Explore Bau Magazine’s influential mix of word and image at the ICA
The first major presentation of the work of Austrian architecture magazine Bau is launched in the UK today by London's Institute of Contemporary Arts. The influential Vienna-based publication was founded in 1965 and helped define the era's architectural discourse through its inspirational content.
The exhibition, 'Everything is architecture: Bau Magazine from the 60s and 70s', will display vintage issues published between 1965 and 1970. This particular period was a turning point for the magazine as its editorship was at the time taken over by a group of influential Austrian architects and artists, including Hans Hollein, Walter Pichler, Günther Feuerstein and Oswald Oberhuber.
Exploring a period when new experiments in architecture were flourishing globally, the exhibition shows how the magazine presented a platform to push novel ideas, advocating that buildings were much more than mere concrete forms and arguing for their great influence in the realms of art and politics. This radical interdisciplinary approach was crystallised in the 1968 issue of 'Bau' where influential architect Hans Hollein boldly claimed that 'Everything is Architecture'.
In the ICA's display, visitors can experience first hand Bau's unique design and layout and its difference when compared other experimental publications of its time. The publication strikes a beautiful balance between key texts by philosophers, artists and architects and playful, dynamic imagery of architecture, art and popular culture - a powerful mix. Complementing the exhibition, further talks elaborating on the publication's background history will be held by seminal architect, founder of Archigram and former ICA director, Peter Cook.
Offering a glimpse into an exciting turning point in architectural history and press, visitors can see how the iconic magazine broke boundaries and questioned what defined modernist architecture in the pre-war period.
Bau Magazine, Issue 6, 1967 (left, front cover, design by Oswald Oberhuber) and Issue 3, 1965 (right, front Cover, design by Barbara Pflaum). published by Zentralvereinigung der Architekten Österrreichs (Central Association of Austrian Architects)
Bau Magazine, Issue 1, 1967 (left, front cover, design by Walter Pichler based on a diagram from the publication New Movement in Cities by Brian Richards) and Issue 1-2, 1967 (right, front cover, design by Walter Pichler based on a diagram from the publication New Movement in Cities by Brian Richards). published by Zentralvereinigung der Architekten Österrreichs (Central Association of Austrian Architects)
Bau Magazine, , Issue 2-3, 1969 (left, interior page, drawing by Friedrich St. Florian) and Issue 2-3, 1969 (right, interior page, drawing by Friedrich St. Florian). published by Zentralvereinigung der Architekten Österrreichs (Central Association of Austrian Architects)
Bau Magazine, Issue 1, 1967 (left, front cover, design by Walter Pichler based on a diagram from the publication New Movement in Cities by Brian Richards) and Issue 3, 1968 (right, front cover, design by Oswald Oberhuber). published by Zentralvereinigung der Architekten Österrreichs (Central Association of Austrian Architects)
Bau Magazine, Issue 2, 1967 (left, back cover, advertising) and Issue 2, 1967 (right, back cover, advertising). published by Zentralvereinigung der Architekten Österrreichs (Central Association of Austrian Architects)
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
In the frame: Layer is a new high-tech platform for displaying unique pieces of generative artA museum-grade canvas renders digital art with spectacular precision, cutting-edge tech and exacting industrial design
-
Chrome tableware to make your dining setup shineOnce a hallmark of industrial and midcentury design, chrome is shining once again. The latest expression? Metallic dinner-, drink- and serveware that embody sophistication
-
Serenity radiates through this Mexican home, set between two ravinesOn the cusp of a lakeside town, Mexican home Casa el Espino is a single-storey residence by Soler Orozco Arquitectos (SOA)
-
Meet Forefront, a cultural platform redefining the relationship between art and architectureForefront co-founder Dicle Guntas, managing director of developer HGG, tells us about the exciting new initiative and its debut exhibition, a show of lumino-kinetic sculptures in London
-
Corten curves and contemporary flair transform this terraced house in LondonCagni Williams Associates’ sensitive refurbishment of a south London Edwardian house features a striking and sustainable Corten steel extension
-
You may know it as ‘Dirty House’ – now, The Rogue Room brings 21st-century wellness to ShoreditchThe Rogue Room – set in the building formerly known as Dirty House by Sir David Adjaye, now reinvented by Studioshaw – bridges wellness and culture in London's Shoreditch
-
The architectural innovation hidden in plain sight at Frieze London 2025The 2025 Frieze entrance pavilions launch this week alongside the art fair, showcasing a brand-new, modular building system set to shake up the architecture of large-scale events
-
RIBA Stirling Prize 2025 winner is ‘a radical reimagining of later living’Appleby Blue Almshouse wins the RIBA Stirling Prize 2025, crowning the social housing complex for over-65s by Witherford Watson Mann Architects, the best building of the year
-
‘Belonging’ – the LFA 2026 theme is revealed, exploring how places can become personalThe idea of belonging and what it means in today’s world will be central at the London Festival of Architecture’s explorations, as the event’s 2026 theme has been announced today
-
Join us on a first look inside Regent’s View, the revamped canalside gasholder project in LondonRegent's View, the RSHP-designed development for St William, situated on a former gasholder site on a canal in east London, has just completed its first phase
-
The Royal College of Art has announced plans for renewal of its Kensington campusThe Royal College of Art project, led by Witherford Watson Mann Architects, includes the revitalisation of the Darwin Building and more, in the hopes of establishing an open and future-facing place of creativity