Giorgio Armani A/W 2020 Milan Fashion Week Men's

Scene Setting: The show space – dressed as usual in complete darkness – had a new focal point. For A/W 2020’s cosy, chic collection, Armani had installed transparent recycled plexiglass sculptures in the centre of the runway. They represented melting ice. Around the venue, large digital screens mimicked a gentle snow shower. Armani had signaled his new commitment to sustainability with the launch of a recycled collection under the Emporio label. For his more formal line, the attitude was one of comfort and ease.
Mood board: Entitled ‘Tactile Impressions,’ the show focused on new attitudes to traditional constructions of menswear. Armani’s easy tailoring is enduring in its appeal, but how will its nuances, the relaxed put-togetherness, the warmth and grace translate in this new decade? Largely, there has been a move away from the hyper-streetwear/sports driven collections that brands have capitalized on for several seasons. There is a shift towards a new formality for a less stuffy age. Here, fluid jackets and blazers were cut like cardigans. Trousers were cuffed, Nehru jackets had a softer lean. Shawl collars were added to wraparound coats. Luxury fabrics fell around the body.
Best in show: When heavy themes dominate the headlines, clothes need to know their place and be unfussy. At Armani, the coming season brings with it a focus on the lightweight. There’s a rigour to the minimalism and a purging of stiffness, which is Mr. Armani’s métier. (He is famous for softening the suit, after all.) Velvet corduroy coveralls were worn with cropped ski jackets – cocooning puffa scarves wrapped around suiting. The look channeled a certain tactility with its mountain wools, jacquards, bouclés and velvets. It offered a wardrobe of opulent propositions.
Giorgio Armani A/W 2020. Photography: Jason Lloyd-Evans
Giorgio Armani A/W 2020. Photography: Jason Lloyd-Evans
Giorgio Armani A/W 2020. Photography: Jason Lloyd-Evans
Giorgio Armani A/W 2020. Photography: Jason Lloyd-Evans
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
London based writer Dal Chodha is editor-in-chief of Archivist Addendum — a publishing project that explores the gap between fashion editorial and academe. He writes for various international titles and journals on fashion, art and culture and is a contributing editor at Wallpaper*. Chodha has been working in academic institutions for more than a decade and is Stage 1 Leader of the BA Fashion Communication and Promotion course at Central Saint Martins. In 2020 he published his first book SHOW NOTES, an original hybrid of journalism, poetry and provocation.
-
This surreal new seafood restaurant in LA is the stuff of mermaid's dreams
At Cento Raw Bar, delectable fare is complemented by playful, oceanic interiors by Brandon Miradi
-
What’s new in the wearable world of smart glasses, and extended and augmented reality
Are you ready for AR? Meta, Google, Snap and more are gearing up to compete with Apple and deliver frames-based communications devices – complete with AI integration
-
Italian-Japanese fusion’s a joy at east London’s Osteria Angelina
A Victorian warehouse in Spitalfields has been given a slick modern makeover to house a unique Italian-Japanese restaurant
-
Milan exhibition celebrates 20 years of Armani Privé: ‘Haute couture is fashion when it becomes art’
Hosted at the Tadao Ando-designed Armani/Silos, ‘Giorgio Armani Privé 2005-2025, Twenty Years of Haute Couture’ displays an expansive collection of the Italian designer’s showstopping haute couture creations
-
Our Legacy’s Emporio Armani collaboration reworks the archive: ‘These fabrics carry history’
The second chapter of Our Legacy Work Shop Emporio Armani sees the Swedish brand reimagine archival Emporio styles and fabrics, including womenswear for the first time
-
The best fashion moments at Milan Design Week 2025
Scarlett Conlon discovers the finest fashion moments at Salone del Mobile and Milan Design Week 2025, from Loewe’s artist-designed teapots to The Row’s first home collection
-
Aesop’s ‘The Second Skin’ is a sensory sanctuary during Salone del Mobile 2025
Aesop unveils ‘The Second Skin’ in Milan, a multisensory ‘exploration of dermis and design’ that marks the arrival of the brand’s Eleos Aromatique body cleanser and lotion
-
Acqua di Parma says a sun-kissed ‘Buongiorno’ to Milan Design Week 2025
At its Milan store, Acqua di Parma is co-distillating exuberant ceramics and olfactory pleasure in an installation that honours its latest fragrance
-
Valextra’s collaboration with Zaven is a ‘travelling sculpture’ with its own suitcase
Revealed at Milan Design Week 2025, Valextra’s new project with Venice-based creative agency Zaven is inspired by Bruno Munari’s ‘Travel Sculptures’ and unexpected discoveries in the Italian leather brand’s archive
-
Ippolito Pestellini Laparelli on curating Gucci Bamboo Encounters at Fuorisalone: ‘We didn’t want to produce commodities’
Celebrating one of Gucci’s foundational materials, ‘Bamboo Encounters’ sees Ippolito Pestellini Laparelli of 2050+ bring together seven international artists and designers to explore bamboo through a series of ‘research projects’ at Milan’s Chiostri di San Simpliciano
-
Sunnei’s shape-shifting concept store and café takes up residence in the brand’s Milan HQ
‘It allows visitors to shop just steps away from the people who designed the pieces,’ say Sunnei founders Loris Messina and Simone Rizzo of the store, which features a Tommaso Vergano and Anastasia Posca-curated café – perfect for a Milan Design Week pitstop