Frida Escobedo is the first solo woman since Zaha Hadid to design a Serpentine Pavilion

Frida Escobedo has been added to the list of esteemed Serpentine Pavilion allum. Following in the blueprints of Francis Kéré last year, and BIG in 2016, the Mexican architect will be the first solo woman to take on the challenge since the late Zaha Hadid in 2000.
Selected by Serpentine artistic director Hans Ulrich Obrist and CEO Yana Peel, with help from advisors David Adjaye and Richard Rogers, Escobedo is also the youngest architect to be chosen for the project in its 18-year history. Born in 1979 in Mexico City, Escobedo established a studio in her home town 12 years ago. She has become known for her championing of Mexican design inspirations and practices, something she intends to convey in her Serpentine Pavilion commission, which features a courtyard enclosed by dark latticed walls, intended as a play on the celosia – a common trope in Mexican architecture that allows breeze to flow through buildings.
In what the architect describes as ‘a meeting of material and historical inspirations’, the courtyard design will also be site-specific to London. Along with positioning the interior wall of the courtyard along the Greenwich Meridian line (a summation of the British timezone, established in 1851), Escobedo will also use a palate of British materials (namely cement and wood), chosen for their atmospheric, dark qualities.
Widely acknowledged as one of the more challenging briefs in architecture thanks to its short six-month time frame, and the Pavilion’s multi-function as both performance area, object of art and public installation, Yana Peel believes Escobedo has hit the nail on the head. ‘It promises to be a place of both deep reflection and dynamic encounter’, she says, hoping it will bring ‘the urgency of art and architecture to the widest audiences.’
The commission follows a string of international successes for Escobedo. She impressed last year at the Chicago Architecture Bienniale, with her multi-levelled gathering place that overhauled a reading room of the old Chicago Convention Centre library, and for giving the former studio and home of Mexican muralist David Alfaro Siqueiros a new lease of life in 2012. Her eclectic oeuvre also includes interior architecture for Aesop, and a commission for the V&A Museum in London. This new, highly public commission – a meeting of timezones, functions and cultures – promises to share Escobedo’s work with a larger audience, offering her practice more of the widespread recognition it deserves.
A render of the inside courtyard enclosed by dark latticed walls.
Left, a drawing of the Serpentine Pavilion. © Frida Escobedo. Right, Frida Escobedo.
El Eco Pavilion by Frida Escobedo, 2010, Mexico City.
La Tallera by Frida Escobedo, 2012, Cuernavaca, Morelos, Mexico.
El Eco Pavilion by Frida Escobedo, 2010, Mexico City.
INFORMATION
From 15 June to 7 October 2018. For more information, visit the Serpentine Pavilion website and Frida Escobedo’s website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Elly Parsons is the Digital Editor of Wallpaper*, where she oversees Wallpaper.com and its social platforms. She has been with the brand since 2015 in various roles, spending time as digital writer – specialising in art, technology and contemporary culture – and as deputy digital editor. She was shortlisted for a PPA Award in 2017, has written extensively for many publications, and has contributed to three books. She is a guest lecturer in digital journalism at Goldsmiths University, London, where she also holds a masters degree in creative writing. Now, her main areas of expertise include content strategy, audience engagement, and social media.
-
Highlights from the transporting Cruise 2026 shows
The Cruise 2026 season began yesterday with a Chanel show at Lake Como, heralding the start of a series of jet-setting, destination runway shows from fashion’s biggest houses
-
Behind the design of national pavilions in Venice: three studios to know
Designing the British, Swiss and Mexican national pavilions at the Venice Architecture Biennale 2025 are three outstanding studios to know before you go
-
Premium patisserie Naya is Mayfair’s latest sweet spot
Heritage meets opulence at Naya bakery in Mayfair, London. With interiors by India Hicks and Anna Goulandris, the patisserie looks good enough to eat
-
The UK AIDS Memorial Quilt will be shown at Tate Modern
The 42-panel quilt, which commemorates those affected by HIV and AIDS, will be displayed in Tate Modern’s Turbine Hall in June 2025
-
Meet the Turner Prize 2025 shortlisted artists
Nnena Kalu, Rene Matić, Mohammed Sami and Zadie Xa are in the running for the Turner Prize 2025 – here they are with their work
-
‘Humour is foundational’: artist Ella Kruglyanskaya on painting as a ‘highly questionable’ pursuit
Ella Kruglyanskaya’s exhibition, ‘Shadows’ at Thomas Dane Gallery, is the first in a series of three this year, with openings in Basel and New York to follow
-
The art of the textile label: how British mill-made cloth sold itself to Indian buyers
An exhibition of Indo-British textile labels at the Museum of Art & Photography (MAP) in Bengaluru is a journey through colonial desire and the design of mass persuasion
-
Artist Qualeasha Wood explores the digital glitch to weave stories of the Black female experience
In ‘Malware’, her new London exhibition at Pippy Houldsworth Gallery, the American artist’s tapestries, tuftings and videos delve into the world of internet malfunction
-
Ed Atkins confronts death at Tate Britain
In his new London exhibition, the artist prods at the limits of existence through digital and physical works, including a film starring Toby Jones
-
Tom Wesselmann’s 'Up Close' and the anatomy of desire
In a new exhibition currently on show at Almine Rech in London, Tom Wesselmann challenges the limits of figurative painting
-
A major Frida Kahlo exhibition is coming to the Tate Modern next year
Tate’s 2026 programme includes 'Frida: The Making of an Icon', which will trace the professional and personal life of countercultural figurehead Frida Kahlo