Space Un celebrates contemporary African art, community and connection in Japan
Space Un, a new art venue by Edna Dumas, dedicated to contemporary African art, opens in Tokyo, Japan

Space Un embodies the French-Cameroonian roots of its creator, collector Edna Dumas; her experience as a contemporary African art collector; and her insights from living long-term in Japan. The newly launched creative hub in the heart of Tokyo was co-founded by actor and artist Yuta Nakano and entrepreneur Lothar Eckstein, and it was designed by architect Go Hasegawa.
Dumas explains: 'It's a space to bring people together. “Un” means one in French, but also explores themes of unity.' Inaugurated with work by Senegalese artist Aliou Diack, Space Un juxtaposes Senegalese artworks with Japanese material contexts, facilitating conversations on the intercontinental, cultural exchange between Africa and Asia.
Space Un: Tokyo art scene’s newcomer dedicated to contemporary African art
Space Un is located in Tokyo's Aoyama, between the cultural and commercial hubs of Roppongi and Shibuya. Strategically positioned in this bustling area, Space Un aims to attract as many potential collectors, art enthusiasts and new audiences as possible.
Dumas says: 'Contemporary African art is sadly under-represented in this part of the world.' Through Space Un’s wider programming, she aims to challenge preconceptions and stereotypes of contemporary African art in Japan and beyond.
The project's architect was keen for his design to address Space Un as a fundamental space for communication, beyond the stereotypical image of an art gallery. To that effect, the venue’s wide, street-side glass window is lined with an L-shaped bench that encourages visitors to stay, enjoy the café and continue to engage with the space.
'We made the bench with Japanese cypress from Yoshino, a very precious, premium wood, often used for important shrines in Japan,' Hasegawa continues. He paired it with sourced tables from Cameroon, Togo and Nigeria: 'It's a meeting between the Japanese bench and the West African table.'
Inside, Hasegawa designed a bespoke frame structure for the ceiling, to conceal pre-existing steel beams. There were two more reasons behind this gesture. The first was to create a space for storing equipment for future shows, and the second was his intention to celebrate the shoji; the room partition devices used in traditional Japanese architecture, typically made of paper and lattice frames of cypress wood.
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
The gallery's design extends outside, to the landscaping of a small garden, which features indigenous African plants. Hasegawa flags that it already stops passersby in their tracks: 'Even for the people who do not enter, the garden acts as a second gallery for this space.'
'Art for me is this universal language,’ says Dumas. ‘You can be Japanese, or Senegalese, but when you are in front of art, sculpture, or performance, it speaks to you. This is what I want the audience to feel like when they come to that space. To say, ”I understand, I feel at home”,’ says Dumas.
Launched alongside the physical gallery, the Space Un Residency Program invites contemporary African artists to visit Japan and produce work from Hasegawa’s Yoshino Cedar House, originally constructed in 2017 as part of Airbnb’s House Visions project. Artist Aliou Diack has already spent a month there producing work for the current exhibition at Space Un. Hasegawa explains that 'there is already a lot of communication between the African artists and Yoshino rural people - they made the frames for Diack’s artworks'.
Dumas says: 'I would love the Japanese audience to be taken by contemporary African art – to have the experience of seeing something other than what they have been accustomed to [...] I think the space will bring something new thematically and hopefully, they will embrace diversity and find something in common.'
Nana Ama Owusu-Ansah is a writer and photographer from London. She first wrote for Wallpaper* in 2021, in a series on the new vanguard of African designers practising in Africa and its diaspora. She is drawn to projects centring on decolonial approaches to art, architecture, as well as community and sustainability. Nana Ama read Economics and Spanish at University of St Andrews, and, as an avid linguist, is passionate about using accessible language to invite new audiences to engage in design discourse.
-
Vanessa Seward on her new vision for Begg x Co, the Scottish knitwear brand with over a century of history
As the new creative director of Begg x Co, Parisian designer Vanessa Seward wants to harness the ‘beauty and quality’ of its knits to make it ‘the go-to luxury brand for Scottish cashmere’
-
This Salento monastery becomes the backdrop for a celebration of local craft
‘Intrecci•Intertwinings’ (on view until 14 September 2025) features contemporary designs made from materials and techniques from the Salento region, also known as the ‘heel’ of Italy
-
Bathing is New York’s latest wellness obsession – Lore is making waves in the space
Opening in NoHo this autumn, bathing club Lore is the hottest (and coldest) new spot for a plunge and sauna
-
Campaigners propose reuse to save Kenzo Tange’s modernist ‘Ship Gymnasium’ in Japan
The Pritzker Prize-winning architect’s former Kagawa Prefectural Gymnasium is at risk of demolition; we caught up with the campaigners who hope to save it
-
A new photo book explores the symbolic beauty of the Japanese garden
‘Modern Japanese Gardens’ from Thames & Hudson traces the 20th-century evolution of these serene spaces, where every element has a purpose
-
The Architecture Edit: Wallpaper’s favourite July houses
From geometric Japanese cottages to restored modernist masterpieces, these are the best residential projects to have crossed the architecture desk this month
-
How an icon of Japanese Metabolist architecture took on a life of its own – even after its destruction
When Kishō Kurokawa designed the modular Nakagin Capsule Tower more than 50 years ago, he imagined it boarding ships and travelling the world. Now it has, thanks to a new show at MoMA
-
Mayumi Miyawaki’s Fukumura Cottage puts this lesser-known Japanese modernist in the spotlight
Discover the little-known modernist architect through this private home in Japan’s Tochigi prefecture countryside
-
Aston Martin completes its first Tokyo townhouse, crafted by the brand’s design team
This luxurious private house in Tokyo’s Omotesandō neighbourhood offers design and details shaped by Aston Martin, as well as features for the dedicated car collector
-
A Karuizawa house is a soothing, work-from-home retreat in Japan
Takeshi Hirobe Architects play with scale and space, creating a tranquil residence in which to live and work
-
Naoshima New Museum of Art is a home for Asian art, and a lasting legacy, in Seto Inland Sea
The Naoshima New Museum of Art opens, marking a seminal addition to the Japanese island's renowned Benesse Art Site Naoshima; we explore Tadao Ando's design