Rough and refined: Vincenzo De Cotiis’ ’Progetto Domestico’ opens at Willer
![’Progetto Domestico’ collection](https://cdn.mos.cms.futurecdn.net/g7WRaxKNRDNaAuSAYuvHaQ-415-80.jpg)
The ‘industrial elegance’ tag that has been previously given to architect Vincenzo De Cotiis’ interior undertaking, 'Progetto Domestico', has been fully demonstrated for his first UK exhibition, currently on show at London’s Willer gallery.
Willer's raw new space is a perfect home for De Cotiis’ forthright collection. Under the pipework ceiling stood many of the Italian’s remarkably luxurious yet rough pieces, experiments in aged and reclaimed matter. Natural flaws and defects are the highlight of the collection; and yet often the polished brass and abstract shapes make the pieces appear as sculptural artworks in themselves.
‘Vincenzo’s work immediately spoke to everything that I respond to in furniture and objects,’ says Rebecca Willer. The gallery’s new space on Kensington's Holland Street (around the corner from its original) has so far only hosted a set of Ty Best’s sculptural pieces. In its second exhibit in the grey-concrete location, the spotlight is shone on the exquisite features of De Cotiis’ work, many of which he has handcrafted himself. Fine textures in the onyx table are juxtaposed with the rough mesh work of his industrial wall sconces, which won a Wallpaper* Design Award earlier this year. Graphic lines were reflected in a brass wall cabinet, contrasting with the subtleties of the softly curved leather armchairs.
Willer further describes the collection as ‘furniture that is undoubtedly an art form, but which is useable, comfortable to live with, and which will just get better as it ages’. It comes as no surprise, then, that the timeless pieces will remain on show indefinitely at the Kensington gallery.
The collection, which is described as ‘industrial elegance’, is an experiment in aged and reclaimed matter
The gallery’s new Holland Street space is a perfect home for De Cotiis’ imposing collection
Natural flaws and defects are the highlight of the collection; and yet, the polished brass and abstract shapes often make the pieces appear as sculptural artworks in themselves
Graphic lines were reflected in a brass wall cabinet...
... contrasting with the subtleties of the softly curved leather armchairs
The fine textures of the onyx and brass table
Gallerist Rebecca Willer describes the collection as ‘furniture that is undoubtedly an art form, but which is useable, comfortable to live with, and which will just get better as it ages’
It comes as no surprise then that the timeless pieces will remain on show indefinitely at the Kensington gallery
INFORMATION
For more information, visit Willer’s website
ADDRESS
Willer
12 Holland Street
London, W8 4LT
Wallpaper* Newsletter + Free Download
For a free digital copy of August Wallpaper*, celebrating Creative America, sign up today to receive our daily digest of inspiration, escapism and design stories
Sujata Burman is a writer and editor based in London, specialising in design and culture. She was Digital Design Editor at Wallpaper* before moving to her current role of Head of Content at London Design Festival and London Design Biennale where she is expanding the content offering of the showcases. Over the past decade, Sujata has written for global design and culture publications, and has been a speaker, moderator and judge for institutions and brands including RIBA, D&AD, Design Museum and Design Miami/. In 2019, she co-authored her first book, An Opinionated Guide to London Architecture, published by Hoxton Mini Press, which was driven by her aim to make the fields of design and architecture accessible to wider audiences.
-
Commune’s sustainable personal care products look ‘quite unlike anything else’
Commune’s Somerset-made products stand out in the sustainable skincare crowd. Madeleine Rothery speaks with the brand’s co-founders Kate Neal and Rémi Paringaux
By Madeleine Rothery Published
-
‘Hedonistic and avant-garde’: Rabanne’s Julian Dossena on the legacy of the chainmail 1969 bag
Paco Rabanne’s 1969 chainmail handbag encapsulates the late designer’s futuristic, space-age style. Current creative director Julien Dossena tells Wallpaper* about the bag’s particular pleasures
By Jack Moss Published
-
Postcard from Paris: Olympic fever takes over the streets
On the eve of the opening ceremony of Paris 2024, our correspondent shares her views from the streets of the capital about how the event is impacting the urban landscape.
By Minako Norimatsu Published
-
Illustrated life: the first in our new series of deftly drafted dream homes
By Rosa Bertoli Last updated
-
Leading light: Armani/Casa dispatches a bright envoy to mark the launch of its new Milan store
By Nick Vinson - Art Direction Last updated