There is nothing that is reasonably appropriate for a dry office job at Stella McCartney and for this we are deeply grateful. McCartney has her hand on the pulse of how every relaxed cool girl wants to dress; and the reality is that these women are now wearing well-designed, well-cut and well-made sportswear for nearly every hour of their day. McCartney offered a trove of options for spring, most of which came in coordinated, monochromatic two-piece sets. She cut wide leg culottes and sailor trousers from sturdy cotton twill and linen, setting them off with matching shirts or boxy tops. Giant portholes were cut out of the trims of skirts and tops, oversized belt buckles closed up the fronts of halter tops, while McCartney played with asymmetrical kerchief hems on both her tunic-length tops and matching skirts that were crafted from a cool looking ribbed knit. There were massive amounts of ripe cherries to pluck from this well-stocked collection, including her new take on denim, which saw airy, voluminous shapes trimmed in rich looking appliqué thread work.
There is nothing that is reasonably appropriate for a dry office job at Stella McCartney and for this we are deeply grateful. McCartney has her hand on the pulse of how every relaxed cool girl wants to dress; and the reality is that these women are now wearing well-designed, well-cut and well-made sportswear for nearly every hour of their day. McCartney offered a trove of options for spring, most of which came in coordinated, monochromatic two-piece sets. She cut wide leg culottes and sailor trousers from sturdy cotton twill and linen, setting them off with matching shirts or boxy tops. Giant portholes were cut out of the trims of skirts and tops, oversized belt buckles closed up the fronts of halter tops, while McCartney played with asymmetrical kerchief hems on both her tunic-length tops and matching skirts that were crafted from a cool looking ribbed knit. There were massive amounts of ripe cherries to pluck from this well-stocked collection, including her new take on denim, which saw airy, voluminous shapes trimmed in rich looking appliqué thread work.
There is nothing that is reasonably appropriate for a dry office job at Stella McCartney and for this we are deeply grateful. McCartney has her hand on the pulse of how every relaxed cool girl wants to dress; and the reality is that these women are now wearing well-designed, well-cut and well-made sportswear for nearly every hour of their day. McCartney offered a trove of options for spring, most of which came in coordinated, monochromatic two-piece sets. She cut wide leg culottes and sailor trousers from sturdy cotton twill and linen, setting them off with matching shirts or boxy tops. Giant portholes were cut out of the trims of skirts and tops, oversized belt buckles closed up the fronts of halter tops, while McCartney played with asymmetrical kerchief hems on both her tunic-length tops and matching skirts that were crafted from a cool looking ribbed knit. There were massive amounts of ripe cherries to pluck from this well-stocked collection, including her new take on denim, which saw airy, voluminous shapes trimmed in rich looking appliqué thread work.
There is nothing that is reasonably appropriate for a dry office job at Stella McCartney and for this we are deeply grateful. McCartney has her hand on the pulse of how every relaxed cool girl wants to dress; and the reality is that these women are now wearing well-designed, well-cut and well-made sportswear for nearly every hour of their day. McCartney offered a trove of options for spring, most of which came in coordinated, monochromatic two-piece sets. She cut wide leg culottes and sailor trousers from sturdy cotton twill and linen, setting them off with matching shirts or boxy tops. Giant portholes were cut out of the trims of skirts and tops, oversized belt buckles closed up the fronts of halter tops, while McCartney played with asymmetrical kerchief hems on both her tunic-length tops and matching skirts that were crafted from a cool looking ribbed knit. There were massive amounts of ripe cherries to pluck from this well-stocked collection, including her new take on denim, which saw airy, voluminous shapes trimmed in rich looking appliqué thread work.
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Dior MakeUp’s Peter Philips crafts looks inspired by designDior MakeUp’s creative and image director Peter Philips and photographer Charles Negre combine extravagant make-up with rare ceramics for a one-of-a-kind Wallpaper* story
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Poetry meets performance in Julianknxx’s film installations at Barbican’s Curve
Julianknxx opens his solo show ‘Chorus in Rememory of Flight’ at Barbican’s Curve, London
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São Paulo Biennial 2023: activism, repressed cultures and South America’s art history under the lens
The 35th São Paulo Biennial considers ‘Choreographies of the Impossible’ as the theme. Amah-Rose Abrams reports on what to see
