Take the ultimate Carlo Scarpa tour of Venice
A Carlo Scarpa tour to end all tours; join our survey of modernist buildings by the Italian midcentury master in and around Venice
The modernist architecture of Carlo Scarpa has a surprisingly quiet presence in Venice. Although Scarpa was born in the Italian city in 1906, and spent much of his working life there, to seek out his most notable built projects you’ll find yourself peeking behind the shopfronts of St Mark’s Square, wandering into palazzos or peering through the art-hungry crowds that mill about the Giardini Della Biennale. Scarpa saw no need to make his work more outwardly exuberant, because he was a man obsessed with finer details: such as the way two different textures of stone could be paired, how light bounces off a certain type of plaster, or the sound water makes when trickling out of a fountain. He even had a – largely unexplained – fascination with the number 11, which consistently crops up throughout his oeuvre, along with references to Japanese architecture and Venetian boatbuilding (two more of his passions). For those keen to learn more about Scarpa and all his particularities, we’ve put together a list of must-see sites in Venice; it includes the architect’s own designs, plus newer venues in the city – like the St Regis hotel – which riff on Scarpa’s unmistakably modernist style.
OUR CARLO SCARPA TOUR
Negozio Olivetti
This store-turned-museum was initially designed by Scarpa to showcase different models of the revered Olivetti typewriter, but now – thanks to careful restoration by Italy’s FAI organisation – it offers a reminder of the architect’s mastery of materials. The store’s exterior is clad with slabs of smooth and craggy stone, while inside is a sequence of colourful mosaic floors; red in the entryway to catch the attention of passers-by on the street, and sunshine yellow in the back room to account for lack of natural light. At the heart of the space is a suspended staircase crafted from Aurisina stone.
Biennale ticket booth
More sculpture than ticket booth, this small-scale project by Scarpa sits empty in the gardens where the Venice Biennale is held; since its erection in 1951, crowds for the annual art fair have grown too big for it to be used. A combination of concrete aggregate and textured glass, the booth is topped by a sail-like canvas roof supported by a trio of hardwood masts – a visual nod to the construction of Venetian boats.
Palazzo Querini Stampalia
During the 16th century, Palazzo Querini Stampalia was home to a noble family, but in 1869 it was transformed into a museum, library and archive. Scarpa was invited to update the cultural institution in 1959, installing geometric gates at its entrance that allowed waters from the canal to lap up against the ground floor. He also created a verdant garden at the building’s rear, and an exhibition room with Mondrian-style travertine wall panelling.
Tomba Brion
Located around an hour outside of Venice in the unassuming town of San Vito d’Altivole, Tomba Brion is considered by many to be Scarpa's magnum opus. Created around the sarcophagi of Giuseppe Brion (the founder of electronics company Brionvega) and his wife, the burial grounds comprise a series of meditative concrete volumes and bodies of water that occasionally stir with swimming carp fish. After his death in November 1978, Scarpa himself was laid to rest in a quiet corner of the site.
Masieri Foundation
The Masieri Foundation stands proudly on a corner on the Grand Canal. It was created to honour the memory of Angelo Masieri, a collaborator of Carlo Scarpa, who died in 1952, and is erected on the site of a former palazzo – originally to be replaced by a Frank Lloyd Wright design, which never went ahead.
Aula Mario Baratto
A Carlo Scarpa interior, Aula Baratto is part of Venice's Ca’ Foscari University. It was created in 1935, initially conceived as the university's very first Great Hall. The window frame around the gothic opening, as well as the students' tribune, are part of Scarpa's design. The room was eventually transformed into a lecture hall by the same architect between 1955 and 1956.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
St Regis Venice
While not a work of the grand master himself, the St Regis Venice interiors draw heavily inspiration from Carlo Scarpa. Overlooking the banks of the Grand Canal, the 139-room hotel is littered with features that reflect Scarpa’s architectural approach and material palette – from its polished concrete ceilings, to the geometric panelling that can be seen beneath the concierge desks. Down in the hotel’s Arts Bar there’s even a heady cocktail inspired by the architect, served in a glass that mimics the interlocking circle motif seen at Tomba Brion.
For the ‘Uncovering Carlo Scarpa’ tour package, more here
-
The moments fashion met art at the 60th Venice Biennale
The best fashion moments at the 2024 Venice Biennale, with happenings from Dior, Golden Goose, Balenciaga, Burberry and more
By Jack Moss Published
-
Crispin at Studio Voltaire, in Clapham, is a feast for all the senses
New restaurant Crispin at Studio Voltaire is the latest opening from the brains behind Bistro Freddie and Bar Crispin, with interiors by Jermaine Gallagher
By Billie Brand Published
-
Vivienne Westwood’s personal wardrobe goes up for sale in landmark Christie’s auction
The proceeds of ’Vivienne Westwood: The Personal Collection’, running this June, will go to the charitable causes she championed during her lifetime
By Jack Moss Published
-
Modernist architecture: inspiration from across the globe
Modernist architecture has had a tremendous influence on today’s built environment, making these midcentury marvels some of the most closely studied 20th-century buildings; check back soon for new additions to our list
By Ellie Stathaki Published
-
Louis Kahn's modernist mastermind celebrated through new collaborations
The legacy of modernist architect Louis Kahn lives on to inspire a new generation, thanks to collaborations with family and fans
By Marina Cashdan Published
-
Royan Architecture Month showcases French modernism by the sea
Royan Architecture Month 2024 launches in the French city, where many travel to see midcentury builds by the sea, from Notre Dame church to Palais des Congrès
By Stacy Suaya Published
-
Giovanni Michelucci’s dramatic concrete church in the Italian Dolomites
Giovanni Michelucci’s concrete Church of Santa Maria Immacolata in the Italian Dolomites is a reverently uplifting memorial to the victims of a local disaster
By Jonathan Glancey Published
-
‘London Estates’ surveys the architecture and influence of the capital’s council-built homes
‘London Estates: Modernist Council Housing 1946-1981’, a new book by FUEL, is the perfect place to start for inspiration on how architecture can improve every sector of society
By Jonathan Bell Published
-
Afrobeats and modernism: how the concrete ‘ruins’ of Lagos become a stage
We explore the relationship between Afrobeats and modernism in Lagos, as the Nigerian capital’s concrete structures become a stage for the music genre
By Olorunfemi Adewuyi Published
-
Milan’s 10 Corso Como revamp nods to the concept store’s industrial character
Milanese concept store 10 Corso Como unveils its new look by 2050+, a stripped-back design that nods to its 20th-century character
By Ellie Stathaki Published
-
Is this the shape of wellness architecture to come?
Explore the future of wellness architecture through trends and case studies – from a Finnish sauna restaurant to UK cabins and a calming Canadian vet clinic
By Emma O'Kelly Published