Studio Saxe designs a lightweight house in Costa Rica

Wood and glass two storey jungle house
The Jungle Frame House in Costa Rica designed by Studio Saxe respects its environment through a sustainable approach to design and construction.
(Image credit: Andres Garcia Lachner)

Taking a lightweight approach to architecture, Studio Saxe has designed a house in Nosara, Costa Rica as a subtle frame for living inside the jungle. Combining technology with local techniques, the design finds a sustainable way to let humans and nature co-exist.

The architects describe the tropical tree house as a ‘transparent object’. Its geometry was deciphered by the topography of its home – elements were pushed and pulled in deference to nearby trees and vegetation. Slightly sunken into the ground, it follows the edge of land that slopes towards a creek overlooking the jungle.

The boundaries between the interior and exterior are almost invisible. On entry to the house, the vertical triple-height atrium opens up a full view of the surrounding nature – from forest floor to the sky-high tree canopy and beyond, and the glazed walls bring the jungle right up to the house.

Interior of the jungle house with glass windows and grey sofa

(Image credit: Andres Garcia Lachner)

The ground floor living room is an immersive space that celebrates the beauty and immensity of the jungle: ‘When working in a site with abundant vegetation and on a slope, one is tempted to put all living spaces hovering over the landscape, however we made the very conscious decision of grounding people to the forest floor in the main living area,’ say the architects.

At the top of the house, nestled below the large roof, the bedrooms float in the tree canopy with views over the landscape. The wide roof creates a feeling of protection and shade for these more intimate zones of the house.

Light is controlled elsewhere through teak louvered walls that filter light into the spaces, with a similarly dappled effect as leaves on trees. Air flows through the louvers to ventilate the house naturally, and solar power is used for energy completing the sustainable energy focused project.

Exterior of the jungle house with glass windows and lights

(Image credit: Andres Garcia Lachner)

A low impact construction process combined technology with local knowledge – large prefabricated steel beams were assembled on site for a quick installation, while reforested teak was sourced for the louvered panelling and doors using traditional techniques.

Studio Saxe, set up by Benjamin Garcia Saxe in 2004 in Costa Rica, often blends technological innovation with handcrafted techniques across their work – as seen in the larger scale Joya Villas – as part of their exploration into the relationship between life, architecture and nature.

Open plan seating area with corner sofa, wood staircase and kitchen

(Image credit: Andres Garcia Lachner)

Bridge between two wooden buildings

(Image credit: Andres Garcia Lachner)

Wooden staircase across two floors

(Image credit: Andres Garcia Lachner)

Outside view of the jungle house

(Image credit: Andres Garcia Lachner)

Wooden walkway to the entrance to the jungle house

(Image credit: Andres Garcia Lachner)

Wall made with wooden flaps

(Image credit: Andres Garcia Lachner)

Wall to jungle house with wooden flaps

(Image credit: Andres Garcia Lachner)

INFORMATION

For more information, visit the Studio Saxe website

Harriet Thorpe is a writer, journalist and editor covering architecture, design and culture, with particular interest in sustainability, 20th-century architecture and community. After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London, she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine, amongst other titles. She is author of The Sustainable City (2022, Hoxton Mini Press), a book about sustainable architecture in London, and the Modern Cambridge Map (2023, Blue Crow Media), a map of 20th-century architecture in Cambridge, the city where she grew up.