Book: Self Publish, Be Naughty

Of all the subject matter likely to end up in the inbox of a self-publisher, sex is probably the most common. So it was only a matter of time before the London-based outfit Self Publish, Be Happy conquered the last bastion of arty pornography: the sex book.
Its first effort, appropriately titled 'Self Publish, Be Naughty', launched last night in an intimate East London bookshop, Donlon Books, complementing the intimate nature of the material. Readers will certainly recognize in 'SPBN' references to sex-lebrities of yore, from Bettie Page to John Holmes. Yet the publisher, which operates far outside the dominion of your average art-book house, also aims to subvert traditional erotica by including all manner of fetishes, whether gay, violent or downright surreal - 'anything the photographers found exciting,' says Bruno Ceschel, a lecturer and curator who set up Self Publish, Be Happy. 'I think the photos are arousing because of that. You kind of feel the arousal of the photographers themselves.'
Call it an equal-opportunity turn-on or even meta-erotica, in which the object of the imagery and the photographer are often one and the same. The cover, says Ceschel, encapsulates that philosophy. 'You see an image of a hand going between the legs of a girl,' says Ceschel, 'but the legs are owned by the photographer.'
The project grew organically from a series of 'naughty' photographs a contact of Ceschel's sent to him, unsolicited, a year ago. Ceschel posted them on his website, eventually launching an online erotic photo-of-the-week series. With a book in mind, Ceschel put out a call for submissions and received 5,000 entries from a roster of artists as varied as Emily Yost, Lucas Blalock, David Schoerner and 'a 19-year-old student from Bulgaria'.
Ceschel and three colleagues narrowed those down to 122. The 1,000 limited-edition copies have been printed by self-publishing specialist Ubyu on loose A4 90gm gloss paper, bound by a removable elastic band in a unique sequence for each book - 'an echo,' says Ceschel, 'of the fragmented and subversive nature of desire'. There's also a special edition of SPBN, incorporating hand-printed C-Type prints (in edition of 10) of found negatives collected by Bryan Dooley. The 100 Special Edition buyers' names will also be listed in the book.
If there's any running theme behind the imagery, it's that the era of cataloguing our sexual preferences into tidy categories is over. 'Our understanding of sexual identity has changed dramatically from the previous generation's,' says Ceschel. 'Some of us no longer define ourselves as straight, gay and bisexual. It's blurrier. I think things are going in that direction, and our community is at the forefront of that change.
'But,' he continues, 'this book should work regardless of the political agenda. It's mainly a book about good pictures.'
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The book grew organically from a series of 'naughty' photographs a contact of Ceschel's sent to him, unsolicited, a year ago. Ceschel posted them on his website, eventually launching an online erotic photo-of-the-week series
With a book in mind, Ceschel put out a call for submissions and received 5,000 entries from a roster of artists as varied as Emily Yost, Lucas Blalock, David Schoerner and 'a 19-year-old student from Bulgaria'
The 1,000 limited-edition copies of the resulting tome have been printed by self-publishing specialist Ubyu on loose A4 90gm gloss paper, bound by a removable elastic band in a unique sequence for each book
If there's any running theme behind the imagery, it's that the era of cataloguing our sexual preferences into tidy categories is over. 'Our understanding of sexual identity has changed dramatically from the previous generation's,' says Ceschel. 'Some of us no longer define ourselves as straight, gay and bisexual. It's blurrier'
Untitled by Aaron McElroy, 2011
Untitled by Aaron McElroy, 2011
'Nikita's hand, St.Petersburg, Russia' by Alexander Sedelnikov, 2011
'Mutlu Turning' by Åsa Johannesson, 2011
'Roma' by Ben Seeley, 2010
Untitled by Ben Seeley, 2010
Untitled by Lucas Blalock, 2010
'Siphoning Milk into Wine Glass' by Bobby Doherty, 2011
'Joshua' by Carrie Levy, 201
Untitled by Christopher Day, 2011
Untitled by Christopher Day, 2011
'Scan 25' by Dora Fobert, 2011
'Fenominal Fem 2' by Ellen Jong and Kate Ruth, 2005
'Refrigerator' by Erik van der Weijde, 2004
Untitled by Francesco Nazardo, 2009
Untitled by Hannah Godley, 2011
'Venus' by Harley Weir, 2010
'Aimee and gun' by Jake Kenny, 2011
'Studio' by Karol Radziszewski, 2011
'Only Apricots' by Oliver Poddar and Andrew Ferguson, 2010
'Nikki' by RJ Shaughnessy, 2010
'Desert Storm No.5' by Tomas Hein, 2011
Based in London, Ellen Himelfarb travels widely for her reports on architecture and design. Her words appear in The Times, The Telegraph, The World of Interiors, and The Globe and Mail in her native Canada. She has worked with Wallpaper* since 2006.
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