New home: Museum of London reveals winning plans for West Smithfield move
After long outgrowing its island-like location within the London Wall roundabout next to the Barbican, the Museum of London is gearing up to move to a new home at West Smithfield, where it hopes to double visitor numbers. After a tumultuous battle regarding the future of the 25,000 sq m site in question, which also houses the historic Smithfield meat market, a competition was launched, calling for submissions to imagine the museum’s new space.
The winner has now been announced, with Stanton Williams and Asif Khan granted the auspicious commission. Their vision – a sharp, contemporary design which acknowledges the extant tactile power of the existing West Smithfield space – includes a new listed landmark dome; innovative spiral escalators connecting the ground level with an excavated underground chamber; and a new sunken garden and other green spaces.
Says Paul Williams, director of Stanton Williams: 'Encountering the historic market spaces for the first time in early April this year, we were "blown away" by the power and physicality already existing, and knew then, that whatever scheme we developed, this physicality needed to be harnessed, and not lost, and that initial observation has inspired our initial design proposals. This project will engage a broad community well beyond London.'
Proposals were submitted by six teams in all, featuring an array of internationally renowned firms. These also included Bjarke Ingels Group, Caruso St John, Lacaton & Vassal Architectes, Diener & Diener and Studio Milou. Their early-stage design concepts remain on display in an exhibition at the Museum of London until 11 September.
BIG collaborated with Hawkins\Brown, Donald Insall and Gehl Architects to propose a large cantilevered vitrine which stretches out over the street below. Caruso St John Architects partnered with Alan Baxter Associates to present a clean and refined scheme, which proposed the insertion of a series of pavilions within the space.
Meanwhile, Swiss firm Diener & Diener Architekten, Sergison Bates Architects, East Architecture and Graphic Thought Facility envisioned a wire-framed rooftop reconstruction of the site's once-existing cupola. Lacaton & Vassal Architects, Pernilla Ohrstedt Studio, Allies and Morrison and Alan Baxter Associates opted to preserve the context and integrity of the site with as little intervention as possible. Finally, French firm Studio Milou collaborated with RL& Associés, Axis Architects and Alan Baxter Associates to propose a structure which included a giant mirror adorning the museum entrance.
The shortlist of entries was judged by a panel of well-known figures from the fields of the arts, property, media, architecture and business, chaired by BBC television and radio presenter Evan Davis. Each proposal was selected due to its high quality of design and innovative nature, while taking cues from the existing structure and urban context.
Of the winning entry, Davies states that, 'After a lot of discussion, a clear winner emerged. Stanton Williams and Asif Khan offered some really innovative thinking, and managed to combine a sensitivity to the heritage of the location, with a keen awareness of the practicalities of delivering a really functional museum.'
Stanton Williams and Asif Khan will now work alongside the museum to refine their ideas, ensuring that the design is sensitively carried out through the historic site. Formal planning will be submitted in 2018, with the completion date mooted for 2022.
The design also includes escalators connecting the ground level with an excavated underground chamber.
Says Paul Williams, director of Stanton Williams: ’Encountering the historic market spaces for the first time in early April this year, we were "blown away" by the power and physicality already existing, and knew then, that whatever scheme we developed, this physicality needed to be harnessed’
The other early-stage design concepts remain on display in an exhibition at the Museum of London until 11 September. Pictured: Lacaton & Vassal Architectes, Pernilla Ohrstedt Studio, Allies and Morrison, and Alan Baxter Associates’ proposal aimed to preserve the context and integrity of the site with as little intervention as possible.
BIG – who collaborated with Hawkins\Brown, Donald Insall and Gehl Architects – proposed a large cantilevered vitrine, stretching out over the street below.
French firm Studio Milou, RL& Associés, Axis Architects and Alan Baxter Associates’ vision included a giant mirror, which would adorn the museum entrance.
Swiss firm Diener & Diener Architekten, Sergison Bates Architects, East Architecture and Graphic Thought Facility envisioned a wire-framed rooftop reconstruction of the site’s once-existing cupola, responding to both the market’s existing structure and its historic context.
An inside glimpse into Diener & Diener’s bright and spacious proposal.
Each of the shortlisted proposals was selected due to their high quality of design and innovative nature. Pictured: Caruso St John Architects partnered with Alan Baxter Associates to create a pastel shaded scheme which was clean and refined, proposing the insertion of a series of pavilions within the space.
INFORMATION
Shortlisted plans will be on view at the Museum of London until 11 September. For more information, visit the Museum of London’s website
ADDRESS
Museum of London
150 London Wall
London, EC2Y 5HN
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Tom Howells is a London-based food journalist and editor. He’s written for Vogue, Waitrose Food, the Financial Times, The Fence, World of Interiors, Time Out and The Guardian, among others. His new book, An Opinionated Guide to London Wine, will be published by Hoxton Mini Press later this year.
-
Mexico's Palma stays curious - from sleepy Sayulita to bustling Mexico CityPalma's projects grow from a dialogue sparked by the shared curiosity of its founders, Ilse Cárdenas, Regina de Hoyos and Diego Escamilla
-
Everything to look forward to in fashion in 2026, from (even more) debuts to the biggest-ever Met GalaWallpaper* looks forward to the next 12 months in fashion, which will see the dust begin to settle after a year of seismic change in 2025
-
Five watch trends to look out for in 2026From dial art to future-proofed 3D-printing, here are the watch trends we predict will be riding high in 2026
-
Step inside this perfectly pitched stone cottage in the Scottish HighlandsA stone cottage transformed by award-winning Glasgow-based practice Loader Monteith reimagines an old dwelling near Inverness into a cosy contemporary home
-
This curved brick home by Flawk blends quiet sophistication and playful detailsDistilling developer Flawk’s belief that architecture can be joyful, precise and human, Runda brings a curving, sculptural form to a quiet corner of north London
-
A compact Scottish home is a 'sunny place,' nestled into its thriving orchard settingGrianan (Gaelic for 'sunny place') is a single-storey Scottish home by Cameron Webster Architects set in rural Stirlingshire
-
Porthmadog House mines the rich seam of Wales’ industrial past at the Dwyryd estuaryStröm Architects’ Porthmadog House, a slate and Corten steel seaside retreat in north Wales, reinterprets the area’s mining and ironworking heritage
-
Arbour House is a north London home that lies low but punches highArbour House by Andrei Saltykov is a low-lying Crouch End home with a striking roof structure that sets it apart
-
A former agricultural building is transformed into a minimal rural home by Bindloss DawesZero-carbon design meets adaptive re-use in the Tractor Shed, a stripped-back house in a country village by Somerset architects Bindloss Dawes
-
RIBA House of the Year 2025 is a ‘rare mixture of sensitivity and boldness’Topping the list of seven shortlisted homes, Izat Arundell’s Hebridean self-build – named Caochan na Creige – is announced as the RIBA House of the Year 2025
-
In addition to brutalist buildings, Alison Smithson designed some of the most creative Christmas cards we've seenThe architect’s collection of season’s greetings is on show at the Roca London Gallery, just in time for the holidays