An assortment of our favourite invitations from the A/W 2012 menswear collections in Milan and Paris
Louis Vuitton’s invitation highlighted the brand's international presence, opening to reveal a pop-up Eiffel Tower, which also formed a compass when half exposed
A traditional waxed-effect book cloth was the material of choice for Prada’s Milan invitation this season. The red typeface made a bold ‘Prada-esque’ statement when the concertina folds were opened
The unassuming exterior of the Maison Martin Margiela invitation opened up to reveal...
...back-to-front type on the left and reflective paper on the right, creating an amusing mirrored effect
Maison Martin Margiela
Kenzo opted for a colourful die-cut version
The puzzle-like pack opened up to reveal multiple layers of intricate interchangeable paper layers which formed various geometrical patterns
Margaret Howell's A3 poster was printed with an image of ivy on a soft red-to-white gradient background
Another poster-like offering, this time from Walter Van Beirendonck...
... which opened up into an A2 poster...
...with an illustration by Michael Dans on the back
Givenchy presented an illustration on an A5, lightweight stock with a perforated corner which revealed the brand's logo on the other side
Opting to deliver their invitation in an 'envelope' wittily tied with a shoelace, Berluti printed their invite in silver foil blocking with silver-gilded edges on a thick, luxurious navy-blue card
The offering from Dior Homme arrived in a grey felt cover, laser-cut to reveal the gold foil logo which had been printed on the invitation
Show details were printed on thick card with gilded edges
Acne's playful message of comic-like hearts on the front...
...and debossed show details in matt silver on the back
Bernhard Wilhelm's mock postcards featured tongue-in-cheek crayon drawings
A minimal card from Sacai, which opened up to reveal the details clearly laid out in unfussy sans-serif script
Raf Simons' take on the super-simple juxtaposed serif and sans-serif typfaces
Printed on luxury matt card, Hermès' navy-blue offering featured an embossed close-up of the collection season date on the front...
...with the show details discreetly printed on the back
Mimicking past invitation styles, the Rick Owens invitation had a graphic front...
...which, upon closer inspection, revealed the show information discreetly debossed on the card
'Lord Arthur Savile's Crime' was the enigmatic message on the front of the Dries Van Noten invitation
The back revealed nothing more than the show's information
You would be forgiven for thinking this was just another letter in the post...
...however, once opened the contents revealed the Virdi-anne show details displayed on various bits of 'aging' paper
Adam Kimmel's quirky invitation in the form of a press badge
From blueprint to screen: at Milan Design Film Festival 2017
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Avenue Road owner invites us into his Toronto home
For sculptor David Annesley, ‘colour is like taste’
Paris Photo 2017: the unmissable highlights
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