A Suffolk house by Studio Bark pairs a fresh visual language with low-energy design
Suffolk house Water Farm is off-the-grid but defiantly on the map, a bold new object in the landscape with a strong visual impact and minimal carbon footprint

Suffolk house Water Farm is a relative anomaly for an English house. Designed by Studio Bark, it is a completely off-grid family house in the countryside, set on the edge of a designated ‘National Landscape’ (formerly an Area of Outstanding Natural Beauty), amidst a varied site that includes farmland, ancient hedgerows, woods and distant views of the Stour Valley.
A Suffolk house with a difference
Studio Bark’s approach to the project draws on both the remote location, the local vernacular of barns and other timber structures, and a plan that embraces family life while still offering spaces to retreat within the five-bedroom, 350 sq m structure. Above all, it’s about creating a self-contained world away from the city, a rural idyll that uses contemporary design and sustainable architecture techniques to minimise its ecological footprint and maximise connection with the land.
Another idiosyncratic consideration drove the design. ‘[The house is] designed to be both seen and enjoyed,’ the architects say, explaining how ‘the proposal takes advantage of the nearby public right of way, [which allows] passersby to appreciate it as an architectural statement that enhances the scenic quality of the area.’
This approach also had to placate the local planning authority, as well as legislation that demands the highest design quality in such National Landscape sites. ‘The challenge for us as both architects and rural planning experts was to create an exceptional family home that addressed these elements (known as in the UK as Paragraph 84 of the National Planning Policy Framework), whilst also being sensitive to local opinion and local planning policy,’ say the London-based architects.
Key environmental design elements include the first principles of layout, ensuring that glazing and shutters are positioned to ensure minimal solar gain in summer. The house is also passively ventilated, with a central courtyard that ensures air moves through the structure, as well as openable windows throughout and high ceilings. The other benefit is plenty of daylight, right into the heart of the house.
The internal courtyard brings light into the heart of the house
All this is set beneath a dramatic and angular roof form, a piece of timber-clad origami that wraps around the square plan, punctured by the courtyard. The upstairs bedrooms are given another dimension of character thanks to these angular surfaces, while the two main bedrooms occupy the gable ends, with corresponding far-reaching views. ‘It’s great to see how such a bold roof form can sit seamlessly into a complex natural landscape, whilst also framing views across its planes to the picturesque Stour Valley beyond,’ the architects say.
The courtyard seen from above
Downstairs, the ground floor is substantially open plan, yet arranged over different levels to create separation between the spaces. The courtyard at the centre creates a focal point and sightlines that run through the house to the gardens and woodland beyond.
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
The house has a dramatic roofscape
A separate studio and office building has a large solar array on its roof, along with a large battery bank. A Ground Source Heat Pump provides heating and energy all year round, supplemented by a Midas Biofuel Generator. Water comes from a freshly drilled borehole with filtration system and there is also a compact domestic sewage plant that converts waste to groundwater.
The main bedrooms occupy the gable ends
Water Farm epitomises the ten-year old studio’s approach of finding design-led ways of minimising architecture’s impact without compromising a striking and bold formal language. Founded by Wilf Meynell, Steph Chadwick and Nick Newman, the studio is based in east London.
As well as winning a RIBA award, the studio was given the 2024 Activism Award for its sustained approach to high-quality environmental design.
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
-
A new Tadao Ando monograph unveils the creative process guiding the architect's practice
New monograph ‘Tadao Ando. Sketches, Drawings, and Architecture’ by Taschen charts decades of creative work by the Japanese modernist master
-
Inside the sculptural and sensual philosophy of jewellery house Renisis
Sardwell, founder of jewellery house Renisis, draws on sculpture, travel and theatre to create pieces that fuse sensual form with spiritual resonance
-
Feldspar's furniture is designed to make you smile
Feldspar's furniture debut includes a dining table, side tables, a bench, a floor lamp and the possibility of a cheval mirror, all made in their workshop in Devon
-
The new 2025 London Open House Festival tours to book
2025 London Open House launches this weekend, running 13-21 September; here, we celebrate the newcomers in the residential realm, flagging the exciting additions to the festival's growing home tour programme
-
The wait is over – the RIBA Stirling Prize 2025 shortlist is here
The restored home of Big Ben, creative housing for different needs, and a centre for medical innovation – the RIBA Stirling Prize 2025 shortlist has just been announced, and its six entries are as diverse as they can be
-
Slides, clouds and a box of presents: it’s the Dulwich Picture Gallery’s quirky new pavilion
At the Dulwich Picture Gallery in south London, ArtPlay Pavilion by Carmody Groarke and a rich Sculpture Garden open, fusing culture and fun for young audiences
-
Bay House brings restrained modern forms and low-energy design to the Devon coast
A house with heart, McLean Quinlan’s Bay House is a sizeable seaside property that works with the landscape to mitigate impact and maximise views of the sea
-
A whopping 92% of this slick London office fit-out came from reused materials
Could PLP Architecture's new workspace provide a new model for circularity?
-
Meet the landscape studio reviving the eco-brutalist Barbican Conservatory
London-based Harris Bugg Studio is working on refreshing the Barbican Conservatory as part of the brutalist icon's ongoing renewal; we meet the landscape designers to find out more
-
A refreshed Victorian home in London is soft, elegant and primed for hosting
Sobremesa house by architects Studio McW shows off its renovation and extension, designed for entertaining
-
15 years of Assemble, the community-driven British architecture collective
Rich in information and visuals, 'Assemble: Building Collective' is a new book celebrating the Turner Prize-winning architecture collective, its community-driven hits and its challenges