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Altuzzara’s dramatic look last season involved dark ink spots sprayed onto model’s faces and hair. For fall, the girls took on a more glamour-inspired guise, with hairstylist Paul Hanlon for Fekkai and makeup artist Tom Pecheux for MAC pushing forward 1990s nonchalance with ’Hollywood boudoir’ glamour and sensuality.
Altuzzara’s dramatic look last season involved dark ink spots sprayed onto model’s faces and hair. For fall, the girls took on a more glamour-inspired guise, with hairstylist Paul Hanlon for Fekkai and makeup artist Tom Pecheux for MAC pushing forward 1990s nonchalance with ’Hollywood boudoir’ glamour and sensuality.
Inspired by New York’s modernist crowd, DKNY gave each model a polished face with graphic eyeliner outlines on the eyes by Charlotte Willer for Maybelline New York. Hair by Wella Professionals creative director Eugene Souleiman was scrunched up and wispy.
Inspired by New York’s modernist crowd, DKNY gave each model a polished face with graphic eyeliner outlines on the eyes by Charlotte Willer for Maybelline New York. Hair by Wella Professionals creative director Eugene Souleiman was scrunched up and wispy.
The theme of all-American glamour revisited was given a perfect outing at Diane Von Furstenberg when lead makeup artist James Kaliardos pitted the girls’ pouty red lips against black metallic eye shadow, and Orlando Pita created a sleek low ponytail to complete the look.
The theme of all-American glamour revisited was given a perfect outing at Diane Von Furstenberg when lead makeup artist James Kaliardos pitted the girls’ pouty red lips against black metallic eye shadow, and Orlando Pita created a sleek low ponytail to complete the look.
Thakoon’s fun-loving colour burst came through in eye-popping shades by Diane Kendal for NARS Cosmetics, while hair was embellished rather joyously with wool strips and pom poms by Odile Gilbert for Kerastase Paris.
Thakoon’s fun-loving colour burst came through in eye-popping shades by Diane Kendal for NARS Cosmetics, while hair was embellished rather joyously with wool strips and pom poms by Odile Gilbert for Kerastase Paris.
Y-3 concentrated on geometrical half-moon eyeliner shapes by makeup maestro Pat McGrath, while deconstructed braiding by hairstylist Eugene Souleiman underscored the collection’s modern back-to-nature edge.
Y-3 concentrated on geometrical half-moon eyeliner shapes by makeup maestro Pat McGrath, while deconstructed braiding by hairstylist Eugene Souleiman underscored the collection’s modern back-to-nature edge.
