Its glistening façade reflecting gently on the Oslo seafront waters in Norway, the much-awaited Munch Museum, designed by Spanish architecture firm Estudio Herreros, has just been completed and is gearing up towards its public opening on 22 October 2021. Created to host the extensive body of work of Norwegian artist Edvard Munch, the building, set in the city’s growing Bjørvika district, cuts a distinctly contemporary figure, while adding a key cultural destination to the global art and architecture map.
Upon opening, the project will be the one of the world’s largest museums dedicated to a single artist. With over 26,700 works in its collection and 11 galleries to play with, the institution will, for the first time in its history, have ample space to display Munch’s work – including his large-scale murals (such as, The Sun, completed in 1909, which stretches nearly 8m). The exhibits will also include several versions of Munch’s iconic painting, The Scream.
Located a stone’s throw from another Oslo waterfront landmark, the Snøhetta-designed opera house, the museum stands 13 storeys tall. Clad in perforated, translucent aluminium that was selected specifically for its ability to reflect the colours and weather changes of the Oslo skies, its sharp-looking, geometric shape is mirrored elegantly on the fjord’s surface. Meanwhile, higher up, an outdoor terrace allows visitors to take in the landscape and the cityscape beyond. A restaurant is located on the 13th floor.
The building boasts strong sustainability ceredentials, created as part of the city’s FutureBuilt programme (an ‘Oslo-wide initiative to halve greenhouse gas emissions across the city’, explain its creators). Recycled materials were used where possible, and energy-saving techniques throughout help lower the scheme’s overall carbon footprint.
Come October, the programme of events at the museum will launch with concerts, literature readings, performance and art workshops; all this on top of the permanent and temporary exhibitions within. The aim is to embed the museum in its community and the wider new cultural district of Bjørvika around it. The first show there, ‘Tracey Emin/Edvard Munch: The Loneliness of the Soul’, is set to explore Munch’s influence on Emin. §
