Pathetic aesthetic: Cary Leibowitz’s zingers are more relevant now than ever

Cary Leibowitz – also known as Candyass – belongs to Loser Art, a self-ironising, self-reflexive and at times self-loathing style that emerged in the 1990s. Also an exponent of what critics have dubbed ‘pathetic aesthetic’, Leibowitz narrates his experiences as a gay Jewish artist in mainstream American society with searing self-truths. It hardly needs to be said that, at this time of deep political fracture in the US, these are stories that need to be heard.
And Leibowitz doesn’t just tell his story. He yells it. His works are recalcitrant one-liners, imperatives and exclamations painted in unavoidable blues and pinks. 'Don’t HATE Me Because I’m Mediocre' shouts one painting, 'GO FAGS!' screams another. You can’t help but think these painted wooden panels would be better off gallery walls and out on the streets at the protests.
'I'm torn between you...', c 1990.
Twenty-five years – and more than 250 exhibitions – after Leibowitz’s first solo exhibition, at New York’s Stux Gallery in 1990, the Contemporary Jewish Museum in San Francisco is staging a retrospective that brings together Leibowitz’s popular text-based paintings with some recently rediscovered ceramics that were shut up in boxes for 24 years. Other works 'we literally excavated from the basement of his Harlem townhouse' says curator Anastasia James
'Applaud, Appalled', c 1990.
The pretensions of the art world are also called out in the show. 'I think that the main reason Cary’s work is so powerful is that it is accessible in a way that most contemporary art is not,' explains James. 'When so many of his peers shifted their practices to appeal to the art market and the critics, Cary continued on with consistency, making art that embraces complexity and contradiction. His work displays a palpable disdain for what is popular and a deep-rooted reverence for the ugly, and as a result has been intentionally out of step with the traditional narrative.'
In 2018, the retrospective will tour to the ICA in Philadelphia and the Contemporary Arts Museum Houston.
Fried chicken (Being Jealous of Everyone), 1990.
Do these pants make me look Jewish, 2001.
Sad rainbow, Happy Rainbow, 2007.
INFORMATION
’Cary Leibowitz: Museum Show’ is on view until 25 June. For more information, visit the Contemporary Jewish Museum website
ADDRESS
Contemporary Jewish Museum
736 Mission Street
San Francisco, CA 94103
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.
-
Javier's, a new cathedral-inspired restaurant in downtown LA, offers a divine take on Mexican cuisine
At the restaurant's newest location, discovery lies around every corner – and on every plate
-
We'd happily move into this super-stylish New York architecture office
Michael K Chen’s newly expanded Midtown workspace is a calling card for his intuitive style and inclusive approach
-
The Macbeth, an icon of indie sleaze, goes from grotty to gastro
An East End legend meets Portuguese small plates in Jamie Allan’s ambitious revival of a beloved Hackney watering hole
-
Richard Prince recontextualises archival advertisements in Texas
The artist unites his ‘Posters’ – based on ads for everything from cat pictures to nudes – at Hetzler, Marfa
-
The best Ruth Asawa exhibition is actually on the streets of San Francisco
The artist, now the subject of a major retrospective at SFMOMA, designed many public sculptures scattered across the Bay Area – you just have to know where to look
-
Orlando Museum of Art wants to showcase more Latin American and Hispanic artists. Do you fit the bill?
The Florida gallery calls for for Hispanic and Latin American artists to submit their work for an ongoing exhibition
-
The spread of Butter: the Black-owned art fair where artists see all the profits
The Indianapolis-based art fair is known for bringing Black art to the forefront. As it ventures out of state to make its Los Angeles debut, we speak with founders Mali and Alan Bacon to find out more
-
Steve Martin wants you to visit The Frick Collection
The actor has appeared in a video promoting New York’s newly renovated art museum
-
Architect Erin Besler is reframing the American tradition of barn raising
At Art Omi sculpture and architecture park, NY, Besler turns barn raising into an inclusive project that challenges conventional notions of architecture
-
The dynamic young gallerists reinvigorating America's art scene
'Hugging has replaced air kissing' in this new wave of galleries with craft and community at their core
-
Meet the New York-based artists destabilising the boundaries of society
A new show in London presents seven young New York-based artists who are pushing against the borders between refined aesthetics and primal materiality