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Modern architecture in LA: a sneak preview of a new exhibition programme
Modern architecture in LA: a sneak preview of a new exhibition programme
Glamorous yet rough around the edges, LA has always attracted the daring, including in architecture. From simple modernist homes to shape-shifting civic design, this history of risk is about to go on view in the city's main museums, under the Getty Foundation-funded umbrella 'Pacific Standard Time Presents: Modern Architecture in LA'. Here, we give you a sneak preview of its eleven exhibitions, including an ambitious Getty Foundation show focusing on vintage Ed Ruscha prints immortalising the beautiful banality of 1960s Los Angeles, from gas stations (pictured) and dingbat apartments, to every building on Sunset Strip.
Picture: 'Standard, Amarillo, Texas, 1962', by Ed Ruscha. Image: courtesy of the J Paul Getty Museum, Los Angeles; © Ed Ruscha.
Writer: Carren Jao
Glamorous yet rough around the edges, LA has always attracted the daring, including in architecture. From simple modernist homes to shape-shifting civic design, this history of risk is about to go on view in the city's main museums, under the Getty Foundation-funded umbrella 'Pacific Standard Time Presents: Modern Architecture in LA'. Here, we give you a sneak preview of its eleven exhibitions, including an ambitious Getty Foundation show focusing on vintage Ed Ruscha prints immortalising the beautiful banality of 1960s Los Angeles, from gas stations (pictured) and dingbat apartments, to every building on Sunset Strip.
Picture: 'Standard, Amarillo, Texas, 1962', by Ed Ruscha. Image: courtesy of the J Paul Getty Museum, Los Angeles; © Ed Ruscha.
Writer: Carren Jao
Exhibition: In Focus: Ed Ruscha
Dates: 9 April to 29 September
Location: J Paul Getty Museum, LA
Throughout his career, Ed Ruscha has found inspiration in the streets of Los Angeles. 'In Focus' zooms in on the artist's exploration of the city's urban landscape, which inspired some of his most iconic works.
Picture: Mock-up for 'Every Building on the Sunset Strip, 1966', by Ed Ruscha. Image: courtesy of the J Paul Getty Museum, Los Angeles; © Ed Ruscha.
Exhibition: In Focus: Ed Ruscha
Dates: 9 April to 29 September
Location: J Paul Getty Museum, LA
Throughout his career, Ed Ruscha has found inspiration in the streets of Los Angeles. 'In Focus' zooms in on the artist's exploration of the city's urban landscape, which inspired some of his most iconic works.
Picture: Mock-up for 'Every Building on the Sunset Strip, 1966', by Ed Ruscha. Image: courtesy of the J Paul Getty Museum, Los Angeles; © Ed Ruscha.
Exhibition: In Focus: Ed Ruscha
Dates: 9 April to 29 September
Location: J Paul Getty Museum, LA
Throughout his career, Ed Ruscha has found inspiration in the streets of Los Angeles. 'In Focus' zooms in on the artist's exploration of the city's urban landscape, which inspired some of his most iconic works.
Picture: Contact sheet for 'Pacific Coast Highway, 1974-1975', by Ed Ruscha. Image: courtesy of the J Paul Getty Museum, Los Angeles; © Ed Ruscha.
Exhibition: In Focus: Ed Ruscha
Dates: 9 April to 29 September
Location: J Paul Getty Museum, LA
Throughout his career, Ed Ruscha has found inspiration in the streets of Los Angeles. 'In Focus' zooms in on the artist's exploration of the city's urban landscape, which inspired some of his most iconic works.
Picture: Contact sheet for 'Pacific Coast Highway, 1974-1975', by Ed Ruscha. Image: courtesy of the J Paul Getty Museum, Los Angeles; © Ed Ruscha.
Exhibition: In Focus: Ed Ruscha
Dates: 9 April to 29 September
Location: J Paul Getty Museum, LA
Throughout his career, Ed Ruscha has found inspiration in the streets of Los Angeles. 'In Focus' zooms in on the artist's exploration of the city's urban landscape, which inspired some of his most iconic works.
Picture: '1018 S. Atlantic Blvd., 1965', by Ed Ruscha. Image: courtesy of the J Paul Getty Museum, Los Angeles; © Ed Ruscha.
