McCloy + Muchemwa on ‘Emergingism’ in architecture

The world is changing and architecture is adapting, and a new wave of young practices in London emerges. They are armed with bold ideas, digital tools, new studio set ups and innovative designs and approaches. In our Next Generation series, join us in hailing this nexus of exciting studios from the UK capital through an ongoing series of weekly profiles. Steve McCloy and Bongani Muchemwa of McCloy + Muchemwa talk to us about architecture, material experimentation, being a young architect and diversifying. 

mccloy muchemwa Mud City
(Image credit: Sophie Percival )

From scarfs, to bikes, to lesson plans and buildings, McCloy + Muchemwa is a young London studio that has its fingers in many pies. The firm, set up officially in 2017 by Steve McCloy + Bongani (Bo) Muchemwa (who met at university and had been collaborating ever since), is dynamic and resourceful, and, they stress, always open to collaborations. This openness to experimentation and flexibility seems to define them as an architecture practice. 

‘Both of us had childhoods in Africa (Kenya and Zimbabwe) and think this may have inspired some common outlook, if only about the strangeness of Europe and the UK!' they say. ‘Together we now work well as part of a larger team because we have developed a rigour and depth to our shared architectural vision. We are a very small operation so our approach to large or complex projects is collaborative.'

McCloy + Muchemwa works with a competition based model (‘When we win one the studio shifts up a gear', they explain). This has allowed them to work on a hugely varied range of projects. One of their latest ones, ‘Mud City', is an experimentation that began life as a shortlisted competition entry for a housing prototype in Ghana, where there was a constraint to build using mud. The team took that to the extreme, only working with mud, even producing their ‘sketches' as clay-based working models. 

mccloy muchemwa bamboo bike-A bicycle with a briefcase sat in the frame

(Image credit: press)

‘We wanted each of these tectonic elements to answer the question ‘mud, what do you want to be?' (this was in a way an homage to Louis Kahn). We made a number of intuitive sculptural forms and analysed them for their application in a domestic scale,' they say. ‘Mud City is a loose urbanism where the diversity of architectural tectonics implies a rich and imaginative inhabitation. We collaborated with the artist and photographer Sophie Percival to try and capture images of this surreal place.'

The two partners tend to work through sketching a lot – the traditional, pencil-and-paper kind too – which helps them develop invariably all their designs. Constant explorations in form – their ‘A Bench For Everyone' wavy design references Richard Rogers and Renzo Piano's Pompidou Centre competition entry – and material are also visible in their work, be it conceptual or built. One of their newest prototypes is a city bicycle that uses bamboo to make the frame lighter and more practical for urban living. 

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Other work spans writing, teaching and illustration; they even helped a company called PrintLab develop a lesson-plan for urban design and public interventions that has been included in a number of school curriculums in the UK and US. Dynamism and a knack for diversity are things that can be found in abundance within London and UK's young talent pool, they argue, but it's not always appreciated. 

‘We coined the term "Emergingism" to describe the movement of pop-up and low budget projects that the "interesting crowd" tend to pursue and perhaps become distracted by – Emergingism stands in stark contrast to the hyper-professional yet de-valued role of the architect in commercial development, but it never gets far enough,' they say. ‘Additionally, for years some of the UK’s very best architects and designers who do build have been doing so in a global context, scarcely in this country, and hardly-ever outside of London. For example, it is such a waste that Zaha Hadid only has a handful of modest projects in the UK. It’s a shame to think that when she was at her peak so many terrible, artless buildings were built in our cities!'

McCloy and Muchemwa hope to change this, and to move from the small scale to bigger projects that engage with more people and have a stronger impact. ‘We want to work on public projects – buildings and places that lots of people will use and appreciate,' says the team. ‘We hope that our work reflects a love of life and an enthusiasm for the modern world!' 

mccloy muchemwa

(Image credit: Sophie Percival )

mccloy muchemwa house through the trees

(Image credit: press)

mccloy muchemwa the buoys are back in town - Two people jumping on red Buoys

(Image credit: Luke Donovan )

mccloy muchemwa bench-Yellow waved/curved seats with people sitting

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mccloy muchemwa redscape pavilion

(Image credit: press)

INFORMATION

mccloymuchemwa.com (opens in new tab)

Ellie Stathaki is the Architecture Editor at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018) and Glenn Sestig Architecture Diary (2020).