The Wallpaper* guide to party dressing with abandon
Decadent get-ups to let your sartorial hair down this festive season, ready for a month-long marathon of hedonism and indulgence
If ever there was a season for letting your sartorial hair down, it is now. The arrival of December heralds the beginning of a month-long marathon of lunches, cocktail parties and dinners, a time to embrace hedonism and indulgence before the clock strikes midnight on 31 December (and the unavoidable New Year detox looms). As such, clothing should be chosen to match these epicurean pleasures: this is a time for the louche and seductive, and for all the trimmings – from animal prints and sequins to bold flourishes of faux fur (for men and women).
Here, as seen in the December 2024 issue of Wallpaper* – a comprehensive guide to entertaining in style – photographer Theresa Marx and Wallpaper* fashion and creative director Jason Hughes provide a guide to party dressing for social butterflies. Whether you are host or guest, it is an ode to decadence and dressing with abandon this festive season.
The Wallpaper* guide to party dressing
Animal instinct
If your home is one of minimal rigour, use your outfit to embrace a more maximalist demeanour. Animal print – from leopard spots to black-and-white zebra stripes – is one such way to do so, like this Balenciaga gown, which is also entirely sequin adorned. You’ll be the ultimate hostess – or most glamourous guest.
Drama queen
A sizeable faux-fur coat – like this by Dolce & Gabbana – will make for a particular dramatic entrance to any evening-time soiree, recalling 1980s glamazons spritzed with lashings of heady eau de parfum. For even more drama, refuse to take it off once inside.
White out
While the all-white ensemble might usually be reserved for the heat of summer (so the American diktat goes, white should not be worn after Labour Day), December might be an exception. Signalling a bygone glamour, this all-white double-breasted Gucci suit captures the insouciant spirit of Sabato De Sarno’s tenure at the Italian house so far.
Dot to dot
The polka-dot, beloved by the fashion greats – from Christian Lacroix to Yves Saint Laurent – captures the exuberance of the season. Like this bold, pussybow blouse by Massimo Giorgetti of MSGM, a Milan-based label known for its vibrant riffs on Italian street style.
Call to arms
Recent red-carpet outings have seen young male starlets – from Timothée Chalamet to Barry Keoghan – embrace arms-out dressing. Look to Hermès for an elegant play on the trend to replicate at home with this sleeveless riff on eveningwear (thrown-off shearling coat and worn-indoors sunglasses optional).
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Sit tight
We are strong proponents for the use of hosiery to enliven any outfit. All the more so in the boldest of hues: like this pair from undergarment expert Wolford, teamed with a vertiginous Versace heel sandal in the same tonal shade of cherry red.
Not-so-black tie
While the tuxedo remains the standard-bearer of formal style, holiday parties require a more undone approach. This leather trench coat by British heritage house Dunhill, worn over a white shirt and bow tie, is a louche play on black-tie dressing.
Go for gold
December is a month for the fashion magpie: whether the glimmer of sequins or the gilded sheen of silver or gold, it is a time when sparkle is all but encouraged. This brocade suit from Chanel is the sartorial equivalent of a toffee penny or shiny chocolate coin: sure to elicit a moment of pure pleasure.
Slip on
We have already declared the slipper as the definitive men’s shoe of A/W 2024, one which comes into its own when it comes to hosting duties. Simply slip on these sleek Prada mules and you’ll be ready to welcome guests – whatever the hour.
Say it with sunglasses
Some accessories speak for themselves. Take Gucci’s cat’s eye sunglasses, for example: entirely crystal adorned in the house’s double-G motif, they are impression-making enough to make almost any outfit festivity-ready (so much so, we’ll let you keep them on indoors).
Sheer delight
Anthony Vaccarello drew inspiration from perhaps the most famous (or infamous) party dress of all time – Marilyn Monroe’s so-called ‘Naked Dress’ – for a collection of sheer, hosiery-inspired layers whereby ‘fabric evaporated like mist’. While this was a collection for the bold, employ more subtle layers of transparency to replicate the seductive spirit of the look – like a diaphanous sheer blouse or low-denier tight.
Strike a pose
When dressing for a party, one should consider one’s ability to move: after all, December is a month for pure, bacchanalian abandon (and the inevitable impromptu dance party). Here, dancer Ami Benton demonstrates the satisfying stretch of a Wolford body suit – a bold but surprisingly practical get-up for the season’s festivities (a Cruella de Vil shearling from 16 Arlington makes for the perfect cover-up).
Seeing double
While we are not usually a proponent of dressing the same as one’s partner, a double all-black look might just be the exception – particularly if it’s Celine by Hedi Slimane, a designer whose love of the hue is well-documented.
Make it up
The season’s mood of abandon and excess should extend to your beauty routine, too. Channel a New Romantic spirit with bold swathes of colour – and ignore the old adage that when it comes to make-up one must choose between lip and eye. Here, the look was created by London-based make-up artist Marie Bruce – follow her Instagram for equally impactful beauty looks.
There’s always the LBD
If it ain’t broke, don’t fix it. The little black dress is the perennial party stalwart: little effort, maximum effect. We’ve accessorised this gently ruched Ferragamo mini with glimmering waterfall earrings (courtesy Alexis Bittar) and a pair of gravity-defying, slanted-heel pumps (also by Ferragamo).
Models: Jas Fraser-Nicholls at Elite London, Benno Bulang at Select Model Management, Ami Benton, Brennan Aldred at Brother Models. Casting: Ikki Casting at WSM. Set design: Atelier Paulina Piipponen. Hair: Christos Bairabas using Davines. Make-up: Marie Bruce using Dior Forever Foundation and Capture Totale Le Sérum. Manicure: Abena Robinson at Agency 41 using Chanel Le Vernis and La Crème Main. Photography assistants: Tom Porter, Jody Evans. Fashion assistants: Lucy Proctor, Leonie Dennett. Set design assistant: Juliette Temple. Hair assistant: Milita Nagelyte. Make-up assistant: Charlotte James. Manicure assistant: Brittany Cobbinah. Production assistants: Archie Thomson, Ady Huq, Clemmie Harris. Shot on location at Studio Wayne McGregor.
A version of this article appears in the December 2024 issue of Wallpaper* , available in print on international newsstands, on the Wallpaper* app on Apple iOS, and to subscribers of Apple News +. Subscribe to Wallpaper* today.
Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.
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