Exhibition: In Focus: Ed Ruscha
Dates: 9 April to 29 September
Location: J Paul Getty Museum, LA
Throughout his career, Ed Ruscha has found inspiration in the streets of Los Angeles. 'In Focus' zooms in on the artist's exploration of the city's urban landscape, which inspired some of his most iconic works.
Picture: '1018 S. Atlantic Blvd., 1965', by Ed Ruscha. Image: courtesy of the J Paul Getty Museum, Los Angeles; © Ed Ruscha.
Exhibition: In Focus: Ed Ruscha
Dates: 9 April to 29 September
Location: J Paul Getty Museum, LA
Throughout his career, Ed Ruscha has found inspiration in the streets of Los Angeles. 'In Focus' zooms in on the artist's exploration of the city's urban landscape, which inspired some of his most iconic works.
Picture: '818 Doheny Dr., 1965', by Ed Ruscha. Image: courtesy of the J Paul Getty Museum, Los Angeles; © Ed Ruscha.
Exhibition: In Focus: Ed Ruscha
Dates: 9 April to 29 September
Location: J Paul Getty Museum, LA
Throughout his career, Ed Ruscha has found inspiration in the streets of Los Angeles. 'In Focus' zooms in on the artist's exploration of the city's urban landscape, which inspired some of his most iconic works.
Picture: '818 Doheny Dr., 1965', by Ed Ruscha. Image: courtesy of the J Paul Getty Museum, Los Angeles; © Ed Ruscha.
Exhibition: A New Sculpturalism: Contemporary Architecture From Southern California
Dates: 2 June to 2 September
Location: The Museum of Contemporary Art, LA
'A New Sculpturalism' investigates the rise of radical forms in Southern California architecture. Starting from the wane of postmodernism in the mid-1980s, the exhibit offers the works of Eric Owen Moss, Thom Mayne and Franklin D Israel as touchstones to the city's expressive, experimental style.
Picture: Samitaur Tower, Culver City, California, 2008-2010, by Eric Owen Moss Architects. © 2011 Tom Bonner
Exhibition: A New Sculpturalism: Contemporary Architecture From Southern California
Dates: 2 June to 2 September
Location: The Museum of Contemporary Art, LA
'A New Sculpturalism' investigates the rise of radical forms in Southern California architecture. Starting from the wane of postmodernism in the mid-1980s, the exhibit offers the works of Eric Owen Moss, Thom Mayne and Franklin D Israel as touchstones to the city's expressive, experimental style.
Picture: Samitaur Tower, Culver City, California, 2008-2010, by Eric Owen Moss Architects. © 2011 Tom Bonner
Exhibition: Overdrive: LA Constructs the Future, 1940-1990
Dates: 9 April to 21 July
Location: J Paul Getty Museum, LA
Due to it nascent aerospace industries and influx of émigré influence, post-war Los Angeles was a laboratory for cutting-edge design. 'Overdrive' brings to light the bold structures that have shaped the city, from its shopping malls and theme parks, to freeways and airports.
Picture: LAX, Theme Building; perspective view, 1961. Image: © The Luckman Partnership, Inc. | a Salas O'Brien Company
Exhibition: Overdrive: LA Constructs the Future, 1940-1990
Dates: 9 April to 21 July
Location: J Paul Getty Museum, LA
Due to it nascent aerospace industries and influx of émigré influence, post-war Los Angeles was a laboratory for cutting-edge design. 'Overdrive' brings to light the bold structures that have shaped the city, from its shopping malls and theme parks, to freeways and airports.
Picture: LAX, Theme Building; perspective view, 1961. Image: © The Luckman Partnership, Inc. | a Salas O'Brien Company
Exhibition: Everything Loose Will Land
Dates: 9 May to 4 August
Location: MAK Center for Art and Architecture, LA
Known for its freewheeling sensibility, Los Angeles became home to architects and artists alike searching for new ways to express their respective art forms. 'Everything Loose Will Land' explores a time when artists and architects intermingled methodologies to create art that was architecture and vice versa.
Picture: Jef Raskin, inventor of the Macintosh computer, pictured with his 'Bloxes' (circa 1970), used as building blocks for walls and furniture for the offices of the likes of Google and Twitter. Image: courtesy the Estate of Jef Raskin. Photography: David Wing. Accession: Raskin Archive
Exhibition: Everything Loose Will Land
Dates: 9 May to 4 August
Location: MAK Center for Art and Architecture, LA
Known for its freewheeling sensibility, Los Angeles became home to architects and artists alike searching for new ways to express their respective art forms. 'Everything Loose Will Land' explores a time when artists and architects intermingled methodologies to create art that was architecture and vice versa.
