Chaumet draws on its heritage as a naturalist jeweller with a new high jewellery collection encompassing natural motifs in precious materials. The pieces, divided into four chapters, look to flowers, fields and undergrowth, and around the world.
The first chapter, Woods and Undergrowth, marries botanical themes with twisting ribbons of diamonds. Ferns in white gold form layers in a play on texture, while articulation is considered in pairs of earrings that can be taken apart and worn several ways. A necklace featuring a spectacular opal had each vein individually modelled, in a faithful rendition of the naturalist tradition.
Fields, the second chapter, rethinks the wheat motif, famously loved by Empress Joséphine. Here, it is drawn in coppery yellow gold, its richly drawn form juxtaposed against an Asscher-cut diamond, imbuing traditional pieces with a contemporary edge.
A realistic pansy flower tiara created in the 19th century by Jean-Baptiste Fossin is the inspiration for the third chapter, Flowers. Subtle graduations of diamonds and blue, pink and Padparadscha sapphires create an exquisitely drawn tiara and brooch; elsewhere, the tulip blooms in bold red spinels.
Chaumet revisits its goldsmithing heritage in the fourth and final chapter, Bouquets of the World, with gold petals interspersed with diamonds on a graphic necklace. In a necklace, earrings and ring suite, pink chalcedony is teased into petals, curling around graphic cushion-cut Ceylon sapphires.
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Margaret Howell celebrates the ‘modern and grounded’ work of British weaver Peter Collingwood with a rare exhibition and calendarOne of the 20th century’s seminal weavers, the exhibition provides a serene respite from Frieze London, unfolding in Margaret Howell’s London store
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Out of office: The Wallpaper* editors' picks of the weekThe London office of Wallpaper* had a very important visitor this week. Elsewhere, the team traverse a week at Frieze
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Alexandre de Betak on getting lost to find himself in LondonAs the world-renowned artistic director opens his first personal studio in London during Frieze Week, Alexandre de Betak reflects on leaving the fashion runway behind to explore light, space and creative freedom
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Chaumet’s new book celebrates its most memorable collaborations with photographers'Chaumet: Photographers’ Gaze' unites jewellery editorials and campaigns captured by major photographers. Co-author Carol Woolton tells us of the ‘addictive' Chaumet archive
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Chaumet, Cartier and Chanel up their high jewellery watch game for 2024In 2024's high jewellery watch designs, performance tech and centuries-old techniques combine to brilliant effect
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High jewellery with dazzling effectsStand-out gems dazzle against a backdrop of red and black in our high jewellery shoot
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Paris 2024 and Chaumet unveil Olympic and Paralympic medalsThe Paris 2024 Olympic and Paralympic medals designed by Chaumet are not just emblems of champions but are storytelling jewellery
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Chunky chains are given a subversive high jewellery spinHigh jewellery houses rewrite the rules by way of 1980s tunes and a blast of emeralds, spinels and diamonds
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Year in review: top 10 watch and jewellery stories of 2023, as picked by Wallpaper’s Hannah SilverSilver’s top 10 watch and jewellery stories of 2023 span cool horological collaborations, sculptural forms, and cutlery as bracelets
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Chaumet exhibition celebrates the golden age of jewellery design in ParisA Chaumet exhibition, ‘Un Âge d’Or’, in Place Vendôme, puts jewellery designs from 1965 – 1985 in the spotlight
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Bee my love: Chaumet draws honeycombs in fluid gold and diamondsChaumet’s new additions to the ‘Bee My Love’ jewellery collection nod to the jewellery maison’s heritage
