There is nothing that is reasonably appropriate for a dry office job at Stella McCartney and for this we are deeply grateful. McCartney has her hand on the pulse of how every relaxed cool girl wants to dress; and the reality is that these women are now wearing well-designed, well-cut and well-made sportswear for nearly every hour of their day. McCartney offered a trove of options for spring, most of which came in coordinated, monochromatic two-piece sets. She cut wide leg culottes and sailor trousers from sturdy cotton twill and linen, setting them off with matching shirts or boxy tops. Giant portholes were cut out of the trims of skirts and tops, oversized belt buckles closed up the fronts of halter tops, while McCartney played with asymmetrical kerchief hems on both her tunic-length tops and matching skirts that were crafted from a cool looking ribbed knit. There were massive amounts of ripe cherries to pluck from this well-stocked collection, including her new take on denim, which saw airy, voluminous shapes trimmed in rich looking appliqué thread work.
There is nothing that is reasonably appropriate for a dry office job at Stella McCartney and for this we are deeply grateful. McCartney has her hand on the pulse of how every relaxed cool girl wants to dress; and the reality is that these women are now wearing well-designed, well-cut and well-made sportswear for nearly every hour of their day. McCartney offered a trove of options for spring, most of which came in coordinated, monochromatic two-piece sets. She cut wide leg culottes and sailor trousers from sturdy cotton twill and linen, setting them off with matching shirts or boxy tops. Giant portholes were cut out of the trims of skirts and tops, oversized belt buckles closed up the fronts of halter tops, while McCartney played with asymmetrical kerchief hems on both her tunic-length tops and matching skirts that were crafted from a cool looking ribbed knit. There were massive amounts of ripe cherries to pluck from this well-stocked collection, including her new take on denim, which saw airy, voluminous shapes trimmed in rich looking appliqué thread work.
There is nothing that is reasonably appropriate for a dry office job at Stella McCartney and for this we are deeply grateful. McCartney has her hand on the pulse of how every relaxed cool girl wants to dress; and the reality is that these women are now wearing well-designed, well-cut and well-made sportswear for nearly every hour of their day. McCartney offered a trove of options for spring, most of which came in coordinated, monochromatic two-piece sets. She cut wide leg culottes and sailor trousers from sturdy cotton twill and linen, setting them off with matching shirts or boxy tops. Giant portholes were cut out of the trims of skirts and tops, oversized belt buckles closed up the fronts of halter tops, while McCartney played with asymmetrical kerchief hems on both her tunic-length tops and matching skirts that were crafted from a cool looking ribbed knit. There were massive amounts of ripe cherries to pluck from this well-stocked collection, including her new take on denim, which saw airy, voluminous shapes trimmed in rich looking appliqué thread work.
There is nothing that is reasonably appropriate for a dry office job at Stella McCartney and for this we are deeply grateful. McCartney has her hand on the pulse of how every relaxed cool girl wants to dress; and the reality is that these women are now wearing well-designed, well-cut and well-made sportswear for nearly every hour of their day. McCartney offered a trove of options for spring, most of which came in coordinated, monochromatic two-piece sets. She cut wide leg culottes and sailor trousers from sturdy cotton twill and linen, setting them off with matching shirts or boxy tops. Giant portholes were cut out of the trims of skirts and tops, oversized belt buckles closed up the fronts of halter tops, while McCartney played with asymmetrical kerchief hems on both her tunic-length tops and matching skirts that were crafted from a cool looking ribbed knit. There were massive amounts of ripe cherries to pluck from this well-stocked collection, including her new take on denim, which saw airy, voluminous shapes trimmed in rich looking appliqué thread work.
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Out of office: The Wallpaper* editors' picks of the weekThe London office of Wallpaper* had a very important visitor this week. Elsewhere, the team traverse a week at Frieze
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Alexandre de Betak on getting lost to find himself in LondonAs the world-renowned artistic director opens his first personal studio in London during Frieze Week, Alexandre de Betak reflects on leaving the fashion runway behind to explore light, space and creative freedom
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Step inside Faye Toogood's intimate cabinet of curiosities at PAD LondonFor PAD London 2025, (until 19 October) Faye Toogood presents The Magpie’s Nest with Friedman Benda
