Bindloss Dawes Architects’ Autobarn houses a collection of Porsches
The Autobarn by Bindloss Dawes Architects provides serene space to store and service a clutch of classic Porsches
Bindloss Dawes’ ‘Autobarn’ states its function pretty clearly, but the ‘loose-fit’ steel and timber structure is intended to be ultra-flexible from the outset.
Autobarn: a home for cars
The site is in the grounds of a Grade II-listed 18th-century house in southern England, and the brief called for a home for the client’s classic car collection, a structure that went above and beyond a conventional garage and became something more akin to a gallery, albeit a place where work could still be undertaken.
The 165 sq m project is split into two components, set at right angles to each other. Pitched roofs acknowledge the existing house and the local vernacular, but the façade treatment is very different. The five-bay garage adjoins the two-car workshop space, complete with car lift, storage for tools and parts, and a utility area.
All the spaces are top lit, with a precisely detailed steel frame emphasising the pitch and coming together beneath the apex. Access is via large sliding doors, all the way to a 7m, three-bay timber screen on the garage structure, which is joined by a sliding glass door for added security.
The client’s passion is classic Porsches, with several generations of the iconic 911 represented, alongside a 1970s-era 914. ‘Our aim was to create a building that appeared elegant and familiar at first glance, but then opened up to reveal something surprising and unexpected,’ says architect Oliver Bindloss. ‘Using the barn typology helped us to achieve this, creating simple timber forms that you might expect to find throughout the countryside, but then introducing some theatre with the big sliding doors, opening up the building to reveal the car collection inside.’
The barn analogy is furthered by the use of straightforward, quasi-agricultural materials like concrete and recycled wood strand board, as well as a zinc roof. The sweet-chestnut cladding and meticulous interior joinery reflect the timeless details of the cars themselves.
The adaptability of the structure is guided by futureproof design elements, like the underfloor heating and air source heat pump that could be switched on if needed, with additional services concealed within the panelling, should the Autobarn’s future use change.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
Bindloss and George Dawes founded their Somerset-based studio in 2018, following working together at Jamie Fobert Architects. The client describes the Autobarn project as a ‘close collaboration’ with architects, a way of realising a ‘long-term dream to bring my car collection together under one roof, and to start all the restoration projects I’ve been planning’.
Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.
-
Aesop’s Salone del Mobile 2024 installations in Milan are multisensory experiences
Aesop has partnered with Salone del Mobile to launch a series of installations across Milan, tapping into sight, touch, taste, and scent
By Hannah Tindle Published
-
Dial into the Boring Phone and more smartphone alternatives
From the deliberately dull new Boring Phone to Honor’s latest hook-up with Porsche, a host of new devices that do the phone thing slightly differently
By Jonathan Bell Published
-
Berlinde De Bruyckere’s angels without faces touch down in Venice church
Belgian artist Berlinde De Bruyckere’s recent archangel sculptures occupy the 16th-century white marble Abbazia di San Giorgio Maggiore for the Venice Biennale 2024
By Osman Can Yerebakan Published
-
Timber-framed Wimbledon house is a minimalist, low-energy affair
A new timber-framed Wimbledon house is designed to blend into its traditional surroundings with a neat brick façade, careful massing and pared back interiors
By Jonathan Bell Published
-
London Science Museum’s Energy Revolution gallery champions sustainable exhibition design
The Energy Revolution gallery opens at London’s Science Museum, exploring decarbonisation through sustainable exhibition design by Unknown Works
By Ellie Stathaki Published
-
This South Downs house stands as a testament to the value of quiet refinement
At one with the landscape, a South Downs house uses elements of quintessential country villas and midcentury gems with modern technologies
By Jonathan Bell Published
-
Ash Tree House offers a contextual approach to a north London site
Ash Tree House by Edgley Design is a modern family home in a north London conservation area's backyard site
By Ellie Stathaki Published
-
In memoriam: John Miller (1930-2024)
We remember John Miller, an accomplished British architect and educator who advocated a quiet but rigorous modernism
By Jonathan Bell Published
-
River Wing at Clare College responds to its historic Cambridge heritage
University of Cambridge opens its new River Wing on Clare College Old Court, uniting modern technology with historic design
By Clare Dowdy Published
-
Camden Workshop offers flexible family space in a transformed north London warehouse
Camden Workshop, a transformed industrial space in north London, was designed by architects McLaren Excell to combine residential space and a creative studio for its owners
By Ellie Stathaki Published
-
The Haydon shows off its dramatic stepped volume and triplex penthouse
The Haydon, designed by architects Acme, reveals the triplex penthouse within its dramatic, stepped volume in London’s Aldgate
By Ellie Stathaki Published