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The inspiration for Tom Pecheux’s ’fresh with an edge’ makeup for Max Mara came from the monochromatic and minimal look of the clothes themselves. Hairstylist Luigi Murenu eschewed a parting of any kind, choosing instead to sweep hair over the scalp and tucked behind the ears.
The inspiration for Tom Pecheux’s ’fresh with an edge’ makeup for Max Mara came from the monochromatic and minimal look of the clothes themselves. Hairstylist Luigi Murenu eschewed a parting of any kind, choosing instead to sweep hair over the scalp and tucked behind the ears.
Fendi’s rather dreamy look was down to the cute powdery blue wisps that Sam McKnight fashioned into hairstyles, and lightly-smoked eyes by Peter Philips.
Fendi’s rather dreamy look was down to the cute powdery blue wisps that Sam McKnight fashioned into hairstyles, and lightly-smoked eyes by Peter Philips.
The ethereal theme continued over at Prada, where elfin locks and dewy makeup were created by Guido Palau for Redken and Pat McGrath.
The ethereal theme continued over at Prada, where elfin locks and dewy makeup were created by Guido Palau for Redken and Pat McGrath.
Gianfranco Ferré’s girl had her tresses distressed and then tied up by Guido Palau - the modern-day Bardot reference carried into the makeup, where Peter Philips and his team lined eyelids with precision black liner.
Gianfranco Ferré’s girl had her tresses distressed and then tied up by Guido Palau - the modern-day Bardot reference carried into the makeup, where Peter Philips and his team lined eyelids with precision black liner.
Hairstyles at Versace were poker straight, with Guido Palau giving an emphasis to centre partings, while makeup by Pat McGrath was minimal with a hint of blush on cheeks.
Hairstyles at Versace were poker straight, with Guido Palau giving an emphasis to centre partings, while makeup by Pat McGrath was minimal with a hint of blush on cheeks.