Picture: Jef Raskin, inventor of the Macintosh computer, pictured with his 'Bloxes' (circa 1970), used as building blocks for walls and furniture for the offices of the likes of Google and Twitter. Image: courtesy the Estate of Jef Raskin. Photography: David Wing. Accession: Raskin Archive
Exhibition: A Confederacy of Heretics: The Architecture Gallery, Venice 1979
Dates: 29 March to 7 July
Location: Southern California Institute of Architecture, LA
For several weeks in 1979, Thom Mayne's home turned into a temporary gallery where emerging architects like Frank Gehry, Michael Rotondi, Coy Howard and many others found their voice. 'A Confederacy of Heretics' examines the pivotal role of this ephemeral space in shaping contemporary architecture in LA.
Picture: Seven of the architects who participated in The Architecture Gallery, from left to right: Frederick Fisher, Robert Mangurian, Eric Owen Moss, Coy Howard, Craig Hodgetts, Thom Mayne, Frank Gehry. © 1980 Ave Pildas
Exhibition: A Confederacy of Heretics: The Architecture Gallery, Venice 1979
Dates: 29 March to 7 July
Location: Southern California Institute of Architecture, LA
For several weeks in 1979, Thom Mayne's home turned into a temporary gallery where emerging architects like Frank Gehry, Michael Rotondi, Coy Howard and many others found their voice. 'A Confederacy of Heretics' examines the pivotal role of this ephemeral space in shaping contemporary architecture in LA.
Picture: Seven of the architects who participated in The Architecture Gallery, from left to right: Frederick Fisher, Robert Mangurian, Eric Owen Moss, Coy Howard, Craig Hodgetts, Thom Mayne, Frank Gehry. © 1980 Ave Pildas
Exhibition: Windshield Perspective
Dates: 18 April to 23 June
Location: A+D Architecture and Design Museum, LA
The exhibition recreates a drive down a short, dense street in Los Angeles. While most drivers fail to take note of what actually lies outside their windows, 'Windshield Perspective' attempts to highlight the character of the built environment that has slowly encroached this part of the city: messy, disorderly, yet vital.
Picture: Courtesy of A+D Architecture and Design Museum
Exhibition: Windshield Perspective
Dates: 18 April to 23 June
Location: A+D Architecture and Design Museum, LA
The exhibition recreates a drive down a short, dense street in Los Angeles. While most drivers fail to take note of what actually lies outside their windows, 'Windshield Perspective' attempts to highlight the character of the built environment that has slowly encroached this part of the city: messy, disorderly, yet vital.
Picture: Courtesy of A+D Architecture and Design Museum
Exhibition: Outside In: The Architecture of Smith and Williams
Dates: 13 April to 16 June
Location: Art, Design & Architecture Museum, UC Santa Barbara
Despite more than 40 awards and numerous projects published, the post-war California work of partners Whitney Smith and Wayne Williams have remained under the radar. 'Outside In' highlights the firm's success in selling modernism to a growing middle class and the subtle ways they've introduced landscape into architecture.
Picture: Community Facilities Planners office (South Pasadena, California), 1958. Photography: Jocelyn Gibbs, 2012
Exhibition: Outside In: The Architecture of Smith and Williams
Dates: 13 April to 16 June
Location: Art, Design & Architecture Museum, UC Santa Barbara
Despite more than 40 awards and numerous projects published, the post-war California work of partners Whitney Smith and Wayne Williams have remained under the radar. 'Outside In' highlights the firm's success in selling modernism to a growing middle class and the subtle ways they've introduced landscape into architecture.
Picture: Community Facilities Planners office (South Pasadena, California), 1958. Photography: Jocelyn Gibbs, 2012
Exhibition: Stephen Prina: As He Remembered It
Dates: 7 April to 4 August
Location: Los Angeles County Museum of Art
What happens when Rudolph Schindler's built-in furniture is removed from its original context? Artist Stephen Prina recreates the custom furniture from two 1940s Schindler homes, paints it bright pink and re-stages it inside the museum.
