Japanese ceramicist Eriko Inazaki wins 2023 Loewe Foundation Craft Prize
Eriko Inazaki has been awarded the 2023 Loewe Foundation Craft Prize for her intricate ceramics in a ceremony held at New York’s Noguchi Museum

The winner of the 2023 Loewe Foundation Craft Prize has been named as Japanese ceramicist Eriko Inazaki. Her winning work, a ceramic piece titled Metanoia, 2019, is a captivating orb covered in fine, plant and flower-like extrusions, each intricately made by pinching the clay by hand. This year's honourable mentions went to Dominique Zinkpè from Benin for his wall sculpture The Watchers, and Moe Watanabe, a Japanese artist whose work Transfer Surface uses salvaged walnut bark to construct its naturalistic box form.
Speaking ahead of the prize ceremony, which was held at the Noguchi Museum in Queens, New York, Loewe's creative director Jonathan Anderson said, 'Each year gets better and better, hence why it also gets harder and harder. It's a global submission [and] there's no political things or [any constraint] in terms of where people apply from, which is the point. This is what's unique about the prize. The level is up and we’ve got many amazing pieces competing against each other.’
Eriko Inazaki
This year marks the sixth edition of the Loewe Foundation Craft Prize, launched in 2016. Initiated because of Anderson’s deep interest in craft techniques and as a reflection of the fashion brand’s own craft heritage, the prize has played a key role in shaping how craft is perceived in an age when the distinctions between art, design and fashion continue to be blurred.
‘I was looking at friends who worked in craft and saw them [as] just as important as sculptors or contemporary artists,’ he recalled. ‘The packaging of it was wrong in some cases. One of the biggest things was [that] there wasn’t enough exposure. What Loewe and the foundation does is provide huge amounts of exposure to unknown artists. No matter whether you win or not, being shortlisted helps to boost their profile, and at the same time, it helps people to understand that craft is not just one thing.’
Installation view of the Loewe Craft Prize 2023 exhibition at the Noguchi Museum, New York
Inazaki’s winning work describes a period of deep personal anguish, something that is palpable through the tiny, biological structures layered on the ceramic body’s surface, which are vitrified and shrunken down further in the kiln. Anderson said, ‘What I love about the work is you have no idea what it’s made out of. It has an incredible sense of anxiety in it, which I quite like. At the same time, there is a depth of field that is very unusual in ceramics. You get this idea that it has so many layers that you go into, that you can get lost in it. When you look at it in a video, it looks completely different [than] in the flesh. There is something about this fragility that is remarkable.’
With a cash prize of €50,000, winning the title certainly has a significant impact on the artist – something to which last year’s winner, Dahye Jeong, who was also a member of this year’s jury, can attest. She said, ‘Because the craft tradition that I work in is not well known, even in Korea, I used to struggle a lot with doubting myself before winning. Now I have more confidence in what I’m pursuing. The Loewe Foundation always discovers new artists and there are things here in this year’s group that I also discovered. I work on challenging the medium’s limitations, and those were the criteria when looking for this year’s winner. When I [first] saw an image of Eriko’s work, I initially thought it was a textile piece. When I saw it [in the flesh], I felt she had a deep knowledge and understanding of the medium and was also pioneering a new path in this field.’
Metanoia, 2019
Installation view of the Loewe Craft Prize 2023 exhibition at the Noguchi Museum, New York
The 2023 Loewe Foundation Craft Prize will be on view at the Noguchi Museum, New York until 18 June 2023. craftprize.loewe.com; loewe.com
Pei-Ru Keh is the US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru has held various titles at Wallpaper* since she joined in 2007. She currently reports on design, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru has taken a key role in championing diversity and representation within Wallpaper's content pillars and actively seeks out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.
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