At the heart of Sydney Metro’s expanded Central Station lies a spectacular new public space
The new extension to the Sydney Metro, designed by Woods Bagot in collaboration with John McAslan + Partners, can now be accessed beneath its monumental roof structure above the city’s historic Central Station
The City extension to the Sydney Metro opens in August 2024, the latest addition to the city’s underground railroad system. Australia’s largest transport infrastructure project to date, the first tranche of stations opened in 2019 and work will be continuing until 2032 at least, with a total of 113km and 46 stations planned.
The new roof oversails the station building
Sydney Metro's new Central Station concourse
This is the newly refurbished and expanded Central Station, a collaboration between John McAslan + Partners and Woods Bagot and a key interchange on the City & Southwest section of the system. This is already Australia’s busiest railway station, with rail lines that stretch out into the suburbs handling a remarkable 96 per cent of Sydney’s trains. To aid the interchange with the Sydney Metro, a new Northern Concourse has been added, with additional platform and concourse space beneath an oversailing roof.
The new structure juxtaposed against the heritage building
In some respects, the project is similar to John McAslan + Partners’ work at King’s Cross in London, with the dramatic new structure bridging the walls of the existing Edwardian terminus. Designed by Walter Liberty Vernon and George McRae, the original structure dates back to 1906 and is considered one of Sydney’s landmark structures.
The clock tower of the 1906 station can be seen through the new structure
The new spaces integrate the station into the public realm, with escalators, stairs and lifts leading down from street level to a lower-level concourse lit by an array of kite-shaped roof lights punched into the curving structure. The vaulted roof covers an impressive 2,420 sq m, with perforated white aluminium cladding enhancing the restored stone facades and classic detailing of the original station building and the sandstone 1936 Central Electric Building.
The new lower concourse at Sydney Central Station
Around 450,000 people are expected to use this building every day with the new line up and running, a 60 per cent increase on current capacity, and spaciousness, simplicity of navigation and an important first impression were all part of the brief.
Sydney Central Station designed by Woods Bagot in collaboration with John McAslan + Partners
As with almost all contemporary urban infrastructure upgrades, the new works have had to be carefully threaded into the urban fabric. The new lower level was made possible by the digging out of a maze of existing pedestrian tunnels. The heritage building is raised up on a new structural plinth, with the new roof oversailing it completely.
Old and new at Sydney Central Station
Such is the lightness of touch that the entire scheme is capable of being removed without any damage to the original structures, but if modern station upgrades are anything to go by, the new concourse will soon become a core part of Sydney’s identity.
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Related article
Sydney Central Station designed by Woods Bagot in collaboration with John McAslan + Partners
Sydney Central Station designed by Woods Bagot in collaboration with John McAslan + Partners
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
-
14 of the best new books for music buffsFrom music-making tech to NME cover stars, portable turntables and the story behind industry legends – new books about the culture and craft of recorded sound
-
Margaret Howell marks 55 years in business by reissuing pieces from her archiveThe stalwart of British design will reissue a series of archival silk scarves to celebrate the landmark anniversary, alongside an era-traversing exhibition of foulards at the brand’s Wigmore Street store
-
This season’s high jewellery smoulders in sunset shadesVivid hues and striking silhouettes combine in new high jewellery from Van Cleef & Arpels, Cartier and Tiffany & Co
-
Welcome to The Gingerbread City – a baked metropolis exploring the idea of urban ‘play’The Museum of Architecture’s annual exhibition challenges professionals to construct an imaginary, interactive city entirely out of gingerbread
-
The Architecture Edit: Wallpaper’s houses of the monthFrom Malibu beach pads to cosy cabins blanketed in snow, Wallpaper* has featured some incredible homes this month. We profile our favourites below
-
Meet Forefront, a cultural platform redefining the relationship between art and architectureForefront co-founder Dicle Guntas, managing director of developer HGG, tells us about the exciting new initiative and its debut exhibition, a show of lumino-kinetic sculptures in London
-
Corten curves and contemporary flair transform this terraced house in LondonCagni Williams Associates’ sensitive refurbishment of a south London Edwardian house features a striking and sustainable Corten steel extension
-
You may know it as ‘Dirty House’ – now, The Rogue Room brings 21st-century wellness to ShoreditchThe Rogue Room – set in the building formerly known as Dirty House by Sir David Adjaye, now reinvented by Studioshaw – bridges wellness and culture in London's Shoreditch
-
The architectural innovation hidden in plain sight at Frieze London 2025The 2025 Frieze entrance pavilions launch this week alongside the art fair, showcasing a brand-new, modular building system set to shake up the architecture of large-scale events
-
RIBA Stirling Prize 2025 winner is ‘a radical reimagining of later living’Appleby Blue Almshouse wins the RIBA Stirling Prize 2025, crowning the social housing complex for over-65s by Witherford Watson Mann Architects, the best building of the year
-
‘Belonging’ – the LFA 2026 theme is revealed, exploring how places can become personalThe idea of belonging and what it means in today’s world will be central at the London Festival of Architecture’s explorations, as the event’s 2026 theme has been announced today