Temporary architecture brings joy to Melbourne’s summer
Melbourne celebrates the arrival of not one, but two new temporary pavilions: the 2021 MPavilion and the annual National Gallery of Victoria Architecture Commission
Melbourne’s vibrant architecture scene has been bolstered by the opening of two joyful, temporary architecture projects this week. Get ready to welcome the 2021 MPavilion and the Architecture Commission by the National Gallery of Victoria (NGV). Here, colour and playfulness rule.
Melbourne’s two new temporary architecture pavilions
MPavilion
The annual MPavilion commission by the Naomi Milgrom Foundation is back after last year’s hiatus in Queen Victoria Gardens, adjacent to Melbourne Arts Precinct. The design by Venice-based MAP studio is composed of a 6m-tall grid that floats on prefabricated concrete supports and holds a set of mirrored aluminium panels to reflect light, as well as provide glimpses of other visitors and the pavilion’s bright yellow floor.
Named The Lightcatcher, the pavilion functions as a stage around which people will gather to attend free performances, talks, workshops and children’s activities programmed over the summer months. When the pavilion closes in April 2022 it will be gifted to the state and relocated to a permanent home somewhere in Victoria, joining previous MPavilions that occupy a variety of sites from Docklands to Melbourne Zoo.
NGV Architecture Commission
Across the road from MPavilion, NGV has revealed its annual Architecture Commission in its sculpture garden. Entitled Pond[er], the design by architecture firm Taylor Knights in collaboration with artist James Carey is centred on a bright pink pond – wrapping around Henry Moore’s 1958 sculpture Draped Seated Woman – and beds of Australian wildflowers, designed with Ben Scott Garden Design to bloom at different times as the seasons change.
The striking pink hue is a reference to Victoria’s inland salt lakes. While visitors to the architectural garden are encouraged to wade through the pond, which holds about 45,000 litres of water, and take pleasure in this temporary oasis, the designers’ intention is for people to also consider the scarcity and political implications of water. According to the design team, ‘the way in which we have mismanaged and misused our land and water systems throughout Australia has seen a dramatic increase in extreme weather events, unprecedented drought, rising temperatures and ocean levels, and more recently, catastrophic bushfires'.
After the installation is removed, in October 2022, the materials used in its construction are to be distributed and reused by various Landcare, Indigenous, and community groups.
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Elias Redstone is Wallpaper’s Australia editor and an acclaimed arts leader. He is the founder and artistic director of Photo Australia / PHOTO International Festival of Photography, Melbourne. Previously, Elias was senior curator of The Architecture Foundation, London. He has curated exhibitions for museums and galleries internationally including Barbican Art Gallery, London; Storefront for Art and Architecture, New York; and Centre for Contemporary Photography, Melbourne. His book Shooting Space: Architecture in Contemporary Photography is published by Phaidon.
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