Paloma House's crafted minimalism offers delight and surprises
A low, linear residence, Paloma House by Fearon Hay, takes the high ground in rural New South Wales
Set against the backdrop of the lush New South Wales countryside, Paloma House sits on an idyllic hilltop spot in Kangaroo Valley, offering long vistas of the local national park. The clients, a Sydney-based couple looking for a second home, love horticulture, horses and the great outdoors, and are big fans of Tadao Ando and minimalist architecture. Their search for the right creative mind to help them realise their dream retreat led them to New Zealand studio Fearon Hay.
Fearon Hay first appeared in Wallpaper* 22 years ago when the then-emerging studio featured in our 2001 Architects’ Directory. Since then, the Auckland- and (now also) LA-based firm, founded in 1998 by Tim Hay and Jeff Fearon, has carved a niche as a go-to expert for 21st century minimalism. Crafting extraordinary homes in striking natural landscapes is a key practice strength and a significant part of the duo’s joint portfolio and expertise, something the Paloma House owners made the most of.
Paloma House: origins and inspiration
The new residence’s flat, low, linear volume keeps it close to the earth. Its pronounced roof fascia and overhang add weight, underscoring its connectivity to the ground, while subtly referencing the low profile of many 20th century modernist architecture homes. The roof’s strong outline helps define the house’s overall shape and boundaries, while within it, courtyards, steps and gardens create pockets of interest. The project also encompasses a studio, guest house, swimming pool and stables.
Within the main house’s long, orthogonal section, there are two generous en-suite bedrooms, a living room, and a kitchen and dining area. Patinated stainless steel, sandblasted weathered concrete and plains of glass form a calculated, relatively austere yet elegant material palette throughout.
The interiors were created in collaboration with Italian designer Michela Curetti, with the fairly sparse, carefully placed furnishings allowing the greenery outside to take centre stage. A separate wing, connected by a simple anteroom, leads to a library and study. Lined with floor-to-ceiling bookshelves, this is one of the home’s most indulgent spots. Here, the clients’ art collection (comprising both contemporary and historical works and spread across the entire house) pops up in alcoves and vitrines, on walls, and freestanding between the furniture.
Even though the content of this room is enough to pull you in and mesmerise, the outdoor greenery remains strongly present, visible through smaller openings in strategic locations – one such example is a long, narrow, horizontal slit that comes directly at eye level when seated in the soft armchairs, presumably book at hand. This is a signature Fearon Hay feature. While the practice is prolific in the realm of residential architecture, each of their homes draw on the natural context and individual setting every time they address a new brief. This ensures that every design feels unique and tailor-made to its location.
In the case of Paloma House, its rural environment offered inspiration and opportunity to explore something new, contrasting the pared-down building’s geometries with the softness of the leafy nature outside, supported by the property’s landscaping, the work of Sydney-based horticultural expert Myles Baldwin. ‘The various locations that we design around the world mean that we are always hyper-sensitive to place. Being an outsider, we are fascinated by the landscapes our clients inhabit,’ says Hay. This can also present some unexpected challenges. ‘Australia’s wildlife is something that we hadn’t encountered before, including a lot of snakes, along with kangaroos and wombats, that visit the house,’ Hay adds.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
The use of stainless steel and concrete means that the house will gradually become more embedded in its setting, ageing along with the nature around it, as the materials organically weather over time. At the same time, Fearon Hay’s seamless collaboration with the landscape and interior designers means that this is a home that feels well rounded and truly connected to its place, interiors and exterior inherently linked and coherently forming part of the same story.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
A new limited-edition Rhodes piano and Gibson doubleneck guitar aim for the stars
The new Rhodes Mk8 Earth Edition piano and Gibson Jimmy Page EDS-1275 Doubleneck guitar revisit classic instruments at a price
By Jonathan Bell Published
-
The new interior design trends we spotted at Salone del Mobile 2024
These are the interior design trends to look out for in 2024 and beyond, from soft upholstery to conversation pits and low dining
By Rosa Bertoli Published
-
Tiffany & Co nods to its theatrical history with a surreal new campaign
Tiffany & Co campaign ‘With Love, Since 1837’ sees Dan Tobin Smith and set designer Rachel Thomas create an offbeat set
By Hannah Silver Published
-
Burnt Earth Beach House is an experimental retreat crafted in terracotta
The experimental Australian Burnt Earth Beach House by John Wardle breaks new ground in material composition, using baked earth for warmth, texture and tonality
By Ellie Stathaki Published
-
Lavender Bay house opens towards the water, overlooking Sydney harbour
Lavender Bay house by Tobias Partners is an expansive family home overlooking Sydney harbour
By Ellie Stathaki Published
-
Mori House is an Australian beach escape fusing international design influences
Mornington Peninsula's Mori House by architect Manuel Aires Mateus is a striking fusion of Australian, Portuguese and Japanese design influences
By Stephen Crafti Published
-
Victorian cottage transformed by radical extension into a light-filled living space
Glasshouse Projects has opened up the heart of this Victorian cottage in Adelaide, Australia, with a contemporary garden extension and pool
By Jonathan Bell Published
-
Sydney’s Wharf Apartment is a heritage maritime space that evokes a coastal holiday home
Lawless & Meyerson’s Wharf Apartment is a careful, contemporary residential transformation in Sydney’s Finger Wharf that taps into the property's historic character
By Grace Bernard Published
-
Eclat rethinks 21st-century workspace with a hospitality offering in Melbourne
With new Melbourne co-working space Eclat, Australian designers Forme defy the conventional shared office model through sensitive craftsmanship and hidden high-tech
By Carli Philips Published
-
This Melbourne aquatic recreation centre’s crafted timber ceiling hints at its sustainability ambitions
The Northcote Aquatic Recreation Centre by Warren and Mahoney opens in Melbourne, blending sleek aesthetics with environmental responsibility
By Ellie Stathaki Published
-
Treetops House brings softness to contemporary concrete volumes in Sydney
Treetops House by Tobias Partners is an Australian home that juxtaposes crisp concrete volumes with soft curves, playful colours and lush nature
By Ellie Stathaki Published