Artist’s Palate: Sean Scully’s pancakes
Flip through Irish-born artist Sean Scully's dynamic pancake recipe, as featured in our monthly Artist’s Palate feature

Gustav Almestål - Photography
Sean Scully has spent the last six decades fusing spirituality with abstraction, creating grids, stripes and bold stacks of colour. When the Irish-born artist proposed pancakes for our recipe series, we instantly imagined a stack, but as he explains, ‘I could make a stack, like one of my sculptures or paintings. But the family is eagerly waiting, so take them as they come, with maple syrup for the kids and jam for the adults.’ He has his pancake production down to a fine art, creating them a few times a week for his wife and eleven-year-old son. For Scully, giving a pancake enough airtime before serving is crucial because it excites the recipient. ‘If you can flip it over a couple of times in the air, you’re a master.’
Ingredients
1 organic egg
4 loaded tsp organic gluten-free flour
Organic grass-fed whole milk
Coconut oil, for frying
RELATED STORY
Method
Mix the egg and flour in a mug and leave it for a few minutes. Then stir in some milk. I make it thinner than most people because I want the pancake to be thin and delicate (you will have to play with amounts). Put coconut oil in a non-stick frying pan (not too much, about one teaspoon), then heat it over a medium heat. Pour in the pancake mix so it makes a nice, even puddle. After a few minutes, it should be solid enough to flip over with a wooden skillet. Then, here’s the artistic part, it should slide around, nice and loose, in the pan. This means it’s ready to be flipped. This is very important because it dries the pancake and gives it air. Plus, it excites the client. If you can flip it over a couple of times in the air, you’re a master.
Sean Scully’s pancake flipping in action, filmed in April 2020. Video courtesy of Sean Scully Studio
INFORMATION
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
This article appears in the January 2021 issue of Wallpaper* (W*261) – on newsstands now and available for free download here
‘Sean Scully: Passenger’, until 15 January 2021, Hungarian National Gallery, Budapest. en.mng.hu
The artist will stage his first show with Thaddaeus Ropac, Paris in Spring 2021. ropac.net
Harriet Lloyd-Smith was the Arts Editor of Wallpaper*, responsible for the art pages across digital and print, including profiles, exhibition reviews, and contemporary art collaborations. She started at Wallpaper* in 2017 and has written for leading contemporary art publications, auction houses and arts charities, and lectured on review writing and art journalism. When she’s not writing about art, she’s making her own.
-
Is the MG Cyberster an electrifying sports car or a hefty grand tourer? In truth, it’s a bit of both
MG returns to its roots, sort of, with a sporting two-seater that electrifies the sector and points to a bolder design future for the Chinese-owned brand
-
Oystra is ZHA’s sculptural vision for living in the United Arab Emirates
Meet the team translating ZHA’s bold concept for the new development into ‘a community elevated by architecture’ – Dewan Architects + Engineers and developer Richmind
-
‘I want to feel optimism’: Tory Burch hopes her latest collection sparks joy
Presented in Brooklyn as part of New York Fashion Week, Tory Burch’s latest outing continued her newfound eye for experimentation and play – a balm, she says, for ‘the dark times we are in’
-
What's the story with Henni Alftan’s enigmatic, mysterious paintings? The artist isn’t saying
Paris-based artist Henni Alftan's familiar yet uncanny works are gloriously restrained. On the eve of a Sprüth Magers exhibition in Berlin, she tells us why
-
Home again: the artists reframing the domestic world
The humble home has fascinated artists for hundreds of years. But what, exactly, is the appeal? Artists including Andrew Cranston, Cece Philips and Do Ho Suh on magic in the mundane
-
From art to fashion, and back again: Jonathan Schofield’s figurative work is back in style
After graduating from London’s Royal College of Art, Jonathan Schofield began a career as a creative director at Stella McCartney. Now, he has returned to his first love, painting
-
Rolf Sachs’ largest exhibition to date, ‘Be-rühren’, is a playful study of touch
A collection of over 150 of Rolf Sachs’ works speaks to his preoccupation with transforming everyday objects to create art that is sensory – both emotionally and physically
-
Architect Erin Besler is reframing the American tradition of barn raising
At Art Omi sculpture and architecture park, NY, Besler turns barn raising into an inclusive project that challenges conventional notions of architecture
-
After decades capturing the world’s fashion-set, photographer Johnny Rozsa picks up a paint brush
In his first exhibition of paintings, the New York-based artist celebrates the vibrancy of Tangier while rediscovering a familiar creative outlet
-
Leila Bartell’s cloudscapes are breezily distorted, a response to an evermore digital world
‘Memory Fields’ is the London-based artist’s solo exhibition at Tristan Hoare Gallery (until 25 July 2025)
-
Marlene Dumas’ charged, exposed and intimate figures gather in Athens
The artist’s work from 1992 until the present day goes on show at Athens’ Museum of Cycladic Art (until 2 November)