Seeing red: a new monograph gets under the skin of installation artist Chiharu Shiota
Under The Skin is the first monograph documenting the work of Chiharu Shiota – the renowned Osaka-born artist, celebrated for her monumental maze-like installations that often look like a bloodbath has taken place in the gallery.
There’s nothing about Shiota’s work that speaks of a particular time, culture or belief – and as 300 images and texts on the artist and her archive by Tereza de Arruda, Pascal Hess, Olaf Reis elucidate – that ambivalence is part of her schtick. When the artist moved away from Japan, she left the traditions of conventional painting that she’d studied behind, trying to come up with an entirely new visual language, that included performance, and incorporated symbolic items such as shoes, suitcases, keys and clothes – and more recently, boats.
Tracing the trajectory of Shiota’s work since she arrived in Berlin 20 years ago, the monograph documents early performances such as Becoming Painting (1994), for which the artist shaved her head and doused herself in toxic red paint that remained on her skin for months afterwards.
It was only in 2015 that Shiota really exploded on the international art scene, when she represented Japan at the Venice Biennale – the first time a Japanese artist living outside of the country had been selected. She exhibited The Key in the Hand, a deeply personal work that was the artist’s response to the deaths of several close friends and relatives.
Other more recent works chart her movement towards very large, ephemeral-looking installation work, such as Uncertain Journey (presented at Blain|Southern in Berlin last year) a tangle of strident red yarn, stretched across the gallery, creating a womb-like structure, claustrophobic and protective.
If Shiota’s importance has been somewhat underestimated so far, this monograph captures the unmistakable presence and power of her work – you’ll find yourself tangled in her infinite webs.
INFORMATION
Under the Skin, €48, published by Hatje Cantz
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.
-
Bali welcomes Tri Hita Karana Tower, a hybrid sound and vision centrepiece
Tri Hita Karana Tower is launching at Bali's Nuanu City; designed by Arthur Mamou-Mani, it’s a new hybrid art-AI architectural landmark for the island
By Ellie Stathaki Published
-
Lego opens its first Superpower Studios at Paris’ La Gaîté Lyrique
In collaboration with Lego’s new Global Play Ambassadors, artists Aurélia Durand, Chen Fenwan and Ekow Nimako, and overseen by Colette co-founder Sarah Andelman, Paris is the site of the first Lego Superpower Studios
By Jonathan Bell Published
-
‘If kids grew up going to London Design Festival they would learn so much’: architect Shawn Adams
In the first of our interviews with key figures lighting up the London Design Festival 2024, Shawn Adams, founder of POoR Collective, discusses the power of such events to encourage social change
By Ali Morris Published
-
Deathmatch wrestling’s behind-the-scenes moments and bloody glory
A new limited-edition book explores the intersection between art and deathmatch wrestling at a sold-out show held in Tokyo
By Anne Soward Published
-
How the west won: Ivan McClellan is amplifying the intrepid beauty of Black cowboy culture
In his new book, 'Eight Seconds: Black Cowboy Culture', Ivan McClellan draws us into the world of Black rodeo. Wallpaper* meets the photographer ahead of his Juneteenth Rodeo
By Tracy Kawalik Published
-
‘Package Holiday 1968-1985’: a very British love affair in pictures
‘Package Holiday’ recalls tans, table tennis and Technicolor in Trevor Clark’s wistful snaps of sun-seeking Brits
By Caragh McKay Published
-
‘Art Exposed’: Julian Spalding on everything that’s wrong with the art world
In ‘Art Exposed’, Julian Spalding draws on his 40 years in the art world – as a museum director, curator, and critic – for his series of essays
By Alfred Tong Published
-
Marisol Mendez's ‘Madre’ unpicks the woven threads of Bolivian womanhood
From ancestry to protest, how Marisol Mendez’s 'Madre' is rewriting the narrative of Bolivian womanhood
By Sofia de la Cruz Published
-
Olafur Eliasson inaugurates Azabudai Hills Gallery in Tokyo
Olafur Eliasson marks launch of Azabudai Hills Gallery, in Tokyo’s major new district, with a show of elemental strength
By Danielle Demetriou Published
-
Photographer David Abrahams captures quiet moments in Japan for his new London show
‘Kyushu’ is a new show from photographer David Abrahams that documents his trip to a town on the Japanese island
By Mary Cleary Published
-
Photo book explores the messy, magical mundanity of new motherhood
‘Sorry I Gave Birth I Disappeared But Now I’m Back’ by photographer Andi Galdi Vinko explores new motherhood in all its messy, beautiful reality
By Hannah Silver Published