Picture: 'As He Remembered It' (detail), by Stephen Prina, 2011, installation view at Secession Vienna, 2011. © the artist; courtesy of Galerie Gisela Capitain, Colgne, and Petzel Gallery, New York. Photography: Wolfgang Thaler
Exhibition: Stephen Prina: As He Remembered It
Dates: 7 April to 4 August
Location: Los Angeles County Museum of Art
What happens when Rudolph Schindler's built-in furniture is removed from its original context? Artist Stephen Prina recreates the custom furniture from two 1940s Schindler homes, paints it bright pink and re-stages it inside the museum.
Picture: 'As He Remembered It' (detail), by Stephen Prina, 2011, installation view at Secession Vienna, 2011. © the artist; courtesy of Galerie Gisela Capitain, Colgne, and Petzel Gallery, New York. Photography: Wolfgang Thaler
Exhibition: Technology and Environment: The Postwar House in Southern California
Dates: 11 April to 12 July
Location: W Keith and Janet Kellogg University Art Gallery, Cal Poly Pomona
History has a way of simplifying a narrative. In 'Technology and Environment,' another strain of the modern tradition inherent in the works of Rudolph Schindler, John Lautner and Ray Kappe is unveiled, stretching beyond the Case Study-style, flat-roofed steel boxes iconic of the era. The exhibition includes newly constructed models, drawings, photographs, many of which are available to the public for the first time.
Picture: The living room of Ray and Shelly Kappe House by Ray Kappe, Pacific Palisades, 1966-1968. Image: courtesy of W Keith and Janet Kellogg University Art Gallery, Cal Poly Pomona
Exhibition: Technology and Environment: The Postwar House in Southern California
Dates: 11 April to 12 July
Location: W Keith and Janet Kellogg University Art Gallery, Cal Poly Pomona
History has a way of simplifying a narrative. In 'Technology and Environment,' another strain of the modern tradition inherent in the works of Rudolph Schindler, John Lautner and Ray Kappe is unveiled, stretching beyond the Case Study-style, flat-roofed steel boxes iconic of the era. The exhibition includes newly constructed models, drawings, photographs, many of which are available to the public for the first time.
Picture: The living room of Ray and Shelly Kappe House by Ray Kappe, Pacific Palisades, 1966-1968. Image: courtesy of W Keith and Janet Kellogg University Art Gallery, Cal Poly Pomona
Exhibition: The Presence of the Past: Peter Zumthor Reconsiders LACMA
Dates: 9 June to 15 September
Location: Los Angeles County Museum of Art
A museum examines itself with 'The Presence of the Past.' Alongside a historical view of the LACMA's architectural evolution, architect Peter Zumthor is asked to re-think the museum's east campus using his previous major commissions as entry points.
Picture: Kolumba, Art Museum of the Archdiocese of Cologne, Germany, 2007, by Peter Zumthor. Photography: Roland Halbe, 2013
Exhibition: The Presence of the Past: Peter Zumthor Reconsiders LACMA
Dates: 9 June to 15 September
Location: Los Angeles County Museum of Art
A museum examines itself with 'The Presence of the Past.' Alongside a historical view of the LACMA's architectural evolution, architect Peter Zumthor is asked to re-think the museum's east campus using his previous major commissions as entry points.
Picture: Kolumba, Art Museum of the Archdiocese of Cologne, Germany, 2007, by Peter Zumthor. Photography: Roland Halbe, 2013
Exhibition: A. Quincy Jones: Building for Better Living
Dates: 25 May to 8 September
Location: Hammer Museum, LA
Photographs never quite come close to the actual experience of walking through a space. In the first major retrospective of architect A. Quincy Jones, the Hammer Museum commissioned enlarged photographs of the underappreciated architect's key projects to impart his design's expansive spaces and efficient layouts.
Picture: Schneidman House by A. Quincy Jones, Whitney Smith, and Edgardo Contini, 1946-1950. Photography: Jason Schmidt, 2012., courtesy of Hammer Museum
Exhibition: A. Quincy Jones: Building for Better Living
Dates: 25 May to 8 September
Location: Hammer Museum, LA
Photographs never quite come close to the actual experience of walking through a space. In the first major retrospective of architect A. Quincy Jones, the Hammer Museum commissioned enlarged photographs of the underappreciated architect's key projects to impart his design's expansive spaces and efficient layouts.
Picture: Schneidman House by A. Quincy Jones, Whitney Smith, and Edgardo Contini, 1946-1950. Photography: Jason Schmidt, 2012., courtesy of Hammer Museum