Photographer David Abrahams captures quiet moments in Japan for his new London show
‘Kyushu’ is a new show from photographer David Abrahams that documents his trip to a town on the Japanese island
London-based photographer David Abrahams is best known for his atmospheric shots for glossy editorials and major brands, but for his first UK solo exhibition, he is showcasing a more personal and meditative collection of work.
‘Kyushu’, at Have a Butchers in east London from 31 August, is a collection of photographs that Abrahams took while visiting the coastal city of Karatsu on Kyushu, Japan’s most southerly island.
The images capture details that might otherwise be overlooked – a shop window, the hood of a car, an illuminated sign – and elevate them to works of art. Captured with Abrahams’ signature dreamy lighting, the ‘Kyushu’ images exude a hallucinatory, almost melancholic air.
‘There is a strong sense of observation from a space of isolation,’ Abrahams said of the collection, ‘and as such these images take on a sort of voyeuristic, solitary approach. As a photographer, there is always an intention: when you frame something it's always about what you are trying to show or depict. There’s a fine line between documenting, idealising and culturally appropriating the place you have photographed.’
Abrahams printed the 60 previously unpublished images at his north London darkroom, which gave him the freedom to explore a range of hues and expressive tones, emphasising some colours by printing the image five or six times before finishing it.
‘It’s been nice to return to the moments I cherished while travelling,’ says Abrahams, ‘and have the time and space to look at it almost as a distant memory or a dream. Taking out the original context, and exploring the images I was naturally drawn to.’
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Mary Cleary is a writer based in London and New York. Previously beauty & grooming editor at Wallpaper*, she is now a contributing editor, alongside writing for various publications on all aspects of culture.
-
The Wallpaper* Design Awards are back in 2026 – see who's shortlistedOur annual design awards returns in January – here are the first shortlisted nominees
-
RIBA House of the Year 2025 is a ‘rare mixture of sensitivity and boldness’Topping the list of seven shortlisted homes, Izat Arundell’s Hebridean self-build – named Caochan na Creige – is announced as the RIBA House of the Year 2025
-
Wallpaper* Design Awards 2026: Life-enhancer of the year shortlistDiscover the shortlist for Life-Enhancer of the Year in the Wallpaper* Design Awards 2026, from an innovative night light to a blueprint for play
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s wet, windy and wintry and, this week, the Wallpaper* team craved moments of escape. We found it in memories of the Mediterranean, flavours of Mexico, and immersions in the worlds of music and art
-
Each mundane object tells a story at Pace’s tribute to the everydayIn a group exhibition, ‘Monument to the Unimportant’, artists give the seemingly insignificant – from discarded clothes to weeds in cracks – a longer look
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* team had its finger on the pulse of architecture, interiors and fashion – while also scooping the latest on the Radiohead reunion and London’s buzziest pizza
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Wes Anderson at the Design Museum celebrates an obsessive attention to detail‘Wes Anderson: The Archives’ pays tribute to the American film director’s career – expect props and puppets aplenty in this comprehensive London retrospective
-
Meet Eva Helene Pade, the emerging artist redefining figurative paintingPade’s dreamlike figures in a crowd are currently on show at Thaddaeus Ropac London; she tells us about her need ‘to capture movements especially’
-
David Shrigley is quite literally asking for money for old rope (£1 million, to be precise)The Turner Prize-nominated artist has filled a London gallery with ten tonnes of discarded rope, priced at £1 million, slyly questioning the arbitrariness of artistic value
-
Out of office: The Wallpaper* editors’ picks of the weekThe rain is falling, the nights are closing in, and it’s still a bit too early to get excited for Christmas, but this week, the Wallpaper* team brought warmth to the gloom with cosy interiors, good books, and a Hebridean dram