
Loewe and Loewe Foundation presents 'Surrealist Centennial' at the Leica Gallery, Madrid, as part of PHotoESPAÑA, until 14 September 2024
Tina Modotti, Three Puppets in a Ship Setting, 1929
Tina Modotti, Louis Bunin and “The Secretary”, 1929, gelatin silver print. Courtesy Throckmorton Fine Art and LOEWE
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Hannah Silver is a writer and editor with over 20 years of experience in journalism, spanning national newspapers and independent magazines. Currently Art, Culture, Watches & Jewellery Editor of Wallpaper*, she has overseen offbeat art trends and conducted in-depth profiles for print and digital, as well as writing and commissioning extensively across the worlds of culture and luxury since joining in 2019.